| Erika Eleniak | ... | Jessica Hartley Landers | |
| David Millbern | ... | Russell Landers | |
| Michael Bergin | ... | Marcus Declan | |
| Juliet Landau | ... | Lisa Calders | |
| Ashley Hale | ... | Katie Landers | |
| Nathan Tipple | ... | Joshua Landers | |
| Barbara Fixx | ... | Rosemary | |
| Lucia Walters | ... | Claire | |
| Sonya Salomaa | ... | Lynne | |
| Kwesi Ameyaw | ... | Sam Watson | |
| Debbie Podowski | ... | Callie (as Deb Podowski) | |
| Lee Jay Bamberry | ... | Jason - Security | |
| Stephen Chang | ... | Kendo Master (as Stephen M.D. Chang) | |
| Michael St. John Smith | ... | John Slayter | |
| Anne Openshaw | ... | Nicole Kingsley | |
| Nicola Crosbie | ... | Female Reporter | |
| Michelle Harrison | ... | Samantha Banton | |
| Stellina Rusich | ... | Michelle Lorianna | |
| Frank Cassini | ... | Officer Davies | |
| Philip Granger | ... | Detective Weber | |
| Nels Lennarson | ... | Officer Jones | |
| Lucy | ... | Buddy |
Directed by | |||
| George Erschbamer | |||
Writing credits(in alphabetical order) | ||
| Jeff Barmash | writer | |
| George Erschbamer | writer | |
| Barbara Fixx | writer | |
Original Music by | |||
| Bill Buckingham | |||
| Ronnie Way | |||
Cinematography by | |||
| C. Kim Miles | (director of photography) | ||
| Ron Precious | |||
Casting by | |||
| Blair Law | |||
Production Design by | |||
| James Purvis | (as Jim Purvis) | ||
Set Decoration by | |||
| Elizabeth McKinnon | |||
Costume Design by | |||
| Maggie Bill | |||
Makeup Department | |||
| Debi Lelievre | .... | key makeup artist | |
| Tana Lynn Moldovanos | .... | key makeup artist | |
| Ariella Winberg | .... | assistant makeup artist | |
Production Management | |||
| Tia Buhl | .... | unit production manager | |
| Andrew Ferns | .... | production manager | |
| Todd Giroux | .... | co-post-production supervisor | |
| Janet Kendrick | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Arlene L. Arnold | .... | first assistant director | |
| Eunice Choi | .... | trainee assistant director | |
| Deborah Dimitroff | .... | second assistant director | |
| Julie Hemmerling | .... | third assistant director | |
Art Department | |||
| Luke Detheridge | .... | set dresser | |
| Max Feldman | .... | assistant art director | |
| Christopher A.R. Lowe | .... | set dresser | |
| Nathalie Morin | .... | key set decorator | |
| Susan Tilhonen | .... | set dresser | |
Sound Department | |||
| Tricia Boer | .... | sound mixer | |
| Wendy Czajkowsky | .... | adr mixer | |
| Shawn Miller | .... | boom operator | |
| Alan Perkins | .... | dialogue editor | |
Special Effects by | |||
| David Barkes | .... | pyrotechnician | |
| Paul Benjamin | .... | special effects coordinator | |
| Brant McIlroy | .... | assistant special effects coordinator | |
Visual Effects by | |||
| Russ Dionne | .... | digital artist: onset playback | |
Stunts | |||
| Ed Anders | .... | stunt coordinator | |
| Crystal Dalman | .... | stunt double | |
| Kylie Furneaux | .... | stunt double | |
Camera and Electrical Department | |||
| Dan Abelson | .... | key grip | |
| Ed Araquel | .... | still photographer | |
| Bill Baxter | .... | gaffer | |
| Simon Bayley | .... | electrician (as Simon Bailey) | |
| Simon Bayley | .... | lamp operator | |
| Jeff Cassidy | .... | second assistant camera: "a" camera | |
| Melody Chan | .... | camera trainee | |
| Ian Gariepy | .... | dolly grip | |
| Steve Gilmour | .... | best boy grip | |
| Jeff Grimshire | .... | grip | |
| Shannon Kohli | .... | electrician | |
| Lee Mills | .... | electrician | |
| Gord Phillips | .... | grip | |
| Ron Precious | .... | director of photography: second unit | |
| Ryan Purcell | .... | camera operator: "a" camera | |
| Ryan Purcell | .... | steadicam operator | |
| Brian Scholz | .... | camera operator: "b" camera | |
| Brian Scholz | .... | focus puller | |
| Robert E. Simpson | .... | first assistant camera: "a" camera | |
| Wolfgang Suk | .... | best boy electric | |
| Marie-Helene Tremblay | .... | assistant camera | |
| Trent Wiltse | .... | generator operator | |
Editorial Department | |||
| Sarah Hedar | .... | assistant editor | |
| B.F. Painter | .... | post-production coordinator | |
Transportation Department | |||
| Ron Aimer | .... | driver: cast | |
| Richard Chilton | .... | transportation coordinator | |
| Louie Hausner | .... | transportation captain | |
| Vince Morden | .... | driver: cable truck | |
Other crew | |||
| Tyrel Hansen | .... | production assistant | |
| Krista Johnston | .... | clearance | |
| Tony Kent | .... | assistant production coordinator | |
| Jarod McCullough | .... | security coordinator | |
| Wendy McKernon | .... | production associate | |
| Sandra Montgomery | .... | script supervisor | |
| Mike Sandyke | .... | craft service | |
| Mike Sandyke | .... | first aid | |
| Laura Toplass | .... | second assistant production coordinator | |
| Annie Wilkinson | .... | set tutor | |
| Steve Woodley | .... | head dog trainer | |
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| The Grudge | Premonition | Spider-Man 2 | Cry_Wolf | Spider-Man |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb Canada section | Add this title to MyMovies |
On occasion, even the big mega-buck films, with A-list stars and 9-figure budgets, have to contain ridiculously silly omissions to further the plot.
But it seems that these "Lifetime," stories, with far from A-list-staffed personnel, do this about 95% of the time.
Here, about a hundred or so words of clarification and conversation between the two leads could have precluded all of this nonsense. Of course, then the contact between Laura and her sociopathic former classmate would have been precluded, and the story would have ended after 15 minutes or so. Incidentally, if this had occurred, and they would have just shown a test pattern for the last 100 minutes, it would have been about as entertaining.
Russell is a hard-working ad executive/husband, and wife Jessica feels he's cheating from things she has heard, from her stilted observations, and inferences drawn from his erratic, often late work schedule.
But for cripes sake, a one-minute conversation between them, and the fore-mentioned 100 words, could have informed her of the fact that he was on the verge of concluding a deal which would have them all set for life, necessitating long hours and occasioning dining with an attractive woman (about which she'd heard from one of her equally-shallow friends).
Even this vacuous woman should have understood that. Hubby could have offered a few words of explanation of his own volition, but frankly, the hot -shot ad exec pretty much matched her in the "vacuous" department.
So enter the sociopathic former classmate, and his equally (or more) sociopathic companion, and you now have twice the number of vacuous personages on-screen, a story which a challenged 12-year-old could predict, and a whole slew of characters about whom one couldn't care less.
(Incidentally, after Jessica initially meets Marcus, and he - purporting to be a big-deal real estate mogul, invites her to dinner - where she chortles about this upcoming assignation with her friends, the dialog here is something which would make the conversations among the nerdy teens in the old beach blanket flicks seem like something highly-intellectual by comparison. And the inevitable brandishing of various weaponry at the conclusion could have been culled from any number of Lifetime "sociopath-menaces-innocent-family" past presentations.)