In the slum of Cité Soleil, President Aristide's most loyal supporters were ruling as kings. The five major gang leaders were controlling heavily armed young men; the Chiméres. The Secret ... See full summary »
Winson '2Pac' Jean,
James 'Bily' Petit Frère
An examination of corruption and class warfare in Brazil as told through the stories of a wealthy businessman, a plastic surgeon who assists kidnapping victims and a politician whose income relies on a frog farm.
Through examining Fini Straubinger, an old woman who has been deaf and blind since adolescence, and her work on behalf of other deaf and blind people, this film shows how the deaf and blind... See full summary »
(T)ERROR is the first documentary to place filmmakers on the ground during an active FBI counterterrorism sting operation. Through the perspective of "Shariff", a 63-year-old Black ... See full summary »
Reveals a groundbreaking dance phenomenon that's exploding on the streets of South Central, Los Angeles. Taking advantage of unprecedented access, this documentary film bring to first light a revolutionary form of artistic expression borne from oppression. The aggressive and visually stunning dance modernizes moves indigenous to African tribal rituals and features mind-blowing, athletic movement sped up to impossible speeds. We meet Tommy Johnson (Tommy the Clown), who first created the style as a response to the 1992 Rodney King riots and named it Clowning, as well as the kids who developed the movement into what they now call Krumping. The kids use dance as an alternative to gangs and hustling: they form their own troupe and paint their faces like warriors, meeting to outperform rival gangs of dancers or just to hone their skills. For the dancers, Krumping becomes a way of life--and, because it's authentic expression (in complete opposition to the bling-bling hip-hop culture), the ... Written by
Sujit R. Varma
Dedicated to the memory of Quinesha "Lil Dimples" Dunford. See more »
We're not gonna be clones of the commercial hip-hop world... because that's been seen for so many years.Somebody's waitin'on something different... another generation of kids with morals and values... that they won't need... what's being commercialized or tailor-made for them... custom-made, because I feel that we're custom-made. And we're of more value than any piece of jewelry... or any car or any big house that anybody could buy.
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I FELT this movie. I understood it on a cellular level. I'm Afrian American, I'm over 50, and I didn't grow up in a neighborhood like these kids. I had ballet lessons, was a Brownie and a Girl Scout, yada, yada, yada. But I FELT this movie. I understood how and why they danced the way they did. I would have liked to know how the Asian clowns/krumpers got started and if they compete in the dance-offs. The same for the white genexer who felt he belonged with the clowns/krumpers. My hope is that some of these kids will find their way into society. Not every producer/director can feel proud of his or her work. This one can.
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