An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Director Davis Guggenheim eloquently weaves the science of global warming with Al Gore's personal history and lifelong commitment to reversing the effects of global climate change in the most talked-about documentary at Sundance.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
Diana the 'People's Princess' has died in a car accident in Paris. The Queen and her family decide that for the best, they should remain hidden behind the closed doors of Balmoral Castle. The heartbroken public do not understand and request that the Queen comforts her people. This also puts pressure on newly elected Tony Blair, who constantly tries to convince the monarchy to address the public. Written by
Writer Peter Morgan reconstructed the events of the week after the death of Princess Diana through extensive interviews, with many unnamed sources close to the Prime Minister and the royal family. Many of these sources were able to corroborate the accounts of others, giving Morgan enough information to imagine intervening scenes. See more »
In the first bedroom scene between the Queen and Prince Philip, the snippets shown of Princess Diana's interview with Panorama are out of order. See more »
After weeks of campaigning on the road, Tony Blair and his family finally strolled the few hundred yards to the polling station this election day morning. Amongst the Labour faithful up and down the country, there is an enormous sense of pride in Mr. Blair's achievements, and the confidence that he is about to become the youngest prime minister this century.
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On the 1st of September 1997, the world saw tragedy. In the turmoil that followed, Princess Diana's death was blamed on the Media, the driver, and an entire array of others, before the upset and ill-meant malaise of the public was turned sneeringly to the Royal Family. In this film, we get a glimpse of what life was like inside Buckingham Palace, and whether The Queen (played here by Helen Mirren) was being cold and uncaring, or, if she was the one who was suffering most of all.
Director Stephen Frears recreates one week in 1997 with intelligent, deft strokes. The presentation of Princess Diana is artfully done in news snippets and archive footage, which brilliantly demonstrates the high impact her being had on people. The design of The Queen's home and her surroundings are convincing without being overly showy, and the Alexandre Desplat score is by turns dark, sad, and grand, perfectly summarizing the mindset of those involved.
But the film belongs to Helen Mirren, who takes on of her most challenging roles and showing us that behind the Queen lay a person, and one with feelings. In her role as the reigning lady, she is the epitome of suppressed disappointment and hurt. The Queen chose not to make a parade of her feelings in response to Diana's death, and, though the nation hated her for it, we learn here that it is not because she did not care, but because she honestly thought it the right thing to do.
As a young and newly elected Tony Blair with big aspirations and an even bigger grin, Michael Sheen is freakishly good as the Prime Minister. His performance shows a likable side of the prime minister in his refusal to side with the public over the denouncement of The Queen for her actions, and his attempts to make The Queen limit the damage that she has made is the basis for a very insightful story.
Other delights in this film come in some high-brow one-liners and some other good performances, but the best thing about it is how it manages to make you think, and even empathise with a group of people that you never saw yourself giving a toss about. At under 100 minutes, The Queen is funny, pointed and highly intelligent, showing that, as always, there are two sides to every story.
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