| Photos (See all 4 | slideshow) | Videos (see all 15) |
| Paul Newman | ... | Introduction by | |
| Steve Squyres | ... | Himself | |
| Rob Manning | ... | Himself | |
| Charles Elachi | ... | Himself (as Dr. Charles Elachi) | |
| Wayne Lee | ... | Himself | |
| rest of cast listed alphabetically: | |||
| John Beck Hofmann | ... | Himself (uncredited) | |
Directed by | |||
| George Butler | |||
Writing credits(WGA) | ||
| George Butler | (written by) and | |
| Robert Andrus | (written by) | |
| George Butler | (narration) | |
Produced by | |||
| George Butler | .... | producer | |
| Tara Grace | .... | associate producer | |
| Frank Marshall | .... | producer | |
| Scott Swofford | .... | executive producer | |
Original Music by | |||
| Philip Glass | |||
Cinematography by | |||
| T.C. Christensen | |||
| Sandi Sissel | |||
| Matthew Williams | |||
Film Editing by | |||
| Nancy Baker | |||
Production Management | |||
| Rick Gordon | .... | post-production supervisor | |
| Scott Swofford | .... | unit production manager | |
Sound Department | |||
| John P. Fasal | .... | sound mixer | |
| Steven C. Laneri | .... | sound mixer | |
| Michael L. McDonough | .... | sound designer (as Michael McDonough) | |
| Roger Phenix | .... | production sound mixer | |
| Roger Phenix | .... | sound mixer | |
| Ryan Purcell | .... | foley artist | |
| Gary Rizzo | .... | sound re-recording mixer | |
| Karl Rosengren | .... | assistant sound editor | |
Visual Effects by | |||
| Johnathan R. Banta | .... | digital supervisor: Sassoon Film Design | |
| Aja Bogdanoff | .... | digital artist | |
| David Booth | .... | scanning & recording: Fotokem Digital Film Services | |
| Tim Enstice | .... | digital production manager | |
| Colin Feist | .... | digital compositor | |
| Jason Jue | .... | digital compositor | |
| Dan Maas | .... | visual effects supervisor | |
| Alan G. Markowitz | .... | visual effects supervisor | |
| Jeremy Nicolaides | .... | compositing supervisor | |
| John Niehuss | .... | digital artist | |
| Tom Piedmont | .... | digital compositor | |
| Benjamin Schweighart | .... | digital artist | |
| Jun Watanabe | .... | digital effects artist | |
| Justin Wick | .... | software consultant | |
Camera and Electrical Department | |||
| Zep Christensen | .... | first assistant camera | |
| Rhett E. Fernsten | .... | gaffer | |
| Tyler Meiners | .... | dolly grip | |
| John Beck Hofmann | .... | additional camera operator: documentary (uncredited) | |
| Scott Hulme | .... | additional camera operator: documentary (uncredited) | |
Animation Department | |||
| Eric DeJong | .... | animator: space sequences | |
Editorial Department | |||
| Tina Ballou | .... | post-production coordinator | |
| Chi Yoon Chung | .... | assistant editor | |
Music Department | |||
| John Carbonara | .... | assistant music editor | |
| Susan Jacobs | .... | music supervisor | |
| Scott Johnson | .... | music editor | |
| Suzana Peric | .... | music editor | |
| Michael Riesman | .... | conductor | |
Transportation Department | |||
| Brett Miller | .... | transportation coordinator | |
Other crew | |||
| Edwin Escalante | .... | post production (as Ed Escalante) | |
Thanks | |||
| Daniel Holton-Roth | .... | thanks | |
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| Red Planet | Revealing Mars | Capricorn One | Destination Earth | Bouncing to Mars |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
This incredible, true science story was made and released on Imax, but I saw it on DVD. It is straightforward and, while interesting, it has limited entertainment value for those with little interest in the Mars Rover project. It is short and I felt that more could have been included and an effort could have been made to use more of a 'storytelling' approach. As well, writer/director/narrator George Butler could have used celebrities or strong personalities among the mission team, to create more interest. his choice, however, was to create a simple documentary, which is fine for space race fans, but of limited interest to others.
The feature tells the story of NASA's Mars Rover mission, which saw the construction of two incredibly complex robotic vehicles (The total technology involved in the rovers exceeds the brain capacity of any one person - best useless fact of the film) named 'Spirit' and 'Opportunity' and sent them to the surface of Mars, where they landed successfully in the summer of 2003. There is extensive footage of the surface of Mars, where both carefully accurate CGI and actual Rover footage, is used to give the viewer a nice visit to another world. Amazingly, the planned mission of 90 days has now gone on for over four years and continues to this day. They don't tell you that in the film. I became curious and looked it up for you guys.
This documentary is an excellent choice for educators and for those with an interest in the space program. Many others, who are less academically curious will not enjoy it and should steer clear. If it is your cup of tea, then check out the special features, as well. They share a lot more interesting information.
This work was first posted on realmoviereview.com