An adolescent groupie zeroes in on her Blondie-like idol after the singer chances to cross her orbit on a publicity tour. Gradually their lives intertwine as, with near-operatic intensity, ...
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Camille, 17, is caravan camping with her family at a lake in Gironde, where she's bored, pouty, and, toward her parents, foul-mouthed and rebellious. Her summer boyfriend, Fred, seems too ... See full summary »
Isild Le Besco,
A boy in his early teens develops a crush on a grown woman old enough to be his mother only to discover she is also attracted to him. Marion (Emmanuelle Bercot) is a headstrong and ... See full summary »
Laura Bartelli is a stripper in a French bar. She retires after a moody landscape architect named Marco Tisserand asks her to abandon her life and share his. However, after her red ... See full summary »
Gwen is a teenager living in a small coastal town. Lise is her best friend, a city girl who comes every year with her family to spend the summer. This year things are different though; at ... See full summary »
Isild Le Besco,
An adolescent groupie zeroes in on her Blondie-like idol after the singer chances to cross her orbit on a publicity tour. Gradually their lives intertwine as, with near-operatic intensity, the film delves into the emotional dependency on both sides of celebrity culture. Written by
Tribeca Film Festival
A teenage fan in France is obsessed with an older pop singer
This 2005 film was surprisingly good, thanks to very deft and often subtle direction by Emmanuelle Bercot, who co-authored the script. She establishes an intense mood, a dark song of love, that nevertheless remains rooted in ordinary reality, despite occasional histrionics by one or another of its leads. A superb supporting cast (including Noemie Lvovsky) provides human touches and Emmanuelle Seigner, as the adored diva, and Isild Le Besco as the smitten fan, approach one another with a mix of curiosity, fear, and affection. This theme has been done before, notably in Tom DiCillo's sentimental and funny "Delirious," but "Backstage" has a European air, like Chopin's "Tristesse" Etude. Bercot is careful not to let it go over the brink, keeping the mood disciplined and the story within the boundaries of reality, despite the younger woman's often neurotic behavior. A relationship movie that is intriguing.
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