Shady Records presents Total Slaughter, an event featuring four of the most epic rap battles ever recorded. Highlighted by a main event of Hollow da Don vs. Joe Budden, Total Slaughter ... See full summary »
Seven days, 45 finalists, one World Champion. Shot on location in Las Vegas, Nevada, Rank takes us from the ranch to the arena for the struggle of the three highest-ranking bull riders ... See full summary »
BOOGIE TOWN, a modern day West side Story for the hip hop generation, takes place in a New York City of the future. There's no more violence, no more drugs - in their place are illegal ... See full summary »
Set on a university campus, the story line unfolds over a several month period in which the "Greeks" (fraternities and sororities) prepare for the culminating event: the step show ... See full summary »
An examination of corruption and class warfare in Brazil as told through the stories of a wealthy businessman, a plastic surgeon who assists kidnapping victims and a politician whose income relies on a frog farm.
Reveals a groundbreaking dance phenomenon that's exploding on the streets of South Central, Los Angeles. Taking advantage of unprecedented access, this documentary film bring to first light a revolutionary form of artistic expression borne from oppression. The aggressive and visually stunning dance modernizes moves indigenous to African tribal rituals and features mind-blowing, athletic movement sped up to impossible speeds. We meet Tommy Johnson (Tommy the Clown), who first created the style as a response to the 1992 Rodney King riots and named it Clowning, as well as the kids who developed the movement into what they now call Krumping. The kids use dance as an alternative to gangs and hustling: they form their own troupe and paint their faces like warriors, meeting to outperform rival gangs of dancers or just to hone their skills. For the dancers, Krumping becomes a way of life--and, because it's authentic expression (in complete opposition to the bling-bling hip-hop culture), the ... Written by
Sujit R. Varma
I FELT this movie. I understood it on a cellular level. I'm Afrian American, I'm over 50, and I didn't grow up in a neighborhood like these kids. I had ballet lessons, was a Brownie and a Girl Scout, yada, yada, yada. But I FELT this movie. I understood how and why they danced the way they did. I would have liked to know how the Asian clowns/krumpers got started and if they compete in the dance-offs. The same for the white genexer who felt he belonged with the clowns/krumpers. My hope is that some of these kids will find their way into society. Not every producer/director can feel proud of his or her work. This one can.
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