| Julian Fellowes | ... | Himself - Presenter | |
| Nadia Cameron-Blakey | ... | Florence Bravo | |
| Michael Fassbender | ... | Charles Bravo | |
| Elizabeth McKechnie | ... | Mrs. Jane Cox | |
| Michael Cochrane | ... | Dr. James Gully | |
| Alex Palmer | ... | George Griffiths | |
| Laura Strachan | ... | Mary Ann Keeber | |
| Nicholas Hutchinson | ... | Royes Bell | |
| Nigel Hastings | ... | Coroner | |
| Peter Penry-Jones | ... | Sir William Gull | |
| Andrew Bridgmont | ... | Rowe | |
| Laurence Hobbs | ... | George Younger | |
| Rachel Bavidge | ... | Fanny |
Directed by | |||
| Michael Samuels | |||
Writing credits(in alphabetical order) | ||
| Julian Fellowes | ||
| Tina Pepler | co-writer | |
Produced by | |||
| Clare Alan | .... | producer | |
| Sara Hamill | .... | line producer | |
| Liz Hartford | .... | executive producer | |
| Adam Kemp | .... | executive producer: BBC | |
| Rob Pursey | .... | executive producer | |
Original Music by | |||
| Philip Appleby | |||
Cinematography by | |||
| Ian Moss | |||
Film Editing by | |||
| Kevin Lester | |||
Production Design by | |||
| Amanda Bernstein | |||
Set Decoration by | |||
| Neesh Ruben | |||
Makeup Department | |||
| Sallie Adams | .... | makeup designer | |
| Laura Schalker | .... | makeup artist | |
Production Management | |||
| Alex Lau | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Marios Hamboulides | .... | assistant director | |
| Emily Hobbs | .... | third assistant director | |
Sound Department | |||
| Clive Derbyshire | .... | sound recordist | |
| David Old | .... | dubbing mixer | |
Camera and Electrical Department | |||
| Jay Polyzoides | .... | focus puller | |
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| Match Point | A Place in the Sun | The Big Heat | Mildred Pierce | So Sweet, So Dead |
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| Full cast and crew | Company credits | IMDb Crime section |
| IMDb UK section |
Julian Fellowes, sometimes actor, sometimes writer, sometimes producer -- perhaps best known in the United States for writing and co-producing Altman's GOSFORD PARK -- takes a look at a scandalous murder of a century and a quarter ago and offers his own conclusions.
The whole thing is produced in a dry reconstructive manner. Fellowes gives us the facts as they were offered under testimony but, although very cleverly analyzed and well-produced in an almost DRAGNET-like, just-the-facts manner, it feels empty. The whole story around Bravo's murder leaves me with a feeling that this is not about the death of a man, but a mere puzzle in logic, like a Golden Age murder mystery in which the book was written before the author decided who had done the killing -- and then had gone in to insert the clues. I am left with great admiration for the effort -- but not much interest or pleasure.
If that is your taste in murder mysteries -- and there are many to whom that is the point -- then this should be just your meat. It is not, alas, mine.