Thirteen-year-old Ernest Chin lives and works at a sleazy hourly-rate motel on a strip of desolate suburban bi-way. Misunderstood by his family and blindly careening into puberty, Ernest ... See full summary »
A husband-and-wife team play detective, but not in the traditional sense. Instead, the happy duo helps others solve their existential issues, the kind that keep you up at night, wondering what it all means.
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
Two bumbling store clerks inadvertently erase the footage from all of the tapes in their video rental store. In order to keep the business running, they re-shoot every film in the store with their own camera, with a budget of zero dollars.
Starting from childhood attempts at illustration, the protagonist pursues his true obsession to art school. But as he learns how the art world really works, he finds that he must adapt his vision to the reality that confronts him.
A young Jewish American man endeavors to find the woman who saved his grandfather during World War II in a Ukrainian village, that was ultimately razed by the Nazis, with the help of an eccentric local.
Thirteen-year-old Ernest Chin lives and works at a sleazy hourly-rate motel on a strip of desolate suburban bi-way. Misunderstood by his family and blindly careening into puberty, Ernest befriends Sam Kim, a self-destructive yet charismatic Korean man who has checked in. Sam teaches the fatherless boy all the rites of manhood. Written by
I thought the movie was excellent, except for the conclusion. Like most independent films, the third act is lacking. Kang really told a great story, but it kind of fell flat at the end. I guess his mother reading the story is supposed to be the conclusion, but maybe having some sort of dialogue with the son would have made the third act more fulfilling.
Otherwise, can't say enough good things about this movie. I liked that there were no stars. I always find a movie more believable when I don't know anyone in the cast. Hey look, it's Denzel. Wasn't he killed in Training Day? The opening scenes with strangers coming in to have sex and the family having to clean up their mess was done very well. Brought the audience into a world it never sees.
I knew very little about Asian relationships from movies. The only other Asian film (besides Crouching Tiger and the like) that I have seen that has dealt with relationships is the Joy Luck Club. It was nice to see this dynamic from the viewpoint of a young male. Joy Luck Club was solely from the female perspective.
Can't wait to see more from Kang.
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