| Photos (See all 60 | slideshow) | Videos (see all 7) |
| Pell James | ... | Brier Tucket | |
| Steven Strait | ... | Luke Falcon | |
| Kip Pardue | ... | Euan Falcon | |
| Carrie Fisher | ... | Carrie | |
| Shannyn Sossamon | ... | Josie | |
| Stephen Moyer | ... | Mick Benson | |
| Ashlee Simpson | ... | Clea | |
| Fisher Stevens | ... | Garrett Schweck | |
| Perrey Reeves | ... | Michelle | |
| Peter Weller | ... | Wick Treadway | |
| Melissa Lawner | ... | Christy | |
| Cameron Thor | ... | Cameron | |
| Brian Swibel | ... | Jason From Acting Class | |
| Ewan Chung | ... | Brendan - Garrett's Assistant | |
| Mann Alfonso | ... | Bat Guy | |
| Donnie Smith | ... | Mint Bartender (as Don Smith) | |
| Meghan Lynch | ... | Mint Bargirl | |
| Shaina Fewell | ... | Pretty Girl @ The Mint | |
| Rachel Sterling | ... | Pretty Girl @ The Mint | |
| Stephanie Mace | ... | Waitress @ The Mint | |
| Natasha Soudek | ... | Stylist | |
| Sasha Gelbart | ... | First Turk | |
| Dan Callahan | ... | Second Turk | |
| Jesse Burch | ... | Airline Rep | |
| Megan Kuhlmann | ... | Ticket Counter Agent | |
| Earl Carroll | ... | Airline Security Guard | |
| Lori Heuring | ... | Flight Attendant | |
| Craig Watkinson | ... | Onlooker | |
| Tami Humphrey | ... | Woman | |
| Lauren Zelman | ... | Bakery Waitress | |
| Brittany Ishibashi | ... | Trapeze Instructor | |
| Carolina Cerisola | ... | Trippy Nightclub Dancer | |
| Hannah Feldner-Shaw | ... | Trippy Nightclub Dancer | |
| Vai Au-Harehoe | ... | Trippy Nightclub Dancer (as Vaitiare Au-Harehoe) | |
| Melissa Cross | ... | Extra Reporter | |
| rest of cast listed alphabetically: | |||
| Ritche Lago Bautista | ... | Nightclub Dancer (uncredited) | |
| Chris Blount | ... | Cute boy at Mint (uncredited) | |
| Jennifer Cadena | ... | Girl at Concert (uncredited) | |
| Dean Cates | ... | Viper Room Bartender (uncredited) | |
| Shelley Dowdy | ... | Jenn (uncredited) | |
| Tatiana Edwards | ... | Band Dancer (uncredited) | |
| Levi Ellsworth | ... | Viper Room patron (uncredited) | |
| Elena Goodman | ... | Night Club Manager (uncredited) | |
| Harrison Held | ... | KCRW Engineer (uncredited) | |
| Shane Houston | ... | Friend (uncredited) | |
| Heidi Johanningmeier | ... | Pretty girl on the boardwalk (uncredited) | |
| Shahla Kareen | ... | Mick's girl (uncredited) | |
| Mikey Kelley | ... | (uncredited) | |
| Kuma | ... | Luke's Runyon Canyon Dog (uncredited) | |
| Alycia Lee | ... | Party Girl (uncredited) | |
| Lauren LeMay | ... | Nightclub Dancer (uncredited) | |
| Christina Lindley | ... | Teenager (uncredited) | |
| Bruna Matsin | ... | Party Girl at Concert (uncredited) | |
| Kimberly Mcgee | ... | Girl at concert (uncredited) | |
| Preston Nativo | ... | Runyon Canyon Toy Puppy (uncredited) | |
| Sasha Perl-Raver | ... | Rollerskating Girl on Beach (uncredited) | |
| A.J. Presley | ... | Nightclub Dancer (uncredited) | |
| Angel Princess | ... | Nightclub Dancer (uncredited) | |
| Sadie | ... | Luke's Runyon Canyon Dog (uncredited) | |
| Justin Sandler | ... | Keyboard Player (uncredited) | |
| Tony Shore | ... | Bass Player (uncredited) | |
| Andy Signore | ... | Bong Salesman (uncredited) | |
| Frederick Martin Smith | ... | Drummer (uncredited) | |
| Michael Stumpf | ... | Cameraman (uncredited) | |
| Anthony Yniguez | ... | Guy at Concert (uncredited) | |
Directed by | |||
| Meiert Avis | |||
Writing credits(in alphabetical order) | ||
| John Galt | written by | |
Produced by | |||
| Michael Burns | .... | producer | |
| Eberhard Kayser | .... | executive producer | |
