Six years after KIdULTHOOD, Sam Peel is released from jail for killing Trife, he realizes that life is no easier on the outside than it was on the inside and he's forced to confront the ... See full summary »
Scarlett Alice Johnson,
Kenneth (who likes to call himself Kay) begins to realise he's just another wannabe bad boy... even less than a loser in fact. After quitting his job at Laimsbury's, Kay vows to become a ... See full summary »
In one of East London's most volatile neighborhoods, pride, rivalry and revenge are the only codes on the street. Touted as a British Boyz in the Hood, Bullet Boy is a gripping and ... See full summary »
While Jo (Roberts) is chained down in a dead end supermarket job, her friends are all out on their own separate adventures: Cassandra (Egerton) is jetting off to New York to meet her ... See full summary »
Set at the end of the '60s, as Swaziland is about to receive independence from Great Britain, the film follows the young Ralph Compton, at 12, through his parents' traumatic separation, ... See full summary »
Richard E. Grant
The Football Factory is more than just a study of the English obsession with football violence, its about men looking for armies to join, wars to fight and places to belong. A forgotten ... See full summary »
The film is a semi-biographical story based on the experiences of former prison guard Ronnie Thompson who spent seven years working in some of the UK's most dangerous prisons. Based on ... See full summary »
A collection of tower blocks and concrete expanse, it has its own rules and codes, its own distinctive languages and culture, both old and new. It is a tightly knit community that is on ... See full summary »
A frighteningly depressing London life for teenagers
A bold and brave film, that never pulls any punches. A group of teenagers living very negative lives see the suicide, due to bullying of a school friend and the schools closure as an excuse for a day out the streets. Some of the characters are implicit in her fate, but refuse to see their culpability. Utterly selfish and shallow, many may think that these kids deserve nothing from society they abuse at every turn. Its adults who despise and are frightened by them are mere counterpoints throughout the film. An English version of KIDS but without the horrible voyeurism?? Do these kids deserve better from society? Do they a represent a threat to society itself? These kids may be horribly violent, disrespectful, but are incredibly believable. They cannot see outside the confined personal friendships and conflicts, but we are left with a genuine sense of loss and despair at the end of the film. A remarkable and striking British film
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