Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
Tells the story of Evey Hammond and her unlikely but instrumental part in bringing down the fascist government that has taken control of a futuristic Great Britain. Saved from a life-and-death situation by a man in a Guy Fawkes mask who calls himself V, she learns a general summary of V's past and, after a time, decides to help him bring down those who committed the atrocities that led to Britain being in the shape that it is in. Written by
In the comic, illustrator David Lloyd often subtly changed V's Guy Fawkes mask to suit the mood or tone a particular scene. The filmmakers considered designing a number of subtly different masks, but they ultimately decided to alter the shadows and lighting in post-production. See more »
When the little glasses girl draws a graffiti V on a poster, she drops the spray can. In the next shot, the can has been turned 180 degrees. See more »
Remember, remember, the Fifth of November, the Gunpowder Treason and Plot. I know of no reason why the Gunpowder Treason should ever be forgot... But what of the man? I know his name was Guy Fawkes and I know, in 1605, he attempted to blow up the Houses of Parliament. But who was he really? What was he like? We are told to remember the idea, not the man, because a man can fail. He can be caught, he can be killed and forgotten, but 400 years later, an idea can still ...
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Like "Batman Begins", the opening Warner Bros. logo is gray on a gray sky. See more »
Very powerful even if it makes Thatcherism look heavenly!
'V for Vendetta' will no doubt be remembered as being one of the most well-produced films of this decade for its powerful script, strong character depictions and the sheer excellence in terms of quality. Loosely based on the DC Comic, the film is set in a totalitarian Britain where the BNP-like government who run the country with an iron fist that they make Thatcher's Tories look positively warm and trustworthy. Then emerges a vigilante in the form of V, a man deformed by fire and the governmental experiments that have given him enhanced strength, who is determined to free the UK from dictatorship by blowing up the Houses of Parliament. Evey is the young woman who is unwittingly embroiled in his plot and soon understands what just it is that motivates V so.
The acting in 'V for Vendetta' was top-notch and, along with the well-written script and apt soundtrack, gave the film the essence to engage the audience and make them feel-- for better or worse-- for these characters. Although her accent was wobbly in places, Natalie Portman delivered a strong performance as Evey, depicting the character's growing love for V and the realisation that the time for her to fight has arrived. Stephen Rea also deserves a mention, as the detective who begins to grasp just how corrupt the government he has supported really is, as does Stephen Fry who proves he can do much more than play bumbling characters in his performance as Deitrich, a protester who hasn't quite grasped just how far the government will go to shut their opponents up. John Hurt's Chancellor Sutler was very terrifying as the dictator who couldn't give a toss about his people so long as he remained in total power. However, above all, it was Hugo Weaving's absolutely brilliant depiction of the lead character V who dominates. Without ever seeing his facial expression, he exudes the pragmatism, charisma and intelligence of the character with a twist of revenge-driven madness.
Entertainment-wise, the film doesn't fail with it's apt soundtrack and well choreographed fight scenes that do remind you that this was based on a comic book. Yet 'V for Vendetta' maintains the ability to leave the audience shaken and chilled at the thought of how easily a Western country can be ensnared by tyranny when a corrupt government is allowed too much power and goes too far. The elements dealt with are all the more disturbing with the state of the world today. I imagine it will touch a deeper cord with Britons like myself (it would have been interesting to see more on how Scotland, Wales and Northern Ireland had fared in this new world though) as it is so rare that a Hollywood film is set in the UK. It's always simpler to pretend these things could never happen here so it is a sharp shock to see such a dark future located in familiar surroundings of home.
I highly recommend this film to all as it will leave you both entertained and pondering matters raised in the storyline long after the credits have rolled up.
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