An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
Diana the 'People's Princess' has died in a car accident in Paris. The Queen and her family decide that for the best, they should remain hidden behind the closed doors of Balmoral Castle. The heartbroken public do not understand and request that the Queen comforts her people. This also puts pressure on newly elected Tony Blair, who constantly tries to convince the monarchy to address the public. Written by
The film portrays Charles as being terrified of being shot. In reality, he supposedly was, even going so far as to deliberately leave notes to himself saying as much, where his staff might find them. This activity was filmed but cut from the final movie. See more »
The Tuesday meeting in the Chancellor's office is at 10 am, and Blair's aide returns to say it lasted "two and a half hours". Yet, back at Balmoral, it is morning and everyone is preparing to leave to flush the buck when the faxed memorandum reporting on the results of the meeting arrives. See more »
After weeks of campaigning on the road, Tony Blair and his family finally strolled the few hundred yards to the polling station this election day morning. Amongst the Labour faithful up and down the country, there is an enormous sense of pride in Mr. Blair's achievements, and the confidence that he is about to become the youngest prime minister this century.
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A moment that may have felt like surrender to Elizabeth II is the most moving and powerful moment in a film filled with moving and powerful moments. Helen Mirren works a miracle with her characterization. When the Queen is forced by circumstances to address her people and mourn in public Diana's death, Helen Mirren doesn't forget that her character is a seasoned public speaker but not an actress. When she delivers her speech to her subjects, the real strength is in her commitment to her duty and not the meaning of her words. It is a chilling, masterful acting stroke. Stephen Frears uses the brilliantly structured script to reveal something that's always being in front of our eyes but we've never seen. The privacy of the most public people in the world. Michael Sheen is terrific as Blair and every piece of casting is truly inspired but it's Helen Mirren's film, oh yeah, one hundred per cent.
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