| Gary Lucchesi | .... | producer | |
| Marco Mehlitz | .... | producer | |
| Michael Ohoven | .... | producer | |
| Michael Paseornek | .... | executive producer | |
| Tom Rosenberg | .... | producer | |
| Jordan Schur | .... | executive producer | |
| Joe Simpson | .... | executive producer | |
| Bic Tran | .... | producer | |
| Mike Upton | .... | line producer | |
Original Music by | |||
| David Baerwald | |||
Cinematography by | |||
| Danny Hiele | (director of photography) | ||
Film Editing by | |||
| David Codron | |||
Casting by | |||
| Jennifer L. Smith | |||
Production Design by | |||
| Philip Duffin | |||
Art Direction by | |||
| Austin Gorg | |||
Set Decoration by | |||
| Lisa Tong | |||
Costume Design by | |||
| Jennifer Rade | |||
Makeup Department | |||
| Laura Berman | .... | assistant hair stylist | |
| Annemarie Bradley | .... | key hair stylist: New York | |
| Jacklin Masteran | .... | assistant hair stylist | |
| Ned Neidhardt | .... | makeup artist | |
| Kerrie R. Plant | .... | key makeup artist: New York (as Kerry R. Plant-Price) | |
| De'Ann Power | .... | additional hair stylist | |
| Lauran Upshaw | .... | assistant hair stylist | |
| Johnny Villanueva | .... | hair department head (as John Villanueva) | |
| Nacoma Whobrey | .... | assistant makeup artist | |
| Douglas Noe | .... | makeup department head (uncredited) | |
Art Department | |||
| Aaron Dick | .... | set dresser | |
| Mark Finer | .... | art department production assistant | |
| Shane T. French | .... | art department assistant | |
| Rob Henning | .... | leadman | |
| Stacy L. Henning | .... | set dresser | |
| Eric LaBonte | .... | set dresser | |
| Moe Moe Lwin | .... | set dresser | |
| Robert 'Cass' McEntee | .... | construction coordinator | |
| Richard Poulain | .... | storyboard artist | |
| Doug Scott | .... | lead | |
| Marissa Zajack | .... | art department coordinator | |
Sound Department | |||
| Jeremy Balko | .... | foley mixer | |
| Matthew C. Beville | .... | adr mixer | |
| Josh Bower | .... | boom operator | |
| Dhyana Carlton-Tims | .... | assistant sound editor | |
| Alan Freedman | .... | adr mixer | |
| Dean Hovey | .... | sound editor | |
| Dean Hovey | .... | sound effects editor | |
| Richard Kitting | .... | foley editor | |
| Sterling Moore | .... | utility sound | |
| Andrew Morgado | .... | first assistant sound editor | |
| Jay Nierenberg | .... | supervising sound editor | |
| Stuart Provine | .... | sound effects editor | |
| Eric Raber | .... | digital sound transfer engineer | |
| Vic Radulich | .... | adr editor | |
| Buck Robinson | .... | production sound mixer | |
| Shelley Roden | .... | foley artist | |
| Cathie Speakman | .... | supervising adr editor | |
| Thomas Varga | .... | sound mixer: New York | |
Visual Effects by | |||
| Ryan Beadle | .... | digital I/O | |
| Mark Dornfeld | .... | visual effects supervisor | |
| R.J. Harbour | .... | digital compositor | |
| Shaina Holmes | .... | digital compositor | |
| Shaina Holmes | .... | digital coordinator | |
| Nicholas Kim | .... | digital compositor | |
| Nicholas Kim | .... | main title design | |
| Lori C. Miller | .... | digital compositor | |
| Amani Williams | .... | digital compositor | |
Stunts | |||
| Steve Hart | .... | stunts | |
| Kym Stys | .... | stunts | |
Camera and Electrical Department | |||
| Conrad Castor | .... | camera loader | |
| Joseph Dianda | .... | key grip | |
| Christopher Glasgow | .... | a camera: dolly grip | |
| Josh Harrison | .... | first assistant camera | |
| Danny Hiele | .... | camera operator: "a" camera | |
