Comedy veterans and co-creators Penn Jillette and Paul Provenza capitalize on their insider status and invite over 100 of their closest friends--who happen to be some of the biggest names in entertainment, from George Carlin, Whoopi Goldberg and Drew Carey to Gilbert Gottfried, Bob Saget, Paul Reiser and Sarah Silverman--to reminisce, analyze, deconstruct and deliver their own versions of the world's dirtiest joke, an old burlesque too extreme to be performed in public, called "The Aristocrats." Written by
Sujit R. Varma
According to T. Sean Shannon, he got into trouble behind the scenes at Saturday Night Live (1975) for his use of the N-word in the film. Shannon also said that he had been berated by African-Americans when recognized in public. See more »
The joke leads me down one path and then it switches the path on me suddenly and hits me with a hammer. It's just, "Here we go folks."
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After the credits, this appears on screen: "Now that you know the joke - keep it alive, spread it around. It's easy. 'A guy goes into a talent agent's office...' All you have to remember is ONE word." Then, Paul Provenza and Penn Jillette are standing among a group of goats and say "Aristocrats!" while doing the hand flourish that Drew Carey invented. See more »
Screened at Sundance 2005, The Aristoracts tells the story of the worlds funniest (and dirtiest) joke you've never heard before but will never forget.
The joke itself is structured to have the same beginning and the same punchline at the end. Yet each comedian that tells it has their own variation on the middle. And that's where the freedom (and generally the vulgarity) comes in.
My favorite renditions are by Kevin Pollak (doing a spot-on impression of Christopher Walken), Bob Saget, and Paul Reiser. Matt Stone and Trey Parker even animated a South Park version of the joke that had me laughing so hard I couldn't breathe.
Paul Provenza and Penn Jillette filmed the movie over a period of 4 years and between 80 to 100 hours of DV video tape.
The film has been picked up for distribution by ThinkFilm. But don't be surprised if the MPAA slaps a NC-17 on the film for the language. Save your surprise for the theater.
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