| Photos (see all 7 | slideshow) |
| Emmanuelle Seigner | ... | Lauren Waks | |
| Isild Le Besco | ... | Lucie | |
| Noémie Lvovsky | ... | Juliette | |
| Valéry Zeitoun | ... | Seymour | |
| Samuel Benchetrit | ... | Daniel | |
| Édith Le Merdy | ... | Marie-Line, la mère de Lucie (as Edith Le Merdy) | |
| Jean-Paul Walle Wa Wana | ... | Jean-Claude, le garde du corps | |
| Mar Sodupe | ... | Nanou | |
| Lise Lamétrie | ... | La femme de chambre | |
| Claude Duneton | ... | Le père de Lauren | |
| Joëlle Miquel | ... | Une fan | |
| rest of cast listed alphabetically: | |||
| Julien Bossé | ... | Appearing | |
| Fulvia Collongues | |||
| Anne-Lise Heimburger | |||
| Sandy Lakdar | |||
| Marjolaine Pottlitzer | ... | A fan (uncredited) | |
Directed by | |||
| Emmanuelle Bercot | |||
Writing credits(in alphabetical order) | ||
| Emmanuelle Bercot | writer | |
| Jérôme Tonnerre | writer | |
Produced by | |||
| Caroline Benjo | .... | producer | |
| Christoph Hahnheiser | .... | co-producer (as Christoph Meyer-Wiel) | |
| Carole Scotta | .... | producer | |
Original Music by | |||
| Laurent Marimbert | |||
Cinematography by | |||
| Agnès Godard | |||
Film Editing by | |||
| Julien Leloup | |||
Casting by | |||
| Antoinette Boulat | |||
Production Design by | |||
| Éric Barboza | |||
Costume Design by | |||
| Jean Marc Mirete | |||
Makeup Department | |||
| Pierre Olivier Persin | .... | special makeup effects artist | |
Production Management | |||
| Pascal Bonnet | .... | production manager | |
| Christina Crassaris | .... | post-production supervisor | |
| Benjamin Dewaele | .... | assistant unit manager | |
| Frédéric Morin | .... | assistant unit manager | |
| Christophe Rabinovici | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Guillaume Huin | .... | third assistant director | |
| Sébastien Matuchet | .... | first assistant director | |
Art Department | |||
| Eleonore Chaspoul | .... | props | |
Sound Department | |||
| Pierre André | .... | sound | |
| Jérôme Chenevoy | .... | boom operator | |
| Jean-Pierre Laforce | .... | sound | |
| Fred Mays | .... | post-synchronization | |
| Gael Nicolas | .... | supervising sound editor | |
| Stéphane Thiébaut | .... | sound re-recording mixer | |
| Jean-Alexandre Villemer | .... | sound recordist | |
Camera and Electrical Department | |||
| Loïc Andrieu | .... | Steadicam operator | |
| Julien Bossé | .... | camera operator | |
Casting Department | |||
| Christine Campion | .... | extras casting | |
Editorial Department | |||
| Carlos Pinto | .... | assistant editor | |
Other crew | |||
| Heike Kresse | .... | production assistant: Germany | |
| Fabien Pondevaux | .... | location scout | |
| Isabelle Ribis | .... | script supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| Spoiler please. | frankgaipa |
| Wonderful Film | chadmcollins |
| Sound track | the_ktt |
| Will someone please add parental rating for the film | majidok |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
| Add this title to MyMovies |
Some friends took me to see this film in Helsinki. I really had no idea what to expect. The evening started, as evenings at the cinema do, with a series of trailers. There came what seemed to be a trailer for a French film featuring an ageing chanteuse (shades of a Gallic Madonna perhaps) performing in front of a young, hysterical audience. I thought that there was a film I would not go and see
and then it turned out it wasn't a trailer, but the start of the evening's main entertainment. The first five minutes set a scene, and a plot line appeared to be established. Not a particularly enthralling plot, perhaps, but something which might carry us along.
How wrong we were. The plot got stuck in a Paris hotel suite, and the characterisation wasn't even skin deep. The chanteuse Lauren, or Sylvia was a diva with problems. But not interesting problems, or dramatic problems; just time-consuming ones. She had some sort of artistic block. She sent a star-struck fan who had implausibly joined her entourage, Lucie, not to buy drugs, but to buy tampons. She was mobbed by fans, a strange and unconvincing mixture, who mostly looked like thirty-something resting actors told to wear something red and plastic. She had family problems of some sort. It was immensely boring. For all I know it perked up in its last forty minutes. But by then we were already in a nearby restaurant wondering why this film should have been made, let alone marketed, or rated by the critics.
There was one good line, when the diva's agent or boyfriend or whatever said that "she likes to appear wild, but underneath she's as dead as her stuffed deer" - a major feature of the hotel suite, which did indeed give a livelier performance than most of the cast. Let that be the epitaph for this exceptionally disappointing movie.