| Photos (See all 30 | slideshow) |
| Don Dunphy | ... | Himself (archive footage) | |
| Benny Paret | ... | Himself (archive footage) | |
| Emile Griffith | ... | Himself | |
| Pete Hamill | ... | Himself | |
| Juan Gonzalez | ... | Himself | |
| Howie Albert | ... | Himself | |
| Gil Clancy | ... | Himself | |
| Jimmy Breslin | ... | Himself | |
| Bill Gallo | ... | Himself | |
| Ron Ross | ... | Himself | |
| Hank Kaplan | ... | Himself | |
| Franklin Griffith | ... | Himself | |
| Jimmy Powers | ... | Himself (archive footage) | |
| Gaspar Ortega | ... | Himself | |
| Neal Gabler | ... | Himself | |
| Jack Newfield | ... | Himself | |
| Carmen Basilio | ... | Himself | |
| Lucy Paret | ... | Herself | |
| Joe Cortez | ... | Himself | |
| Manuel Alfaro | ... | Himself (archive footage) | |
| Emelda Griffith | ... | Herself (archive footage) | |
| Garry Moore | ... | Himself (archive footage) | |
| José Torres | ... | Himself | |
| Charles Kaiser | ... | Himself | |
| Liberace | ... | Himself (archive footage) | |
| Ruby Goldstein | ... | Himself (archive footage) | |
| Herb Goldstein | ... | Himself | |
| Ed Sullivan | ... | Himself (archive footage) | |
| Sugar Ray Robinson | ... | Himself (archive footage) | |
| Alexander Schiff | ... | Himself (as Dr. Alexander Schiff) | |
| Norman Mailer | ... | Himself (voice) | |
| Max Turshen | ... | Himself (archive footage) | |
| Joseph F. Carlino | ... | Himself - Speake of Assembly | |
| Gene Fullmer | ... | Himself | |
| Benny Paret Jr. | ... | Himself | |
| Ralph Dupas | ... | Himself (archive footage) | |
| Sadie Griffith | ... | Herself | |
| Eckhard Dagge | ... | Himself | |
| Luis Rodrigo | ... | Himself | |
| Juan LaPorte | ... | Himself | |
| Angelo Dundee | ... | Himself | |
| rest of cast listed alphabetically: | |||
| George Foreman | ... | Himself | |
| Marvelous Marvin Hagler | ... | Himself | |
| Naseem Hamed | ... | Himself | |
| Jacqueline Kennedy | ... | Herself (archive footage) | |
| John F. Kennedy | ... | Himself (archive footage) | |
| Jake LaMotta | ... | Himself | |
| Michael Moorer | ... | Himself | |
| Ken Norton | ... | Himself | |
| Jimmy O'Farrell | ... | Himself | |
| Lee Harvey Oswald | ... | Himself (archive footage) | |
| Nelson Rockefeller | ... | Himself (archive footage) | |
| Dustin Warburton | ... | Himself | |
Directed by | |||
| Ron Berger | |||
| Dan Klores | |||
Produced by | |||
| Jake Bandman | .... | assistant producer | |
| Ron Berger | .... | producer | |
| Larry Burday | .... | associate producer | |
| Larry Burday | .... | coordinating producer | |
| Liza Burnett | .... | associate producer | |
| Lewis Katz | .... | executive producer | |
| Dan Klores | .... | producer | |
| Jack Newfield | .... | co-producer | |
| Adam Schiff | .... | associate producer | |
Original Music by | |||
| Sherman Foote | |||
Cinematography by | |||
| Buddy Squires | |||
Film Editing by | |||
| Michael Levine | |||
Art Department | |||
| Joy Kilpatrick | .... | graphics designer | |
Sound Department | |||
| Mariusz Glabinski | .... | sound editor | |
| Marlena Grzaslewicz | .... | sound editor | |
| Roger Phenix | .... | sound | |
| Irv Reinhard | .... | sound | |
| Mark Roy | .... | sound | |
| George Shafnaker | .... | sound (as George Shafnacker) | |
| Ira Spiegel | .... | sound editor | |
| Dominick Tavella | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Erik Akerblom | .... | location engineer | |
| Andrew Cravotta | .... | videotape operator | |
| Will Curtin | .... | videotape operator | |
| Andy Futo | .... | assistant camera | |
| Peter Holmes | .... | videotape operator | |
| Stephen Kazmierski | .... | additional cinematographer (as Steve Kazmierski) | |
| Justin Kelly | .... | videotape operator | |
| Cecilia Lewis | .... | videotape operator | |
| Carmen Maxcy | .... | videotape operator | |
| John Meenan | .... | videotape operator | |
| Laura Nespola | .... | assistant camera | |
| Gerry Reises | .... | assistant camera | |
| Anthony Savini | .... | assistant camera | |
| Derek Young | .... | location engineer | |
Animation Department | |||
| Glen Schauer | .... | stills animation | |
Editorial Department | |||
| Wally Carey | .... | on-line editor | |
| Patricia Flannigan | .... | post-production | |
| Scott Gaillard | .... | color correction | |
| Melissa Kirz | .... | post-production | |
| Susan Korda | .... | editorial consultant | |
| Jacob Steingroot | .... | assistant editor | |
Music Department | |||
| Brian Chin | .... | music supervisor | |
| Oscar Hernandez | .... | composer: additional music | |
| Adam Lawrence | .... | music librarian | |
Transportation Department | |||
| Eddie Amaro | .... | driver | |
| Leroy Sims | .... | driver | |
Other crew | |||
| Howie Abbott | .... | source: archive photographs | |
| Joan Baird | .... | assistant to producer | |
| Charlie Barbrizio | .... | production assistant | |
| Tony Fosco | .... | source: archive photographs | |
| Libby Geist | .... | production assistant | |
| Herb Goldstein | .... | source: archive photographs | |
| Emile Griffith | .... | source: archive photographs | |
| George Kalinsky | .... | source: archive photographs | |
| Julianne Kim | .... | bookkeeper | |
| Jacob Maarbjerg | .... | source: archive photographs | |
| Claude Maloon | .... | source: archive photographs | |
