In order to foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan turns from bad to worse when the same criminal impersonates the cop.
Las Vegas showroom magician Cris Johnson has a secret which torments him: he can see a few minutes into the future. Sick of the examinations he underwent as a child and the interest of the government and medical establishment in his power, he lies low under an assumed name in Vegas, performing cheap tricks and living off small-time gambling "winnings." But when a terrorist group threatens to detonate a nuclear device in Los Angeles, government agent Callie Ferris must use all her wiles to capture Cris and convince him to help her stop the cataclysm. Written by
Jim Beaver <firstname.lastname@example.org>
Although most of the film was shot in HD with Panavision Genesis cameras, about a week of shooting was done on 35mm film because the location was forecast to be over 110 degrees Fahrenheit, and the filmmakers were concerned that the relatively new and under-tested Genesis would overheat and fail. See more »
(at around 32 mins) The characters visit the Indian village of Supai, Arizona, and two of the associated waterfalls, Havasu and Mooney. In the film it appears that they park their car and walk to these locations in regular street clothes and very quickly. In actuality the village of Supai is 8 miles (through the desert) from the parking lot. Havasu falls is another 2 miles beyond that and Mooney falls is 2 more miles plus a nearly straight vertical climb of 150-200 feet to the bottom. Accomplishing this trip, at the very least, would require carrying a water supply and wearing appropriate boots and clothing. See more »
Ladies and gentlemen, please welcome the man who knows what you're going to do before you do it. The amazing Frank Cadillac!
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A ticking clock is superimposed on Revolution Studios' and Saturn Films' opening logos. See more »
A Little Less Conversation
Written by Billy Strange and Mac Davis (as Scott Davis)
Performed by Elvis Presley
Courtesy of The RCA Records Label
By Arrangement with Sony BMG Music Entertainment See more »
While I enjoyed the premise of this film, I felt like I so often do. You've got this neat idea; what are you going to do with it? Nicolas Cage plays a man who can see two minutes into the future, which allows him to move to different places to avoid danger, protect people in danger, and so on. The problem comes with the immutability of time. If you change things, what you saw really wasn't true; hence the plot hole. It was fun watching him dodge bullets and punches. What is hard to swallow is the mind that can put order to all this. Is this going on constantly or can he truly control it. If the mystery is out of his life, can he know the mystery. Part of my problem is that I never really understood what the bad guys were up to (I don't mean on a grander scale but on the details). Cage's relationship with Biel is nice but can he even have a relationship. The two minute thing was convenient. What if it had been a half hour or a day. How would that affect things. Anyway, when the ending comes, it seems satisfying but sad.
Someone said that people booed at the end. I'm sure it's because for some people, leaving a little too much to imagination is quite a stretch. It was a fun couple hours, but one shouldn't think too much. As for Philip K. Dick, he can provoke us pretty well.
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