The rise of national socialism in Germany should not be regarded as a conspiracy of madmen. Millions of "good" people found themselves in a society spiralling into terrible chaos. A film about then, which illuminates the terrors of now.
Young writer Sal Paradise has his life shaken by the arrival of free-spirited Dean Moriarty and his girl, Marylou. As they travel across the country, they encounter a mix of people who each impact their journey indelibly.
John Halder is a 'good' and decent individual with family problems: a neurotic wife, two demanding children and a mother suffering from senile dementia. A literary professor, Halder explores his personal circumstances in a novel advocating compassionate euthanasia. When the book is unexpectedly enlisted by powerful political figures in support of government propaganda, Halder finds his career rising in an optimistic current of nationalism and prosperity. Seemingly inconsequential decisions lead to choices, which lead to more choices... with eventually devastating effect. Written by
The music played at the end by the Jewish prisoners is Gustav Mahler's first symphony, third movement. This movement uses as one of its themes a parody of the popular children song "Frère Jacques", and the whole symphony borrows heavily from one of Mahler's song cycles, Lieder eines Fahrenden Gesellen. The last song, "Die zwei blauen Augen" (The two blue eyes) can be heard sometimes during the movie, as in the end of the movie shoot and as part of the symphony's movement being played. See more »
In the scene, when Halder takes a walk with his ex-wife in the cemetery, which is supposed to be in Berlin, Germany, Hungarian names are clearly visible on the gravestones. See more »
I watched this film expecting little. However, I was pleasantly surprised to find the film educational and interesting throughout. It paints a picture of the 'Jewish Question' and events leading up to it, focusing on a few characters to give it a personal feel.
Granted, some of the acting was a little ropey, but I would urge people not to let that put them off. I have a particular interest in the second World War, and perhaps that makes me biased, but suspect that even those with no interest in that period of time would still be able to let the film absorb them into the plot.
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