| Randy Neumann | .... | source: archive photographs | |
| Veena Raj | .... | assistant to producer | |
| Elias Savada | .... | copyright researcher | |
| Daniel Vatsky | .... | researcher | |
| Karen Wyatt | .... | archival researcher | |
Thanks | |||
| Susanna Aaron | .... | special thanks | |
| Kevin Barry | .... | special thanks | |
| Karen Berger | .... | special thanks | |
| Steve Bornn | .... | special thanks | |
| Jonathan Dana | .... | special thanks | |
| Clive Davis | .... | special thanks | |
| Bob Drury | .... | special thanks | |
| Angelo Dundee | .... | special thanks | |
| Don Elbaum | .... | special thanks | |
| Ari Emanuel | .... | special thanks | |
| Linda Fiorentino | .... | special thanks | |
| Gary Ginsberg | .... | special thanks | |
| Les Goodstein | .... | special thanks | |
| Christina Griffin | .... | special thanks | |
| Donna Gutkin | .... | special thanks | |
| Greg Hodes | .... | special thanks | |
| George Kalinsky | .... | special thanks | |
| Craig Kallman | .... | special thanks | |
| Abbe Klores | .... | special thanks | |
| Emily Kriegel | .... | special thanks | |
| Mark Kriegel | .... | special thanks | |
| Peter Lofrumento | .... | special thanks | |
| Steve Lott | .... | special thanks | |
| Norman Mailer | .... | special thanks | |
| Cristina McGinniss | .... | special thanks | |
| Judith McNally | .... | special thanks | |
| Hunter Meighan | .... | special thanks | |
| Lorne Michaels | .... | special thanks | |
| Liston Monsanto | .... | special thanks | |
| Beth Nathanson | .... | special thanks | |
| Claudette Sierra | .... | special thanks | |
| Bruce Silverglade | .... | special thanks | |
| Eddie Simon | .... | special thanks | |
| Fisher Stevens | .... | special thanks | |
| Allison Weiner | .... | special thanks | |
| Luana Wheatley | .... | special thanks | |
| Patrick Whitesell | .... | special thanks | |
| Cary Woods | .... | special thanks | |
| Melissa Young | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
I am a Sergeant in the Army stationed in Korea and was unable to watch this amazing film when it premiered on TV. I think they had an inkling of just how amazing it would be because they showed it without commercials. This is a heart-wrenching story not only of boxing but of society as well and how we have changed over the years. The movie opens the fatal night of March 24, 1962 with Don Dunphy announcing the fight between Emile Griffith and Benny "Kid" Paret with the title at stake. The two had already fought twice splitting the victory between them. They were sort of the Ali-Frazier of the middleweight division. Paret had cruelly taunted his challenger before the fight calling him "maricon" (faggot). This was a shocking slur the press didn't even report at the time. Griffith had to be restrained from attacking him at the weigh in. This fight will always be one of boxing's most infamous because it was the first time a nationwide audience saw a man killed before their eyes. Ironically, even before this fight Griffith had not been known for being savage in the ring or a hard puncher. His record going into the fight was 28-3 with only 10 knockouts. However, in Round 13, he pinned Paret against the ropes and delivered the most savage beating you will ever see a boxer give another. In less then ten seconds he delivers over twenty devastating blows to the head. The referee did not stop the fight in time and Paret dies ten days later. There were so many far reaching aspects of this tragic night in 1962. Many hypocritical politicians called for the abolishment of boxing. It was years before fights were ever televised again. Referee Ruby Goldstein, who had had a distinguished career otherwise, never called another fight. However, the most devastating consequences that night were for poor Emile Griffith as this documentary makes painfully clear. Today, there is no big deal about a celebrity admitting their gay. It seems you cannot have a hit TV show, for example, without a character being gay. We put people like Ellen DeGeneres up on pedestals and make them icons of our culture. However, in the world of 1962, an admission of this was career suicide especially in the manly sport of boxing. How could a champion be gay? Griffith's personal life is his own business, but its heartbreaking watching this film and how the tragedy basically ruined this poor man. Griffith fought another fifteen years and became a six time champ. He was never the same fighter however. He fought another eighty bouts after March 24, 1962 but only scored twelve knockouts. He relied on his superb boxing ability rather then brute force to win. He admitted he was terrified of killing another. What shocked me is that champions of his era made nowhere near the outrageous purses of those today. Gil Clancy, his trainer, pointed out that it was common for even a champion to get only $50,000 for a fight. Like so many, Griffith stayed in boxing long after he should have retired. He lost twelve of his final twenty three fights. Today Griffith is a broken old man who requires full time care. He suffers from pugilistic dementia and also from nightmares still. I think the most touching moments of this film are the end where Paret's son embraces the weeping old champion and tells him he is forgiven.