Against the backdrop of a noirish dreamscape, a tortured man returns to the city he swore he would never return to, in order to save the woman he has always loved yet can never have. Written by
At about ten minutes and eighteen seconds into the film, The Narrator is awoken by a car horn outside the "warehouse". He gets up, on his knees, using the cane for support. Then the camera switches to a shot of Walter laying on the ground, his cane visible and also lying on the ground. In the next shot, Walter's cane is in The Narrator's hand again. See more »
For the first time in my life I feel like I've been part of a job well done. The operative word being *done*.
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Overall, I enjoyed the film. I think it is a fine example of modern Film-Noire. It's true, the plot is a little too vague, the lack of societal context reduces it's sense of authenticity and realism, and the voice-over narration could have been used less or perhaps eliminated completely. Overall though, it's a great mood piece and visually sumptuous and stunning. The beautiful Ms. Sanchez allowed me to feel the pain of her relationship with the hero. This film had a lot of potential to be a true masterpiece, but the flaws bring it down to the level of great genre piece. I would highly recommend it to fans of the genre, but, it's not a film I would recommend to the casual viewer.
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