18th-century England and Ireland viewed through the eyes of four beautiful high-born sisters - Caroline, Emily, Louisa, and Sarah Lennox, great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers.
HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and ... See full summary »
Jack Rebney is the most famous man you've never heard of - after cursing his way through a Winnebago sales video, Rebney's outrageously funny outtakes became an underground sensation and ... See full summary »
Jonathan Winters plays the host to several stand-up Comedians who are all on his imaginary Space Ship. At some point Winters even visits the Star Trek Bridge which is part of a Wax Museum, ... See full summary »
Comedy veterans and co-creators Penn Jillette and Paul Provenza capitalize on their insider status and invite over 100 of their closest friends--who happen to be some of the biggest names in entertainment, from George Carlin, Whoopi Goldberg and Drew Carey to Gilbert Gottfried, Bob Saget, Paul Reiser and Sarah Silverman--to reminisce, analyze, deconstruct and deliver their own versions of the world's dirtiest joke, an old burlesque too extreme to be performed in public, called "The Aristocrats." Written by
Sujit R. Varma
On his radio show, co-director Penn Jillette said that Rodney Dangerfield and Buddy Hackett were both invited to appear in the film and were supportive of the film, but declined due to their failing health (they would both die before the film premiered). Also, the filmmakers intended to have a private screening for Johnny Carson at his home, but he died only days after the premiere at Sundance. They then decided to dedicate the film to him. See more »
The joke leads me down one path and then it switches the path on me suddenly and hits me with a hammer. It's just, "Here we go folks."
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The Aristocrats uses a warhorse joke to give the audience a window into humor, obscenity, and the American conscience. I am not aware of another study capable of inducing such laughter. The premise is devilishly simple and almost a modern version of comedia delarte. This allows some of the best American comic minds to muse wildly about humor. A great achievement of the movie is the raw footage of a who's who of comedians. Comic greats such as George Carlin, Eric Idle, Whoopi Goldberg, Gilbert Godfrey, Jason Alexander, Robin Williams, Phyllis Diller, Drew Carey, Sarah Silverman, and many more weigh in on how comedians put their signature on jokes.
The editing and pacing of the movie insure that the audience goes no longer than two minutes without a good laugh. There is no shortage of obscenity and lewdness in the film. The Aristocrats is not a family film. However, the film proves that there is much to be gained from wading into the lake of obscenity. Packed between laughs about bodily functions and social taboos, are searing insights about improvisation, character, show business, and things which most of us would not willingly put in our mouths. The movie hits on many different levels and stands as an insightful sociological achievement garbed in laughter.
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