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Simon Templar has no real family, no real home and Simon Templar isn't even his real name. Yet Simon Templar , also known as the Saint for his use of creating false identities using the ... See full summary »
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Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
Las Vegas showroom magician Cris Johnson has a secret which torments him: he can see a few minutes into the future. Sick of the examinations he underwent as a child and the interest of the government and medical establishment in his power, he lies low under an assumed name in Vegas, performing cheap tricks and living off small-time gambling "winnings." But when a terrorist group threatens to detonate a nuclear device in Los Angeles, government agent Callie Ferris must use all her wiles to capture Cris and convince him to help her stop the cataclysm. Written by
Jim Beaver <firstname.lastname@example.org>
The Golden Nugget on Freemont Street is clearly standing in for the fictional Mystique Casino in the film. When Cris enters the casino, the large 'G' and 'N' are visible on the doors and a plaque with the Golden Nugget logo can be seen on the wall. See more »
Ladies and gentlemen, please welcome the man who knows what you're going to do before you do it. The amazing Frank Cadillac!
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A ticking clock is superimposed on Revolution Studios' and Saturn Films' opening logos. See more »
Next is a much better movie than I expected to see, having read some of the reviews which called it disjointed and silly. Quite to the contrary, I found it deeply absorbing. I quickly picked up on the elements which must have caused some reviewers to accuse it of being disjointed, and began enjoying them. Of course silliness is part of any sci-fi story, we suspend our critical senses in that regard or we do not become sci-fi fans.
I single out one performer among a fine cast. Julianne Moore has really established herself as *the* deadpan action queen. She was a better Agent Starling than Jody Foster was, and she's a terrific, dominant presence in this film. Kudos to her for propelling herself to the top of a tough genre. She makes films more interesting to watch, by dint of her strong performances.
I read Phillip K. Dick's "The Golden Man" many years ago and still remember a lot of it. When I first began hearing about this movie I immediately flashed to it and wondered if this was a movie of that intriguing story. The answers are "yes" and "no." "The Golden Man" is a much more ordinary story, but with resounding insights on the consequences of his existence. And his skin was a compellingly attractive rich golden hue, which helped make him irresistible to women. None of that fits this new story, and was properly omitted.
What is translated so well from the written page to the screen is the government's intense interest in him (although for different reasons), its efforts to get him under official control, and the exceeding difficulty of doing so. And of course, the story ends in a wholly different way than the movie, a very satisfying and inevitable conclusion that bolsters Mr. Dick's reputation for opening the future to us.
*** OK, ONE LITTLE SPOILER ALERT *** READ NO FURTHER (unless you don't mind) ***
I just have to add, the flurry of action sequences which come like a staccato rendition of The Flight Of The Bumblebee during his escape from custody, is thoroughly delectable and brought more than one involuntary "Ha!" from the audience I saw it with, including from me. It's one of the tastiest treats in the film.
And finally, yes, I too wish I knew who the heck these terrorists were and what the heck they were trying to accomplish with their nefarious plot. But I guess that's the brave new world we live in. We just don't get to hear the bad guys' dialogue, their reasons for doing the things they do. In that way Next is giving us another insight, not dropping us cold as others have complained. The only legitimate beef I agree with is the entirely unnecessary and just plain goofy Nicholas Cage business during the final pursuit. It looks like it must have been an idea of somebody too high up among the moguls to deny, but it is a definite distraction causing "Huh? What?" moments when the action is at its most intense.
All in all, a feather in everybody's cap and a movie I fully recommend without reservation. Drama, humor, really fine action sequences, twists, great characters. As baseball great Yogi Berra once said, " Don't miss it if you can."
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