George has just been released from prison, and manages to get a job driving a call girl from customer to customer. Initially they don't get on; he doesn't fit in with the high class customers Simone services. Will they ever get on?
In 1931, a young soldier (Fernando) deserts from the army and falls into a country farm, where he is welcomed by the owner (Manolo) due to his political ideas. Manolo has four daughters (... See full summary »
Fernando Fernán Gómez,
Put a camera in Brazilian town, push record, and you have a film
This is the umpteenth time that Fernando Trueba, a highly overrated director of movies which only exist because he survives on film-subsidies of the government. Basically Trueba goes to Brazil, puts a camera in the middle of a semi-poor area, asks some people to make music, starts recording and then goes back to Spain to show his holiday video to his 'audience'. An audience which exists mainly of people who think by saying they like Truba movies and Brazilian music from the barrio, they are good left wing intellectuals, but in fact are an arrogant bunch of ignorant followers who need someone to introduce Brazilian music to them, whereas it's so easy to discover it yourself, and better music than then the one displayed in this film. If there's any reason why the Spanish government should not pump more money into the 'directors/beggars' like Trueba, here's the proof. It's a disgrace. It's not surprising that Almodovar decided to leave the Academy, because it's made up of lazy directors like Trueba for whom film making is all about financial, and arrogance, rather than a passion to make good films. It'a terribly unoriginal documentary and definitely not a Brazilian Buena vista Social Club.
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