The rise of national socialism in Germany should not be regarded as a conspiracy of madmen. Millions of "good" people found themselves in a society spiralling into terrible chaos. A film about then, which illuminates the terrors of now.
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Disgruntled Korean War vet Walt Kowalski sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.
Director:
Clint Eastwood
Stars:
Clint Eastwood,
Christopher Carley,
Bee Vang
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
Crossing Over is a multi-character canvas about immigrants of different nationalities struggling to achieve legal status in Los Angeles. The film deals with the border, document fraud, the ... See full summary »
Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games, a televised fight to the death in which two teenagers from each of the twelve Districts of Panem are chosen at random to compete.
Director:
Gary Ross
Stars:
Stanley Tucci,
Jennifer Lawrence,
Liam Hemsworth
John Halder is a 'good' and decent individual with family problems: a neurotic wife, two demanding children and a mother suffering from senile dementia. A literary professor, Halder explores his personal circumstances in a novel advocating compassionate euthanasia. When the book is unexpectedly enlisted by powerful political figures in support of government propaganda, Halder finds his career rising in an optimistic current of nationalism and prosperity. Seemingly inconsequential decisions lead to choices, which lead to more choices... with eventually devastating effect. Written by
Anonymous
In the scene, when Halder takes a walk with his ex-wife in the cemetery, which is supposed to be in Berlin, Germany, Hungarian names are clearly visible on the gravestones. See more »
Soundtracks
"Caretakers' Song - Rheinlegendchen"
from Des Knaben Wunderhorn
Written by Gustav Mahler See more »
This is a poor film adaptation of C.P. Taylor's stage play. I can see how this drama may have been much more effective on stage; unfortunately, under Vicente Amorim's amateurish direction this story loses all its impact as a motion picture.
Although others on this board have complained about Mortensen's performance, as well as the use of British accents, I happen not to agree: Mortensen's against-type performance was excellent, and the use of British accents served to constantly remind us that the characters were foreign, and, at the same time, allowed us to understand them. (Mortensen and others speaking in their native American accents would have been much more incongruous and jarring).
My main complaint about this movie is that it adds absolutely nothing to our knowledge of the Holocaust. It's an entirely superfluous film.
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This is a poor film adaptation of C.P. Taylor's stage play. I can see how this drama may have been much more effective on stage; unfortunately, under Vicente Amorim's amateurish direction this story loses all its impact as a motion picture.
Although others on this board have complained about Mortensen's performance, as well as the use of British accents, I happen not to agree: Mortensen's against-type performance was excellent, and the use of British accents served to constantly remind us that the characters were foreign, and, at the same time, allowed us to understand them. (Mortensen and others speaking in their native American accents would have been much more incongruous and jarring).
My main complaint about this movie is that it adds absolutely nothing to our knowledge of the Holocaust. It's an entirely superfluous film.