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*** This review may contain spoilers ***
Okay, this is what I think happened (SPOILERS SPOILERS SPOILERS!!):
Felix and Vera have broken up, and he is lonely. His neighbor, Martin,
who is constantly trying to find things to do to avoid his wife Claudia
since the accident which has left her paralyzed, discovers the tunnel
in his basement and tries to figure out where it goes. This leads him
to Felix's house, where after scoping out its street location, Martin
decides that the tunnel ends in his neighbor's basement, so he
contrives a way to get inside. He pretends to need to make an urgent
phone call, and once inside, Martin asks Felix if he has a basement and
upon learning that he does, he returns to his own house, where his wife
Claudia locks him in their basement.
Martin, realizing that he will die of insulin shock if he doesn't get out, uses a pickaxe on the wall of the tunnel hoping to escape into Felix's basement. Felix hears the pounding of the pickaxe on the wall and is being driven crazy by the noises, which Vera believes is a loose bedroom window shutter banging in the breeze. Felix and Vera make love, but Felix later finds her missing from their bed. He goes to the kitchen, where he hears the voice of Claudia talking to Martin about being discovered by Bruno echoing through the tunnel into his house, but he mistakenly thinks that it is Vera talking to the intruder. He enters the kitchan to find her alone. Vera, naturally, has not heard the voices and doesn't know what Felix is talking about, so she gets angry at his accusations and leaves.
Felix becomes more paranoid by the thought that the man is still in his house, so after the accidental death of Mrs. Meuller (the dog was just running upstairs and her fall WAS an accident), he acquires a gun and goes home where he sees the shadow of an intruder in his attic. He shoots them sight unseen, then in a fit of vengeance, locks up his house so the stranger will die inside and he'll be rid of him once and for all. Felix destroys his alarm system in the event that the intruder gets a door or window open but is too weak to escape, the police will not be summoned.
Felix drives to a spot in the neighborhood to wait while his captive dies, but 2 kids see his drawing of Martin and recognize the man. Felix goes to Martin's house and breaks in, returning the favor, but soon becomes obsessed with Claudia, who (possibly in Felix's mind) resembles Vera. Bruno, a friend of Martin's, is in unrequited love with Claudia, and when they realize someone is in the house, they chase Felix into the basement, where he discovers the tunnel. He follows it and finds Martin, dead, then escapes back into his own house through the hole Martin has started. Wounded in the back by Bruno, Felix has to know who he shot in the attic and he drags himself to the door where he sees through a hole she made trying to escape, Vera lying on the floor, wounded and bleeding to death. She had returned to his house, using her keys to get in, to look for his portrait of her. As Felix watches her, he is shocked to hear her talking to her unborn fetus, which is undoubtedly his child.
Does this sound cohesive? Did I miss anything?
Is it possible to live in somebody's house hiding all the time and
avoid that the inhabitants there detect your presence? Well, that's the
question this original story deals with. "El habitante incierto" keeps
the audience on the alert, 'cause you don't really know what's going
on. That plot remind me of Ki-Duk Kim's "Bin Jip" (but that's the only
point in common between these two movies).
The movie has a good script, though some dialogs are rather affected and there are a couple of characters that are not well defined. Anyway, the film as a whole really thrilling and brilliant, and the actors are quite reliable (specially Mónica López who plays two different roles).
In short: a nice choice.
*My rate: 7/10
*** This review may contain spoilers ***
This was an amazing film, it was fresh and original and really does
keep you on the edge of you seat. From reading previous comments on
here i think the following info my clear up a bit of confusion.
***FOLLOWING CONTAINS SPOILERS, DO NOT READ FURTHER IF YOU HAVE NOT SEEN THE FILM*** The kitchen scene where Felix hears his girlfriend talking to someone, saying that they cant hide forever and we have to tell him your inside, this is his girlfriend talking to her unborn child! she had not revealed to him that she was pregnant but was preparing to do so, she of course speaks to the baby again at the end of the film. Hope this helps. People should be forced to buy this film its so good!!
A young, thorough architect separates from his girlfriend and finds himself alone in a huge house. What could happen if an unknown man, after asking for using your phone at night, vanished from your living room while you were politely waiting in the kitchen? This is a rather unclassifiable movie. Between drama and thriller (and even a bit of disturbing comedy), it does look lushly filmed -Variety words-, well paced and definitely different from most first movies shot in Spain. Although the film suffers from a few hesitating moves, and it is not for lazy, easy-going audiences, it's well worth watching and contains some really bright, new ideas. One more turn of the screw around loneliness, voyeurism and affections - but a really interesting one.
