When a man and woman flirt with each other at a wedding reception, the sexual tension seems spontaneous. As they break from the party to a hotel room, the flirtation turns into a night filled with passion and remorse.
" It's cool man. We've got black friends..." Two rich, clueless film school grads ("the Filmfakers") are shooting a modernized "ghetto" interpretation of an ancient Greek play on the mean ... See full summary »
FIX takes you from Beverly Hills to Watts, and places in between, in one day, as documentary filmmakers Bella and Milo race to get Milo's brother Leo from jail to rehab before 8pm, or Leo ... See full summary »
Ada and Lise are both costume designers, the first is around 20, the other around 30. Both are working hard on their break through. There are also jobs for the movies. This is where Lise ... See full summary »
Helena Bonham Carter,
Edwardian child Enid Blyton begins to tell stories to her brothers as an escape from their parents' rows before the father deserts the family. Whilst training as a teacher after the Great ... See full summary »
Helena Bonham Carter,
A decent but troubled young man is sent to a psychiatric institution for the criminally insane and soon finds himself in a fight for his life battling ghosts inside his head and very real enemies all around him.
A man runs into a woman at a wedding. They start to flirt and talk and find that they get along. Throughout their discussion, the man talks about certain memories as if they were common to the two of them. We gradually learn that there may have been a previous connection between these two when they were younger. This just leaves more questions as their past is slowly revealed. Written by
I agree with Roger Ebert - one of the best at Telluride 2005
I was lucky enough to see this movie on Monday, September 5, the last day of Telluride 2005. There were five other screenings that had sold out before that. I'd heard the about the film, but wasn't sure I had to see it until I read Roger Ebert's review of the film on his website's festival writeup.
I didn't think that a movie made entirely in split screen could be anything but a gimmick. But after seeing the film, I agree with Ebert--the split screen comes to seem necessary. The split screen is used not only to show the simultaneous actions and reactions of both characters, but also shows flashbacks juxtaposed with the present, alternate versions of the present, and moments imagined or hoped by the characters that quickly return to reality. Sometimes the present is fractured into more than one emotion for a given line or action, showing an actor performing the same moment in different ways. The editing is assured and masterful, employing storytelling techniques that couldn't exist without the split screen. The writing is brilliant, full of humor and insight. The movie is like nothing you've ever seen before.
Aaron Eckhart and Helena Bonham Carter are amazing--funny and heartbreaking at the same time. I really can't wait to see this movie again. If a movie ever rewarded two viewings, it's a movie that plays in two frames.
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