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The White Diamond (2004)

7.6
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Ratings: 7.6/10 from 3,049 users   Metascore: 83/100
Reviews: 27 user | 32 critic | 12 from Metacritic.com

About the daring adventure of exploring rainforest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr. Graham Dorrington embarks on a trip to the giant Kaieteur Falls... See full summary »

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(commentary), (original screenplay), 3 more credits »
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Title: The White Diamond (2004)

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Cast

Cast overview:
...
Himself / narrator
Graham Dorrington ...
Himself (as Dr. Graham Dorrington)
Dieter Plage ...
Himself (archive footage) (as Götz Dieter Plage)
Adrian de Schryver ...
Himself (archive footage)
Annette Scheurich ...
Herself
Marc Anthony Yhap ...
Himself
Michael Wilk ...
Himself (as Dr. Michael Wilk)
Anthony Melville ...
Himself
Jan-Peter Meewes ...
Himself
Jason Gibson ...
Himself
Edit

Storyline

About the daring adventure of exploring rainforest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr. Graham Dorrington embarks on a trip to the giant Kaieteur Falls in the heart of Guyana, hoping to fly his helium-filled invention above the tree-tops. But this logistic effort will not be without risk. Twelve years ago, a similar expedition into the unique habitat of the canopy ended in disaster when Dorrington's friend Dieter Plage fell to his death. With the expedition is Werner Herzog, setting out now with a new prototype of the airship into the Lost World of the pristine rain forest of this little explored area of the world, to record and tell this unique story. Written by Herzog, Rudolph

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »
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Details

Country:

| |

Language:

|

Release Date:

10 March 2005 (Germany)  »

Also Known As:

A fehér gyémánt  »

Box Office

Budget:

€1,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Color:

Aspect Ratio:

1.78 : 1
See  »
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Did You Know?

Quotes

Marc Anthony Yhap: On this pleasant morning I'm about to fly, and surely I would like to take my rooster with me, but he's somewhere around. I would like to take him on this flight.
Werner Herzog: Why your rooster?
Marc Anthony Yhap: Oh, my rooster means so much to me. Early in the morning at 5:30 he crows and then he crows again when there is some change in weather patterns. He's such a lovely guy, my rooster. I would like to take him with me on this voyage. First flight, me in this lovely balloon, this creation.
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User Reviews

Ecstasy
15 January 2006 | by (USA) – See all my reviews

Herzog's films are often about rulebreakers, visionaries and daredevils, something which he has always been himself. Being a daredevil flirting with death makes one feel alive, which is no small thing, but being a daredevil flirting with something even larger than death, is ecstasy. In this film, Herzog, his film crew and a small band of scientists headed by aeronautical engineer Graham Dorrington, head off to a remote area of Guyana to fly a newfangled zeppelin just a toe's length above the treetops of the jungle. Dorrington has his legitimate reasons for the usefulness of his invention, as does Herzog in documenting what may be an important new discovery in science and technology. But both of these men, as well as us in the audience, see these men's laughably primitive jabs at besting nature shrunken by the grandeur of the nature surrounding them. From the fierce power of the waterfall where they are camped out, to the unfathomable grace and sheer numbers of the birds who dwell behind it, the plight of two little men in a motorized air balloon is almost comical. I say almost because a man died in such an attempt ten years earlier - a scene that is described in chillingly vivid detail by Dorrington. Also, there is a kind of nobility in man's stubborn desire to defy his relatively scrawny limitations against nature. Whether it's Fitzcarraldo dragging a steamship over a mountain, Herzog himself trying to make the steamship climb the mountain for his film, or Dr. Dorrington sailing the skies in a contraption that seems as fragile as a butterfly, the dream is everything. The dreams of Herzog's characters - be they real or fictional - are usually short-lived, but at least the dreams do come alive briefly. If I could sum up everything that is great in Herzog's films, it would be in one awesome scene in this film where Herzog shoots the upside-down reflection of the mighty waterfall in a falling drop of rain. This moment, this reflection, this drop of rain is as temporary as life, but in it is the entire universe in all of its beauty, majesty and fragility. If that's not ecstasy, I don't know what is!


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