When a man and woman flirt with each other at a wedding reception, the sexual tension seems spontaneous. As they break from the party to a hotel room, the flirtation turns into a night filled with passion and remorse.
" It's cool man. We've got black friends..." Two rich, clueless film school grads ("the Filmfakers") are shooting a modernized "ghetto" interpretation of an ancient Greek play on the mean ... See full summary »
FIX takes you from Beverly Hills to Watts, and places in between, in one day, as documentary filmmakers Bella and Milo race to get Milo's brother Leo from jail to rehab before 8pm, or Leo ... See full summary »
Ada and Lise are both costume designers, the first is around 20, the other around 30. Both are working hard on their break through. There are also jobs for the movies. This is where Lise ... See full summary »
Helena Bonham Carter,
A decent but troubled young man is sent to a psychiatric institution for the criminally insane and soon finds himself in a fight for his life battling ghosts inside his head and very real enemies all around him.
A debauched nobleman offers himself to a beautiful woman, but she is repelled by his advances. He dons a mask and tries again, and this time is more successful. But the mask cannot conceal ... See full summary »
Helena Bonham Carter,
Feodor Chaliapin Jr.
A man runs into a woman at a wedding. They start to flirt and talk and find that they get along. Throughout their discussion, the man talks about certain memories as if they were common to the two of them. We gradually learn that there may have been a previous connection between these two when they were younger. This just leaves more questions as their past is slowly revealed. Written by
A potential continuity error was fixed with visual effects. Due to the short shooting schedule and lack of control of the sound stage, the soles of the actors' bare feet became soiled while shooting on the hotel room set. Shots captured included views of the actors' dirty feet as they got into and out of a clean bed, which would be unlikely in a carpeted hotel room. An error that was not caught by the Script Supervisor on set. During post production, the Director/Editor discovered that 5 shots included in the final edit would include dirty soles. In order to address the problem, the visual effects supervisor rotoscoped the bottom of the actors' feet to delineate the parts of the frame that needed to be replaced. Since shooting replacement soles against green screen in the precise size and angles necessary to fill the rotoscoped sections would be cost prohibitive, the digital compositor searched the Internet for replacement feet photographs. He discovered that the best and highest resolution images of feet were on foot fetish websites. Thus the replacement feet in those five shots are "pornographic feet". See more »
This exceptionally well-written and stylishly directed film reminded me a lot of the Linklater films, in that it was essentially an extended, intense, and modestly cross-cultural conversation between a woman and a man. In this case the darker character was the woman, played by Bonham Carter, and the charming and ebullient character was the man, played by Aaron Eckhart. The dialogue was as engaging and intelligent as Before Sunset's, but, unlike that film, this story didn't bail out before its ending. Bonham Carter's performance was excellent, and I think I'm being objective in saying that Eckhart managed to keep up with his co-star, bringing much more than pure charm to his role. The split-screen will be thrilling to some viewers and offputting to others. I'd usually put myself in the latter camp, but the movie's myriad other virtues held me in such thrall that I couldn't manage to get too annoyed with the split-screen. Definitely worth a second viewing.
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