Refusing to believe her story about cave-dwelling monsters, the sole survivor of a spelunking exploration gone horribly wrong is forced to follow the authorities back into the caves where something awaits.
Michael J. Reynolds,
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
A woman goes on vacation with her friends after her husband and daughter encounter a tragic accident. One year later she goes hiking with her friends and they get trapped in the cave. With a lack of supply, they struggle to survive and they meet strange blood thirsty creatures. Written by
According to the audio commentary on the special edition DVD, there was a exact replica made of Nora-Jane Noone and after the movie was finished, she got to keep the head of the doll and put it in her mother's freezer as a joke. See more »
When the copper poles slide off the driver's roof towards the car Sarah and her family are in, the ends start off perfectly round, then suddenly become sharp and pointed, then become round again when shown in the aftermath of the accident. See more »
[Sarah has just been scared by a bunch of bats which attacked her. Holly films the bats flying away]
[in imitation of 'The Count' from Sesame Street]
One bat, two bats, fifty bats!
[Beth comes up to her]
Holly... Fuck off
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The creature's snarling sound can be heard at the end of the credits. See more »
With Dog Soldiers, Neil Marshall created a tight and claustrophobic atmosphere then added the scares to create a very good horror film. However, the tension was often released with humour and the audience were allowed to catch their breath and relax. At no point in The Descent are you allowed to relax as Marshall grabs your attention within the first few minutes and doesn't let go until the credits roll at the end.
With the film set almost entirely underground, the lack of light is used to wonderful effect and Marshall keeps you on edge for 100 minutes; if you liked Dog Soldiers, 28 Days Later and/or Haute Tension and are sick of the formulaic rubbish being pumped out of Hollywood then The Descent is likely to be right up your street.
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