Jessica Yu's documentary explores the relationship between human life and Euripidean dramatic structure by weaving together the stories of four men: German terrorist, a bank robber, an "ex-gay" evangelist, and a martial arts student.
Seven days, 45 finalists, one World Champion. Shot on location in Las Vegas, Nevada, Rank takes us from the ranch to the arena for the struggle of the three highest-ranking bull riders ... See full summary »
"I'm not black, I'm not white, not foreign, just different in the mind. Different brains, that's all," explains 15-year-old Billy in Jennifer Venditti's provocative coming of age film. ... See full summary »
A documentary on the once-promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols, and the friendship/rivalry between their respective founders, Anton Newcombe and Courtney Taylor.
OUR DAILY BREAD is a wide-screen tableau of a feast which isn't always easy to digest - and in which we all take part. A pure, meticulous and high-end film experience that enables the audience to form their own ideas.
Claus Hansen Petz,
A look at the "Hell House" performed annually in October by the youth members of Trinity Church (Assemblies of God) in Cedar Hill, Texas (a Dallas suburb) - seen by over 10,000 visitors ... See full summary »
This documentary offers a glimpse into the life of an English neurosurgeon (Henry Marsh) situated in Ukraine as we are exposed to the overwhelming dilemmas he has to face and the burden he has to carry throughout his profession.
This documentary explores the activities of Alex Jones, Jim Tucker, Jack McLamb, and Luke Rudkowski. The film focuses on their efforts to expose the highly secretive meetings of the ... See full summary »
Reveals a groundbreaking dance phenomenon that's exploding on the streets of South Central, Los Angeles. Taking advantage of unprecedented access, this documentary film bring to first light a revolutionary form of artistic expression borne from oppression. The aggressive and visually stunning dance modernizes moves indigenous to African tribal rituals and features mind-blowing, athletic movement sped up to impossible speeds. We meet Tommy Johnson (Tommy the Clown), who first created the style as a response to the 1992 Rodney King riots and named it Clowning, as well as the kids who developed the movement into what they now call Krumping. The kids use dance as an alternative to gangs and hustling: they form their own troupe and paint their faces like warriors, meeting to outperform rival gangs of dancers or just to hone their skills. For the dancers, Krumping becomes a way of life--and, because it's authentic expression (in complete opposition to the bling-bling hip-hop culture), the ... Written by
Sujit R. Varma
I FELT this movie. I understood it on a cellular level. I'm Afrian American, I'm over 50, and I didn't grow up in a neighborhood like these kids. I had ballet lessons, was a Brownie and a Girl Scout, yada, yada, yada. But I FELT this movie. I understood how and why they danced the way they did. I would have liked to know how the Asian clowns/krumpers got started and if they compete in the dance-offs. The same for the white genexer who felt he belonged with the clowns/krumpers. My hope is that some of these kids will find their way into society. Not every producer/director can feel proud of his or her work. This one can.
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