Spetnaz (Special Ops) veteran Nick Cherenko leaves Russia after his son and wife are killed in a gunfight by drug lord Aleksandr 'Sasha' Popov's mob men. He's threatened with exposure as ...
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A mysterious stranger rolls into town on a unique motorcycle. All he carries is the bible and a desire for justice. Past vengeance collides as Ryder rights an injustice from his past and liberates the small town from a malicious oppressor.
Waxman is a former Special Forces soldier who is now working as a heavily armed assassin for a top secret government agency. When a covert mission goes terribly wrong, Waxman and fellow assassin Clegg become that agency's prime targets.
Today - the global war on terror rages on. The United States will not give an inch against terrorists, especially Mohamed Jamar, considered to be the worst of them all. Jamar has been ... See full summary »
The tough and cold mercenary Warchild, is working for the man who took care of his war training and upbringing, the greedy General Ruechang. Ruechang is planning to take over the country by... See full summary »
Frank Gannon, a veteran cop, is being hunted by his fellow police officers after they learned he has betrayed the brotherhood and exposed to the feds wide scale corruption of the LAPD. He has one day left to prove his case and survive.
Sidney J. Furie
Spetnaz (Special Ops) veteran Nick Cherenko leaves Russia after his son and wife are killed in a gunfight by drug lord Aleksandr 'Sasha' Popov's mob men. He's threatened with exposure as illegal car mechanic in L.A. by a fellow ex-pat tycoon who offers him $500,000 to liberate her kidnapped daughter. He only takes the job when told the capturers are Sasha's goons again. The mission's long path to find the girl and escape over the Finnish border, where his team is to be paid, is littered with blood and corpses. Written by
When Dolph Lundgren approached Nu Image films with the wish of directing a second movie, Nu Image agreed, as long as two rules were followed: Lundgren must play the leading man, and the movie must incorporate locations under ownership of Nu image. This second rule meant Lundgren had to write the entire script based fully on the locations given to him by Nu image. See more »
When Nikolai escaped with the bike, he escapes alongside a canal. In the next shot he is clearly driving that same road in reverse, only the camera's point of view is different. All the buildings are the same. See more »
I've never been much of a Lundgren fan, with my preferred viewing being Norris and Seagal, with also Van Damme too. But to my surprise, during a DTV rampage of these guys (The Hard Corps, Shadow Man and also the Cutter too) Dolph's film the Mechanik was by a long, long, way the best of the bunch. I've fallen by the wayside a little in recent years, and haven't kept up to much with the action boys, but when your in the mood, your in the mood. Anyway The Mechanik was fantastic. It's a simple storyline, and a simply delivered film, but it promises something, and delivers. The result is a violent, dirty and damn fun action movie. It's a great little regression to 70's and 80's action films. I also understand it was shot on a fraciton of the budgets of Chuck's, Stevens and Jean Claudes, movies and still manages to look the most expensive too.
Lundgren too gives a solid performance and looks in great shape. In fact dare I say it the other guys like either old, tired or overweight (all three in Seagal's case). Lundgren looks fresh and in great shape. Ben Cross was really good. That guy should have been a bigger star, a really good actor if anyone's seen his earlier work.
On the negative side, the girl in the movie seems little more than a pointless inclusion to aid the bloodshed, and the bad guy is a little too "hey look at me I'm the bad guy!" After all though, it's expected from this sort of film so it's not a big problem. I also wasn't too sure what was with all the dissolves either, but on the most part this film is directed with assurance and a great sense of pace, and of course directed by Dolph himself! This film really acts as a showcase for Dolph Lundgren. It's the Dolph show, and it's a good show. It brought back fond memories of cool Peckinpah movies. Good work Dolph!
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