Refusing to believe her story about cave-dwelling monsters, the sole survivor of a spelunking exploration gone horribly wrong is forced to follow the authorities back into the caves where something awaits.
Michael J. Reynolds,
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
A woman goes on vacation with her friends after her husband and daughter encounter a tragic accident. One year later she goes hiking with her friends and they get trapped in the cave. With a lack of supply, they struggle to survive and they meet strange blood thirsty creatures. Written by
Watch closely during the scene after the cave-in. While the girls are arguing about how to get out, Sarah is moving her flashlight about the chamber. She shines it on a ledge for a fraction of a second as she is moving the light around, and you can can see the shadow or outline of a crawler. When she passes by the ledge again with the flashlight, the shadow is gone, and you can faintly hear a scurrying sound as it is running away. See more »
In the blood pool when a monster is killed by an antler to the eye, the bone is dropped afterward and it floats. See more »
[Sarah uses Holly's camera in night vision mode and sees all of the dead animal bones]
Dead animals! Hundreds of them!
This is not good, guys.
Can we get out of here?
[Uses lighter to try and find the breeze]
[the lighter's flame does not move]
I don't know.
What do you mean you don't know?
There's no breeze! It could be any one of these tunnels! Take your pick!
Oh, fuck it!
[...] See more »
The descent is purely terrifying. It will provide you with an experience that relates entirely to those of the characters on screen. Each one is trapped, isolated and alone. In that theatre, you will understand the fear of having no escape.
The film, like it's big brother 'Dog Soldiers', takes British horror to it's deserved glory. Unlike such films as 'Creep', which was a complete mess, The Descent is a chilling experience that places believable characters into a situation that is strangely real, despite the obvious fiction.
After a quarter of the film has passed, you pray for the characters escape as, in a way, you will also be saved from the mental onslaught that drives into your mind throughout.
I didn't expect anything from this film before I walked into the theatre it, yet it is the greatest horror I have ever seen, and am likely to for a very long time.
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