Oh what a film - great story, great actors, great direction! Totally original, unpredictable and captivating, this movie proved to be the film experience of the month. Free of all kinds of clichés, it's a good example of a deep and disturbing old world thriller, which can be horrifying and funny at the same time. Perfectly written and grasping, it draws the viewer into a twisted world which could be surrounding each one us. Without stressing the paranoid aspect or attempting to brainwash the spectator, it manages to create a believably claustrophobic atmosphere and yet offer a very humane look upon loneliness and fear without introducing any evil characters or violent situations. I can't help but applaud the authors of this film and give it the full 10 points.
The same producers , Mar Targarona and Joaquin Padró , who ulteriorly
will make ¨The orphanage¨ ¨The Julia's eyes¨ or ¨Los Ojos De Julia¨ ,
¨X3pd¨ , and ¨The Body ¨or ¨El Cuerpo¨ bring us another unsettling film
, this ¨El Habitante Incierto ¨ or ¨The uncertain guest¨ . The film
contains tension , thriller , drama , mystery , plot twists and shocks
, including decent scares with tense terror sequences especially in its
final part , in a creepy denouement , near of the end . It deals with
an architect called Felix (Andoni Gracia) who has just split up with
his fiancéé called Claudia (Monica Lopez) and inhabits a big mansion in
the great city of Barcelona . Then a stranger into your house to use
your telephone , while he has been patiently waiting in the kitchen ,
he finds out how many hiding places there really are at his home . But
are there enough to hide another individual , a rare parasite of living
space ? . The premise is the following : whether Felix being stalked by
an strange visitor or is Félix really going nutty ? Open the door to
your worst nightmare .
This suspenseful movie was produced by the successful Catalan producers Mar Targarona and Joaquin Padró ; it displays relentless thriller , intrigue , Kafkaesque incidents , shocks , hard-edged drama , twisted plot , creepy images and some gore when crimes take place . ¨The uncertain guest¨ is a motion picture that balances precariously over the dark comedy , ¨Psycho¨ Hitchockian intrigue , Michael Haneke's ¨Funny games¨ invasion genre and Michael Powell's ¨Peeping Tom¨ style . Despite its low budget the picture manages to be intelligent , intriguing and thrilling . The good thing about this film is that the directors made it on a shoestring budget only having to do one set , yet the movie works on many levels but is constantly reconfigured . This is an interesting flick as well as a superbly written script delving into the human psyche in such extreme situation . The overall result is chilling proof that filmmaker Guillem Morales can take us back into a house while delivering a completely different scare . Although is sometimes slow moving and stagy , however is entertaining for continuous suspense . The cast is frankly well giving fine performances , though little known actors , such as Andoni Gracia as insane Felix and Monica Lopez as wheel-bounded-chair Vera ; including brief performances from Francesc Garrido and director Agusti Villaronga . Sinister and mysterious atmosphere is finely photographed by cameraman Sergio Bartroli , being filmed on location , mostly interiors , in Valldoreix , Esplugues De Llobregat , Sant Cugat del Vallès , Barcelona , Catalonia, Spain . Suspenseful and stirring musical score by Marc Vaillo.
Spanish fantastic film has been having an incredible renaissance over the past 15 years. From Álex De la Iglesia to Jaime Balaguero to Alejandro Amenábar to Paco Plaza to Nacho Vigalondo, all range of horror, science fiction and fantasy has been pouring out of the country, to be embraced by cinephiles and cult film enthusiasts , and with ¨The uncertain guest¨ by Guillem Morales , the Spanish terror cinema advances more and more . This motion picture relatively cheap was professional and tautly written and directed by Guillem Morales who subsequently realized another hit titled ¨The Julia's eyes¨ also dealing with violent confrontation among two characters . The movie will appeal to suspense enthusiasts and twisted intrigues buffs . It's well worth watching and contains some really eerie scares and disturbing images . This is without a doubt a thought-provoking and thrilling film to be liked for suspense fans , turning out to be one of the most original Spanish movies of the last years . A new international version of 'The Uninvited Guest' is on its way along with remakes of Guillem Morales' Julia's Eyes The Orphanage' from Ja Bayona" and as well as a remake of Oriol Paulo's The Body.
In Germany this movie is called, Uncertain Guest, but Uninvited Guest
might be the more appropriate title. I watched this movie at the annual
Fantasy Filmfest in the city Stuttgart. I didn't know what to expect,
else then a thriller. After a slow beginning this movie gets in gear.
