A documentary on the once-promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols, and the friendship/rivalry between their respective founders, Anton Newcombe and Courtney Taylor.
In this "beautifully intimate and utterly unique piece of cinema", Toby Amies crosses the line between filmmaker and carer, trying to cope with the strange and hilarious world view of the fragile eccentric, Drako Zarharzar. A love story.
When the wife of the Shogun's Decapitator is murdered and he is ordered to commit suicide by the paranoid Shogun, he and his four-year-old son escape and become assassins for hire, embarking on a journey of blood and violent death.
Martin (deceased) is stuck in a dead-end job, welcoming the newly departed into the afterlife. All he dreams of is going 'Up There'. But his plans are thrown into disarray when he has to ... See full summary »
Iain De Caestecker,
Through examining Fini Straubinger, an old woman who has been deaf and blind since adolescence, and her work on behalf of other deaf and blind people, this film shows how the deaf and blind... See full summary »
Jessica Yu's documentary explores the relationship between human life and Euripidean dramatic structure by weaving together the stories of four men: German terrorist, a bank robber, an "ex-gay" evangelist, and a martial arts student.
Reveals a groundbreaking dance phenomenon that's exploding on the streets of South Central, Los Angeles. Taking advantage of unprecedented access, this documentary film bring to first light a revolutionary form of artistic expression borne from oppression. The aggressive and visually stunning dance modernizes moves indigenous to African tribal rituals and features mind-blowing, athletic movement sped up to impossible speeds. We meet Tommy Johnson (Tommy the Clown), who first created the style as a response to the 1992 Rodney King riots and named it Clowning, as well as the kids who developed the movement into what they now call Krumping. The kids use dance as an alternative to gangs and hustling: they form their own troupe and paint their faces like warriors, meeting to outperform rival gangs of dancers or just to hone their skills. For the dancers, Krumping becomes a way of life--and, because it's authentic expression (in complete opposition to the bling-bling hip-hop culture), the ... Written by
Sujit R. Varma
David LaChapelle was introduced to krump dancing on the set of Christina Aguilera's "Dirrty" video, which he also directed. See more »
We're not gonna be clones of the commercial hip-hop world... because that's been seen for so many years.Somebody's waitin'on something different... another generation of kids with morals and values... that they won't need... what's being commercialized or tailor-made for them... custom-made, because I feel that we're custom-made. And we're of more value than any piece of jewelry... or any car or any big house that anybody could buy.
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Tonight I ended up unexpectedly seeing the advance screening of "Rize" today.
My suggestion: When this movie opens on June 24, stop everything and see it at your first opportunity. It is an eye-popping, total delight.
David LaChappel has accomplished a cinematic triumph in filming the true story of the rise of a phenomenal new dance style. The movie is not what you would typically expect. The main characters let you know right away that they have no intention of succumbing to the exploitive commercialization of hip hop with it's guns, violence and persistent misogyny. The filmmaker avoided that tired approach too.
Instead, these amazing young people have invented a way to transform their grief, anger and fears into a vibrant new art form that will make your spirit thump to the beat. They are over-comers who have decided to move beyond surviving to brilliantly thriving against the dire odds of South Central LA.
You will love this story. You will respect these people. You will rave over David LaChappel's stunning, original and immensely entertaining film.
But hey, don't take my word for it. Go and see Rize for yourself. You'll see why Rolling Stone calls this movie "a visual miracle," and why the Sundance crowd was so taken with this movie.
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