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Sarah Zoe Canner,
Against the backdrop of a noirish dreamscape, a tortured man returns to the city he swore he would never return to, in order to save the woman he has always loved yet can never have. Written by
At about ten minutes and eighteen seconds into the film, The Narrator is awoken by a car horn outside the "warehouse". He gets up, on his knees, using the cane for support. Then the camera switches to a shot of Walter laying on the ground, his cane visible and also lying on the ground. In the next shot, Walter's cane is in The Narrator's hand again. See more »
You see, in our own way she's mine and I am hers. Perfection and imperfection. That is why I close my eyes now, I realize what she has taught me, an imperfect sleep can be the most perfect sleep of all. And now that I've had a perfect sleep, I will finally have a different kind of sleep, a sleep from which I will never awake again.
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Nice looking picture that functions poorly from self-indulgence
The Perfect Sleep is a prime example of a B-movie film noir. It recalls the methods of Tarantino in that its direction shows a love for movie making. Unfortunately the downs of this outweighs the ups.
What we have here is a deliciously gorgeous picture, well shot, but also equipped with a screenplay which tries too hard to be something that is out of reach. The story is convoluted, messy, with pretentious dialogue, and too many characters whose functions are minimal. It is a delightful film to look at, but an impossible one to invest in. It is as if the makers of The Perfect Sleep would rather have the viewers acknowledge that they are watching a movie rather than be involved.
I enjoyed watching one illustruious image after another, but I could not follow this movie at all. The Perfect Sleep is basically a film that likes to show off, but not everything gets through to us.
4 of 8 people found this review helpful.
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