About the daring adventure of exploring rain forest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr. Graham Dorrington embarks on a trip to the giant Kaieteur ...
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An alien narrates the story of his dying planet, his and his people's visits to Earth and Earth's man-made demise, while human astronauts attempt to find an alternate planet for surviving humans to live on.
In the 1950s, an adolescent Werner Herzog was transfixed by a film performance of the young Klaus Kinski. Years later, they would share an apartment where, in an unabated, forty-eight-hour ... See full summary »
This film shows the disaster of the Kuwaitian oil fields in flames, with few interviews and no explanatory narration. Hell itself is presented in such beautiful sights and music that one has to be fascinated by it.
Werner Herzog returns to the South American jungle with Juliane Koepcke, the German woman who was the sole survivor of a plane crash there in 1971. They find the remains of the plane and recreate her journey out of the jungle.
Juan Zaplana Ramirez
German-American Dieter Dengler discusses his service as an American naval pilot in the Vietnam War. Dengler also revisits the sites of his capture and eventual escape from the hands of the Vietcong, recreating many events for the camera.
Herzog's documentary of the Wodaabe people of the Sahara/Sahel region. Particular attention is given to the tribe's spectacular courtship rituals and 'beauty pageants', where eligible young... See full summary »
About the daring adventure of exploring rain forest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr. Graham Dorrington embarks on a trip to the giant Kaieteur Falls in the heart of Guyana, hoping to fly his helium-filled invention above the tree-tops. But this logistic effort will not be without risk. Twelve years ago, a similar expedition into the unique habitat of the canopy ended in disaster when Dorrington's friend Dieter Plage fell to his death. With the expedition is Werner Herzog, setting out now with a new prototype of the airship into the Lost World of the pristine rain forest of this little explored area of the world, to record and tell this unique story. Written by
Marc Anthony Yhap:
Wow, I would like to use this craft to fly up to them, yeah. Even if it takes a whole year, months. I would love to have this craft to fly to them. Maybe land on the rooftop, give them a surprise. Yeah, it would be beautiful there, for me to be in the aircraft early in the morning. There is Marc Yhap at their doorstep saying, 'Hello, good morning.'
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I like Herzog's films generally, but I think that he is most satisfying as a documentary filmmaker. It seems to me that Herzog is not really interested in "story," the aesthetic feature which dominates the response of probably about 99% of the people who watch films in the United States. Herzog is interested, it seems to me, in visceral experiences, and the documentary form frees him more to explore this kind of experience. I found this film thrilling. What is it "about"? There are lots of false leads for those viewers who want to reduce it to something package-able, but I don't think it's about "obsession," as the Netflix blurb suggests. I also don't think it's simply about Dorrington, the Guyanese rain forest, adventure, or "atonement," which is another Netflix suggestion. I think that, as Herzog would have it, the film is about something ineffable, perhaps whatever is behind that mammoth waterfall where millions of swifts live. Is that cave a metaphor for the world the camera is always trying to connect us to? It doesn't matter. I think Herzog wants us to "experience" this film rather than to analyze it. Herzog seems to me to make films by following his gut instincts and there are times when his cinematic choices are thrilling. I am especially fond of his courage with long takes, holding the camera on Dorrington's confessions long after we have become uncomfortable with them. I think Herzog is forcing us to experience Dorrington as a human being. If we choose to distance ourselves with analysis, that is our choice and I suspect that Herzog would shrug that response off and simply make another movie.
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