| Rob Koch | .... | assistant camera: New York | |
| Paul Lambiase | .... | key rigging grip | |
| Fritz Marx | .... | best boy electric | |
| Todd England Nicodemus | .... | best boy grip | |
| Lorenzo Porras | .... | second assistant camera | |
| Justin Quach | .... | assistant camera | |
| Charles Sears | .... | electrician | |
| David Sheetz | .... | electrician | |
| Hopper Stone | .... | additional still photographer (as Peter Stone) | |
| Michael Stumpf | .... | Steadicam operator | |
| Michael Stumpf | .... | camera operator | |
| Deron Tse | .... | additional grip | |
| Alpheus Underhill | .... | rigging grip | |
| Randy Williamson | .... | first assistant camera | |
| Chuck Zlotnick | .... | still photographer | |
Casting Department | |||
| Sasha Adkinson | .... | extras casting | |
| Jennifer Ricchiazzi | .... | casting associate | |
| Laura Verbeke | .... | location extras casting assistant | |
Costume and Wardrobe Department | |||
| Michelle Lynette Bush | .... | assistant costume designer | |
| Roger J. Forker | .... | costume supervisor | |
Editorial Department | |||
| Jenny Cho | .... | post-production assistant | |
| Colby Enders | .... | first assistant editor | |
| Mark McCoy | .... | post-production coordinator | |
| Ken Mowe | .... | additional editor | |
| Kurt Smith | .... | color timer | |
| Jeff Smithwick | .... | colorist: video master | |
Music Department | |||
| Michael Baber | .... | music editor | |
| Gregory Butler | .... | composer: additional music | |
| David Falzone | .... | music supervisor | |
| Chris Fudurich | .... | composer: additional music | |
| Tim Myers | .... | musician | |
| Rebecca Rienks | .... | music coordinator | |
Transportation Department | |||
| Alex E. Burns | .... | driver | |
| Angel Desanti | .... | transportation captain | |
| J. Armin Garza II | .... | driver: camera car | |
| Geno Hart | .... | transportation coordinator | |
| Steve Larson | .... | transportation dispatcher | |
| Glen Mathias | .... | transportation co-captain | |
| John Pellegrino | .... | driver | |
Other crew | |||
| Bree Bailey | .... | assistant: Michael Paseornek | |
| Rob Baldwin | .... | assistant location manager | |
| Cassandra Barbour | .... | rights and clearances | |
| Ilsa Berg | .... | assistant: Gary Lucchesi | |
| Erin Carroll | .... | stand-in | |
| Sarah Clifford | .... | animal trainer | |
| Serge Delpierre | .... | production assistant | |
| Sharon C. Dietz | .... | production coordinator | |
| Claire Doré | .... | animal wrangler | |
| Shawn Dyrdahl | .... | production assistant | |
| Yon Elvira | .... | supervisor: assets and production publicity, Lions Gate Films | |
| Joel Goldes | .... | post-production dialect coach: Shannyn Sossamon | |
| Lisa Gooding | .... | legal supervisor | |
| Liam Hearne | .... | assistant post-production accountant | |
| Dorottya Hegedus | .... | assistant: Mike Upton | |
| Carrie Mae Jones | .... | first assistant accountant | |
| Fay Kato | .... | adr loop group | |
| Charlie Kimball | .... | production office assistant | |
| Ahmed Kirdar | .... | set production assistant | |
| Kim Lindemeon | .... | animal wrangler | |
| Daniel MacArthur | .... | production coordinator: Lions Gate Films | |
| Nathan Maruccio | .... | craft service | |
| Kathy McCurdy | .... | key assistant location manager | |
| George McDowell Agnew | .... | key location manager | |
| Robert M. Melnik | .... | executive vice president of business affairs | |
| Curtis A. Miller | .... | director of production: Lions Gate Films | |
| Keri Moorhouse | .... | production assistant | |
