Comedy veterans and co-creators Penn Jillette and Paul Provenza capitalize on their insider status and invite over 100 of their closest friends--who happen to be some of the biggest names in entertainment, from George Carlin, Whoopi Goldberg and Drew Carey to Gilbert Gottfried, Bob Saget, Paul Reiser and Sarah Silverman--to reminisce, analyze, deconstruct and deliver their own versions of the world's dirtiest joke, an old burlesque too extreme to be performed in public, called "The Aristocrats." Written by
Sujit R. Varma
According to T. Sean Shannon, he got into trouble behind the scenes at Saturday Night Live (1975) for his use of the N-word in the film. Shannon also said that he had been berated by African-Americans when recognized in public. See more »
The joke leads me down one path and then it switches the path on me suddenly and hits me with a hammer. It's just, "Here we go folks."
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No animals were fucked during the making of this film. See more »
After seeing "The Aristocrats" I found myself wondering if I truly enjoyed a film about the craziest joke in the world. The answer: Almost.
The film itself centers around a single premise: A joke with the punch line "The Aristocrats!" has existed for a long time, and many different comedians tell their versions and try to explain why the joke is funny, allowing reflection on what makes this particular joke so memorable and humorous.
Don't get me wrong. There are parts of this movie where I was having difficulty breathing due to the humor and the telling of "the joke." Some of the deliveries were flawless, executed with the aggressiveness and impartial judgment that have made some comedians famous.
But some comedians I didn't find funny. And their telling of "the joke" created another feeling inside me: How much longer is he going to try to make me laugh? And the problem here is that these parts of the movie are just very difficult to sit through. Using foul language and references to numerous taboos is one thing, but it hurts to listen to a comedian do it badly.
Ultimately, the comedians do a good job of explaining some of the finer nuances of "the joke", comedy in general, and its place in our lives. But the film spends more time on each comedians' angle with "the joke" than the development of why the joke is great. And I think the movie suffered from it. Listening to the philosophy of "the joke" was great; listening to bad comics preach the scripture was unbearable.
So the dilemma was created: I thought I enjoyed the film afterward, but I didn't know. After careful deliberation, I gave it a 7, losing 3 stars through the lack of developing more comedic philosophy and for the sometimes painfully unfunny moments a movie like this has in it.
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