Refusing to believe her story about cave-dwelling monsters, the sole survivor of a spelunking exploration gone horribly wrong is forced to follow the authorities back into the caves where something awaits.
Michael J. Reynolds,
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
A woman goes on vacation with her friends after her husband and daughter encounter a tragic accident. One year later she goes hiking with her friends and they get trapped in the cave. With a lack of supply, they struggle to survive and they meet strange blood thirsty creatures. Written by
This film's poster art is borrowed from a portrait photograph by Philippe Halsman of Salvador Dalí, entitled Salvador Dali In Voluptate Mors. (The photo itself was inspired by surrealist Dali's gouache Female Bodies as a Skull painting) This same imagery was also used for the poster for The Silence of the Lambs (1991). See more »
In the first tunnel, when the camera follows one of the girls climbing in it, you can clearly see the wheel marks of the camera on the ground. See more »
Trying to set this watch is impossible, the buttons are too fucking small.
Why do you wear that thing anyway ?
My boyfriend gave it to me, it's sentimental.
It's fucking mental, any guy who'd give that to me I'd dump him on the spot.
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While the credits start rolling, there is a picture of all the girls on the background. See more »
With Dog Soldiers, Neil Marshall created a tight and claustrophobic atmosphere then added the scares to create a very good horror film. However, the tension was often released with humour and the audience were allowed to catch their breath and relax. At no point in The Descent are you allowed to relax as Marshall grabs your attention within the first few minutes and doesn't let go until the credits roll at the end.
With the film set almost entirely underground, the lack of light is used to wonderful effect and Marshall keeps you on edge for 100 minutes; if you liked Dog Soldiers, 28 Days Later and/or Haute Tension and are sick of the formulaic rubbish being pumped out of Hollywood then The Descent is likely to be right up your street.
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