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The Aristocrats (2005)

6.4
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Ratings: 6.4/10 from 14,405 users   Metascore: 72/100
Reviews: 234 user | 123 critic | 39 from Metacritic.com

One hundred superstar comedians tell the same very, VERY dirty, filthy joke--one shared privately by comics since Vaudeville.

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Cast

Cast overview, first billed only:
Chris Albrecht ...
Himself - HBO Chairman / CEO
...
Himself
...
Himself
...
Himself
Steven Banks ...
Billy the Mime (as Billy the Mime)
...
Himself
...
Himself
...
Himself
...
Himself
...
Himself
...
Himself
...
Himself (as Carrot Top)
...
Himself
...
Himself
Wayne Cotter ...
Himself
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Storyline

Comedy veterans and co-creators Penn Jillette and Paul Provenza capitalize on their insider status and invite over 100 of their closest friends--who happen to be some of the biggest names in entertainment, from George Carlin, Whoopi Goldberg and Drew Carey to Gilbert Gottfried, Bob Saget, Paul Reiser and Sarah Silverman--to reminisce, analyze, deconstruct and deliver their own versions of the world's dirtiest joke, an old burlesque too extreme to be performed in public, called "The Aristocrats." Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

A family walks into a talent agent's office. What happens next is . . . See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 September 2005 (UK)  »

Also Known As:

The @r!$t* (r@t$  »

Box Office

Opening Weekend:

$243,796 (USA) (29 July 2005)

Gross:

$6,377,277 (USA) (20 January 2006)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

On his radio show, co-director Penn Jillette said that Rodney Dangerfield and Buddy Hackett were both invited to appear in the film and were supportive of the film, but declined due to their failing health (they would both die before the film premiered). Also, the filmmakers intended to have a private screening for Johnny Carson at his home, but he died only days after the premiere at Sundance. They then decided to dedicate the film to him. See more »

Quotes

[first lines]
George Carlin: The joke leads me down one path and then it switches the path on me suddenly and hits me with a hammer. It's just, "Here we go folks."
See more »

Crazy Credits

After the credits, this appears on screen: "Now that you know the joke - keep it alive, spread it around. It's easy. 'A guy goes into a talent agent's office...' All you have to remember is ONE word." Then, Paul Provenza and Penn Jillette are standing among a group of goats and say "Aristocrats!" while doing the hand flourish that Drew Carey invented. See more »

Connections

References Entertainment Tonight (1981) See more »

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User Reviews

 
Intelligent, Warm-Hearted Obscenity
1 August 2005 | by (New York, NY) – See all my reviews

For all its over-the-top vulgarity -- with large helpings of pornography, scatology, and incest -- "The Aristocrats" is fundamentally an intelligent and affectionate film. One gifted comedian after another dives into the time-honored muck of this joke, keen on retrieving the filthiest possible diamond from the sludge. The result is some of the most hilarious film-making of recent years.

It's difficult to select just a few favorites from this assemblage. Bob Saget is surely the most startling (and one of the funniest). George Carlin offers both great humor and insight into joke telling. Sarah Silverman's deadpan first-person account is unforgettable, and Gilbert Gottfried's post-9/11 version is a jewel. Billy the Mime has riotous sexual encounters with various invisible family members. Only a few comedians misfire: perhaps most notably, a guy who tries to pull off a "clean" Jerry Lewis sort of physical comedy routine.

And this is the paradox of the both the joke and the movie: clean versions just don't work. The hilarity comes from the clash between the pornography and the punchline, the comedic brilliance and the carefully crafted vulgarities.

90 minutes on one joke may seem like overkill, but the film skillfully avoids monotony. The broader subject matter is the art of comedy: the comedians' insights are fascinating and their enthusiasm is endearing.

Two minor complaints. First, it would have been helpful to identify each comedian *during* the film, not just during the (excellent) closing credits. Second -- and more seriously -- some of the camera-work was intrusive and distracting, with rapid MTV cutting that flipped back and forth between full-face and profile shots. This got so bad at one point that I had to look away from the screen until the segment was over.

9/10. A masterpiece of filthy good cheer.


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