And if you're with it for the ride, you'll get rewarded with a really
great story/movie. There's only one thing you have to cope with, is
that halfway through it'll change lanes ... The movie heads the same
direction, but with a slightly different premise ... You'll understand
once you watched it! ;o)
This change is necessary, because the movie would have become boring. The pace is going down a little during this change, but after that it accelerates again and will have you on your toes for the rest of the time. And it is the second part of the movie, that has one of the most chilling scenes (at least it had that affect to me, because it created images and thoughts in my head that weren't funny at all) I have seen in the last few years! But be warned, this movie might leave you with more questions than answers. It might, so if you're not afraid of that, try it out and have fun! :o)
Felix is an architect reeling from the recent split from his long time girlfriend. Now living alone he in a very large house, he pesters his former lover daily, to come home. One night his door bell rings, Felix jumps up to answer it, hoping its her, but it's a stranger wanting to use his phone, Felix is reluctant to let him use it, but eventually gives in. He leaves the man to have some privacy and goes to his kitchen, where he waits for him to finish, after a short time, Felix returns to the phone to see what's keeping the man but he's not there. Felix calls out to him, but there is no answer, he checks the house thoroughly thinking the man may have been out to rob him, but again there is no sign of him. Felix locks up the house and retires to bed. He then starts to hear faint noises around the house, could the man be still in the house? Again he finds nothing, this continues for a couple of days until finally he thinks he has cornered the intruder, he calls the police who come immediately and again find nobody. Is there an intruder at all or is Felix going slightly crazy or is there some other reason? The Uninvited Guest touches on a theme that would scare the living daylights out of anybody, an intruder in your own home, the twist here is that its pure mental torture on Felix as he doesn't know for sure that there is someone. The success of a film like this is first of all down to its script and it's a good one, its very clever and delivers plenty of twists in an otherwise simple plot line. The film is actually turned on its head halfway through with one of those clever twists I already mentioned that adds immensely to the thrilling ride, this is one of those films that keeps giving right until the end, I haven't quite analysed all the twists to see if they make any sense, but that doesn't matter as this is a classy enthralling film, one I didn't want to end.
"The Uninvited Guest" is a psychological horror about a man letting a
stranger into his house to make an urgent phone call in the middle of
the night. While the man of the house patiently waiting -in the
kitchen- for the stranger to finish his call, the stranger suddenly
disappears! but the man believes that the stranger is still in the
house. Unable to differentiate between what is true and what is not,
the man starts hearing strange noises and acting crazy. Did the
stranger let himself out after he finished the phone call? Or is he
really hiding in the house? Is the man of the house going insane? Or
are these hallucinations true?
It's definitely one of the best films I've seen from the last decade. The plot is intriguing, The acting is superb and the directing is brilliant. It is a very clever film and it will deceive you in almost every scene. If you like this kind of psychological horrors/thrillers, you will love this one!
I like to imagine that money came in for this before the filmmaker had
the chance to iron out the creases in the script and he just went ahead
while the project was still hot and he could get it made.
It is half-way an interesting film, a more novel take on Hitchcock than we have seen from DePalma in ages; the prowling eye of the camera; the vertigo of assumed identities and deceived points-of-view; the projections in space of an obsessive mind. But a deeply flawed film that left me with a growing sense of dissatisfaction.
Our point-of-view is decidedly with a man who comes to think that someone else is hiding in his own house. The house itself is a spacious labyrinth of modern architecture so it's impossible to make sure; dark corners abound and the mind comes to cast in them its own shadows of doubt. The paranoid situation he's embroiled in becomes worse when he suspects that his ex is involved in some mysterious bargain where he is the victim.
The story has been set in motion long before though. There is a woman who has suffered a crippling accident and whose husband has grown distant from her, we get to find out about this later in the film when he does.
In the first house, physical space is what the mind fills in with its own chimeras. In the second house, it's what the mind fills with emotional pain, with distance as the space between hearts and affections.
It's in this second house that the man seeks refuge - where he comes to fill the space left blank by the missing husband - now by going into hiding himself, and so looking at his situation from the inverse point-of-view. Now we are what we were trying to apprehend in the first half, looking to evade capture from anxious eyes. So if the first house was the setting for a thriller, what was perceived from our end as holding elusive danger, here it's us causing the thriller to happen while from our pov it is recast as this exhilarating game of hide-and-seek. It makes sense to watch this as a dance or performance art; where one partner swings out of view just seconds before the other enters it, with both locked together in a ballet of appearances.
The man obsessively imagines himself as part of a relationship, and the film assumes a whimsical, light-hearted tone. This strangely underscores the fundamental creepiness of what is really going on.
There are two problems in all this. One is that it never makes any sense why our man behaves the way he does. Usually what Hitchcock did was that he would supply the doubt of an unreliable eye or unstable mind; here the guy seems perfectly normal and then acts completely unhinged.
The other is the ending, where the filmmaker stretches to explain for us the missing links of the story. We knew that the two houses were somehow linked, but it turns out that they were quite literally so. So instead of using mirrored space - and persons, there's two of everyone here and one woman seems to be the other's twin sister - as the means of examining abstract reflections, we're give pieces of a puzzle to put together. In doing so, whole swathes of the story collapse and what held elusive power by remaining just out of sight is made to be safely ordinary or, worst, downright stupid.
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