Whilst attending a party, three high school friends gain superpowers after making an incredible discovery underground. Soon, though, they find their lives spinning out of control and their bond tested as they embrace their darker sides.
Michael B. Jordan
A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
The plot is based on a true story that happened in the late '40s in a small village in Uruguay. The film focuses on Laura, who, second by second, intends to leave a house, which hides an ... See full summary »
A woman goes on vacation with her friends after her husband and daughter encounter a tragic accident. One year later she goes hiking with her friends and they get trapped in the cave. With a lack of supply, they struggle to survive and they meet strange blood thirsty creatures. Written by
At Neil Marshall's insistence, all the people playing the villainous "crawlers" were professional actors rather than stunt men or dancers. He wanted them to cultivate a distinct character for their crawler, although, in the finished film, many crawlers only appear for a few seconds. See more »
While the rock climbing scenes in this movie are technically an order of magnitude better than most Hollywood attempts, when Juno follows across the first chasm, she wouldn't have bothered to re-rack the cams she was collecting to the gear loops on her harness. Completely unclipping them from the rope is both unnecessarily energy expending and dangerous, since she could easily drop a free cam into the abyss below. Most climbers faced with following a leader on a roof like that would simply disengage the cam from the rock and let it slide safely down the rope where it would collect by the climber's harness for later racking. See more »
[Sarah has just been scared by a bunch of bats which attacked her. Holly films the bats flying away]
[in imitation of 'The Count' from Sesame Street]
One bat, two bats, fifty bats!
[Beth comes up to her]
Holly... Fuck off
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With Dog Soldiers, Neil Marshall created a tight and claustrophobic atmosphere then added the scares to create a very good horror film. However, the tension was often released with humour and the audience were allowed to catch their breath and relax. At no point in The Descent are you allowed to relax as Marshall grabs your attention within the first few minutes and doesn't let go until the credits roll at the end.
With the film set almost entirely underground, the lack of light is used to wonderful effect and Marshall keeps you on edge for 100 minutes; if you liked Dog Soldiers, 28 Days Later and/or Haute Tension and are sick of the formulaic rubbish being pumped out of Hollywood then The Descent is likely to be right up your street.
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