| Susan T. Parsons | .... | production coordinator: New York | |
| Jennifer Petrilla | .... | assistant: Michael Burns | |
| Sarah Pustilnik | .... | assistant: Michael Ohoven | |
| Emily Rice | .... | post-production accountant | |
| Haroula Rose | .... | production assistant | |
| Haroula Rose | .... | stand-in (as Haroula Spyropoulos) | |
| Amber N. Roy | .... | business and legal affairs | |
| Kate Schriver | .... | assistant: Tom Rosenberg | |
| Laura Sevier | .... | rights and clearances | |
| Amanda Shamis | .... | business affairs coordinator | |
| Yael Shoulian | .... | assistant: Meiret Avis | |
| Frances Simonovich | .... | assistant production coordinator | |
| Donna Sloan | .... | senior vice president of production: Lions Gate Films | |
| Sharon Smith | .... | production assistant | |
| Mary C. Snyder | .... | title designer | |
| Bernhard Speck | .... | production controller: Cinerenta | |
| Bernadette Tanchauco | .... | production accountant | |
| Rob van de Laar | .... | set production assistant: New York | |
Thanks | |||
| Mimi Clarke | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Germany section |
Undiscovered was a typical romance drama/coming-of-age film for 20-something's with no backbone or intrigue. I watched it for Shannyn Sossamon because she's played these great characters in the past with very little going on in their lives, but in this film, she's this Brazilian model-type who seems very much in the wrong film (the character does anyways).
I don't know what US Weekly was smoking when they proclaimed on the back of the DVD "Ashlee Simpson shines as a punky inspiring singer-actress." Simpson was basically playing a girl with no real depth and a horrible nasal voice. I do however believe in what the New York Post said about Pell James, that "(she) is adorable and winsome, she's a romantic star in the making." She might be a not-so-well-known actress, but she was a well cast lead girl for this film. But the main "dude," Steven Strait, is just a big baby with too much of his heart on his shoulder, and his knack for writing lame songs in the movie just puts the character in the ground.
I really only liked a few things about the movie. 1) Carrie Fisher. She hasn't been in a whole lot of films as of late, so it was good to see her as a lead role in the model/actress' career. 2) The chick fight in the Viper Room scene. That's always killer. And 3) The small joke about the main singer guy having arachnophobia (told by his agent at Tantra Records).
The rest of the film has been done before by better actors. There was boring music (which consisted of acoustic sets and U2 ripoff songs), a ridiculous back and forth love story which makes you want to turn the DVD off ahead of time, the dude acting like a baby through most of the film because he finds out that his contract was helped out by Brier (the main girl) and it wasn't because of his lame songs, and there was even a ridiculous chant that the Tantra Records' associates go into after deleting this guy from the label. I really didn't get the line when she calls up this musician guy and adds "I know. This is borderline stalking you." Hello? He's been obsessing about you the whole movie, not the other way around.
I had to give the film a 3/10. It was shot well, but their was no driving force that kept my attention to the screen without reminding me of how much of a cable TV movie this is. I hope this was just made to give Ashlee Simpson a film career because if the writer really felt depth in this script, I would start to lose hope in the future of film.