Refusing to believe her story about cave-dwelling monsters, the sole survivor of a spelunking exploration gone horribly wrong is forced to follow the authorities back into the caves where something awaits.
Michael J. Reynolds,
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
A woman goes on vacation with her friends after her husband and daughter encounter a tragic accident. One year later she goes hiking with her friends and they get trapped in the cave. With a lack of supply, they struggle to survive and they meet strange blood thirsty creatures. Written by
Watch closely during the scene after the cave-in. While the girls are arguing about how to get out, Sarah is moving her flashlight about the chamber. She shines it on a ledge for a fraction of a second as she is moving the light around, and you can can see the shadow or outline of a crawler. When she passes by the ledge again with the flashlight, the shadow is gone, and you can faintly hear a scurrying sound as it is running away. See more »
When Sarah falls into the pool of blood, the torch falls behind the big rock to her left. In the next shots, the torch is on the top of the rock. See more »
[while Sarah is looking throught the camera, with night vision on]
oh, fuck it! Hello!
Is there anybody there!
[Sarah points the camera at Beth, Crawler behind her]
See more »
While the credits start rolling, there is a picture of all the girls on the background. See more »
With Dog Soldiers, Neil Marshall created a tight and claustrophobic atmosphere then added the scares to create a very good horror film. However, the tension was often released with humour and the audience were allowed to catch their breath and relax. At no point in The Descent are you allowed to relax as Marshall grabs your attention within the first few minutes and doesn't let go until the credits roll at the end.
With the film set almost entirely underground, the lack of light is used to wonderful effect and Marshall keeps you on edge for 100 minutes; if you liked Dog Soldiers, 28 Days Later and/or Haute Tension and are sick of the formulaic rubbish being pumped out of Hollywood then The Descent is likely to be right up your street.
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