Nick Powell is an excellent high-school student who raises money by selling homework and results of quizzes to his schoolmates. He aims to travel to London for a writer's course - telling his best friend, Pete Egan, that he has already bought the airplane ticket but he has not told to his mother yet. Annie Newton has a problem with Pete, who owes money to her. As events unfold, due to a case of mistaken identity Nick takes a severe beating from Annie and her gang, his body dumped in a sewer. The next morning, he discovers he cannot be seen - he is now a spirit in a state of limbo and can only observe as the events of that day unfold. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
A subplot was removed involving drug smugglers. It was feared this would give it an R-rating and wasn't necessary to the plot. See more »
When Nick was walking home from the party, he kicked over a big trash can and a trash bag. The big trash can landed in the middle of the street and rested on one of its handles. The very next close up shot of Nick, you can clearly see in the background that the trash bag and trash can are back on the curb. See more »
It wasn't easy when Nick's father died, raising a teenager alone. But with a boy like Nick, well, he is now everything a mother could want. We've been through some hard times. We've carried each other. Now I look to the future, and I know there's nothing that we can't do together.
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I love this movie because it isn't the same old ghost story you've come to memorize by now. Unlike the cliché disguised as a ghost flick such as The Orphanage, which critics loved, this movie broke rules. It didn't make sense, but that's what made it good. The characters were memorable, unlike the characters in The Orphanage that are so cliché they now have their own genres: Apathetic Dad, Angry Mama Bear Mom, Innocent Child That Can Do No Wrong. The Invisible doesn't use any of these clichés. It makes its own rules and then breaks its own rules. The ghosts don't revert to the same old jump-at-you-AHHH! tactics that we've all seen countless times. They actually try to be more disturbing than that, by being more realistic and not scary.
I simply don't understand the critics. They trash movies like this that actually try to be different and hail hopeless clichés like The Orphanage. I also don't understand people who do the same.
Yes, this movie could be labeled as emo, but you'll see this movie has a lot to say that you're not going to find in what the critics call "deep" movies with "moral".
It's not perfect by any means. I could sit here and name countless technical flaws with the presentation (like the opening scene), but they're lost to the fact that this movie tried to be different. I'm so stunned that something actually tried to be different anything else bad about the movie fell away.
13 of 22 people found this review helpful.
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