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IMDb > Backstage (2005)

Backstage (2005) More at IMDbPro »

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Overview

User Rating:
5.7/10   298 votes
MOVIEmeter: ?
Down 56% in popularity this week. See rank & trends on IMDbPro.
Director:
Emmanuelle Bercot
Writers:
Emmanuelle Bercot (writer)
Jérôme Tonnerre (writer)
Contact:
View company contact information for Backstage on IMDbPro.
Release Date:
16 November 2005 (France) more
Genre:
Drama | Music more
Plot:
An adolescent groupie (Isild Le Besco) zeroes in on her Blondie-like idol (Emmanuelle Seigner) after the singer chances to cross her orbit on a publicity tour. Gradually their lives intertwine as, with near-operatic intensity, the film delves into the emotional dependency on both sides of celebrity culture. | add synopsis
Plot Keywords:
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Awards:
2 wins & 2 nominations more
User Comments:
As dead as a stuffed deer more

Cast

  (in credits order)
Emmanuelle Seigner ... Lauren Waks
Isild Le Besco ... Lucie
Noémie Lvovsky ... Juliette
Valéry Zeitoun ... Seymour
Samuel Benchetrit ... Daniel
Édith Le Merdy ... Marie-Line, la mère de Lucie (as Edith Le Merdy)
Jean-Paul Walle Wa Wana ... Jean-Claude, le garde du corps

Mar Sodupe ... Nanou
Lise Lamétrie ... La femme de chambre
Claude Duneton ... Le père de Lauren
Joëlle Miquel ... Une fan
rest of cast listed alphabetically:
Julien Bossé ... Appearing
Fulvia Collongues
Anne-Lise Heimburger

Sandy Lakdar
Marjolaine Pottlitzer ... A fan (uncredited)
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Directed by
Emmanuelle Bercot 
 
Writing credits
(in alphabetical order)
Emmanuelle Bercot  writer
Jérôme Tonnerre  writer

Produced by
Caroline Benjo .... producer
Christoph Hahnheiser .... co-producer (as Christoph Meyer-Wiel)
Carole Scotta .... producer
 
Original Music by
Laurent Marimbert 
 
Cinematography by
Agnès Godard 
 
Film Editing by
Julien Leloup 
 
Casting by
Antoinette Boulat 
 
Production Design by
Éric Barboza 
 
Costume Design by
Jean Marc Mirete 
 
Makeup Department
Pierre Olivier Persin .... special makeup effects artist
 
Production Management
Pascal Bonnet .... production manager
Christina Crassaris .... post-production supervisor
Benjamin Dewaele .... assistant unit manager
Frédéric Morin .... assistant unit manager
Christophe Rabinovici .... unit production manager
 
Second Unit Director or Assistant Director
Guillaume Huin .... third assistant director
Sébastien Matuchet .... first assistant director
 
Art Department
Eleonore Chaspoul .... props
 
Sound Department
Pierre André .... sound
Jérôme Chenevoy .... boom operator
Jean-Pierre Laforce .... sound
Fred Mays .... post-synchronization
Gael Nicolas .... supervising sound editor
Stéphane Thiébaut .... sound re-recording mixer
Jean-Alexandre Villemer .... sound recordist
 
Camera and Electrical Department
Loïc Andrieu .... Steadicam operator
Julien Bossé .... camera operator
 
Casting Department
Christine Campion .... extras casting
 
Editorial Department
Carlos Pinto .... assistant editor
 
Other crew
Heike Kresse .... production assistant: Germany
Fabien Pondevaux .... location scout
Isabelle Ribis .... script supervisor
 

Production CompaniesDistributors
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Additional Details

Runtime:
USA:112 min | Argentina:115 min | Canada:115 min (Toronto International Film Festival)
Country:
France
Language:
French
Color:
Color
Sound Mix:
Dolby Digital

Fun Stuff

Movie Connections:
Remade as Backstage (2010) more
Soundtrack:
Love Is Blindness more

FAQ

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12 out of 27 people found the following comment useful:-
As dead as a stuffed deer, 28 October 2006
1/10
Author: rpowell-4 from Finland

Some friends took me to see this film in Helsinki. I really had no idea what to expect. The evening started, as evenings at the cinema do, with a series of trailers. There came what seemed to be a trailer for a French film featuring an ageing chanteuse (shades of a Gallic Madonna perhaps) performing in front of a young, hysterical audience. I thought that there was a film I would not go and see…

… and then it turned out it wasn't a trailer, but the start of the evening's main entertainment. The first five minutes set a scene, and a plot line appeared to be established. Not a particularly enthralling plot, perhaps, but something which might carry us along.

How wrong we were. The plot got stuck in a Paris hotel suite, and the characterisation wasn't even skin deep. The chanteuse – Lauren, or Sylvia – was a diva with problems. But not interesting problems, or dramatic problems; just time-consuming ones. She had some sort of artistic block. She sent a star-struck fan who had implausibly joined her entourage, Lucie, not to buy drugs, but to buy tampons. She was mobbed by fans, a strange and unconvincing mixture, who mostly looked like thirty-something resting actors told to wear something red and plastic. She had family problems of some sort. It was immensely boring. For all I know it perked up in its last forty minutes. But by then we were already in a nearby restaurant wondering why this film should have been made, let alone marketed, or rated by the critics.

There was one good line, when the diva's agent or boyfriend or whatever said that "she likes to appear wild, but underneath she's as dead as her stuffed deer" - a major feature of the hotel suite, which did indeed give a livelier performance than most of the cast. Let that be the epitaph for this exceptionally disappointing movie.

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