When his secret bride is executed for assaulting an English soldier who tried to rape her, William Wallce begins a revolt and leads Scottish warriors against the cruel English tyrant who rules Scotland with an iron fist.
The futuristic tale unfolds in a Great Britain that's a fascist state. A freedom fighter known as V uses terrorist tactics to fight the oppressive society. He rescues a young woman from the secret police, and she becomes his unlikely ally. Written by
After Finch's stealthy visit to Larkhill, he explains he has a 'feeling' of knowing what has happened in the past and what would happen in the future. The montage of the future happenstances clearly shows Evey setting the 'Scarlet Carsons' in a vase and as she walks out of frame, and Finch's reflection drinking from a glass in the mirror on the wall behind, can be seen clearly. This could be a foreshadowing to indicate that Evey and Finch end up together. Also the scenes yet to happen in the film like V being shot by Creedy's men and Evey looking up, at the explosives stacked in the train are clearly seen. See more »
(at around 2h) The mob wearing their Guy Fawkes outfits are making their way to the square to witness the Houses of Parliament being destroyed and assemble on Bridge Street, directly below the Clock Tower ("Big Ben"). When the bomb is detonated, the entire building explodes, including the Clock Tower, sending bits of debris flying, which would kill the very crowd that had gathered to witness the spectacle. See more »
Remember, remember, the Fifth of November, the Gunpowder Treason and Plot. I know of no reason why the Gunpowder Treason should ever be forgot... But what of the man? I know his name was Guy Fawkes and I know, in 1605, he attempted to blow up the Houses of Parliament. But who was he really? What was he like? We are told to remember the idea, not the man, because a man can fail. He can be caught, he can be killed and forgotten, but 400 years later, an idea can still ...
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Dedicated in memory of Adrian Biddle (1951-2005). See more »
I was a fan of the "V for Vendetta" graphic novel, and Alan Moore disinheriting the film was a bit discouraging. But he's always been a little crazy. The film version is everything I could have possibly hoped for - gripping, chilling, intense, exciting, heartbreaking. It gets Moore's music if not his exact words; elements are slightly different, subplots removed. But the idea - as V himself would be so proud to say - remains the same.
The plot is surprisingly complex and nuanced, and I don't want to give anything more away than the previews already have. Suffice it to say that a masked anarchist (voiced by Hugo Weaving) must save a young woman (Natalie Portman) during his attempt to expose corruption in the government. Weaving is perfectly cast, using his formidable physicality and imposing voice to give gravitas to the insanity of the character. Portman has gone from child to teen star and is finally emerging as a talented, adult actress following her Oscar-nominated turn in "Closer". Here, she gives her best performance to date as the orphan Evey. John Hurt is characteristically impressive as the enigmatic government leader, and Stephen Rea gives a wonderful supporting turn as the police inspector charged with finding V - before it's too late.
The Wachowski Brothers' former protégé, James McTiegue, takes on the directing duties here and helms an enormously impressive first feature, using every trick in the book in a manner reminiscent of his mentors' breakout hit "The Matrix". Unlike "The Matrix", McTiegue allows the story to be more of a focus than the action, and as a result the film is a tense and emotional thriller, with outbursts of spectacularly filmed and choreographed action. Showing more maturity and restraint than the Wachowskis, McTiegue doesn't show off, and his trickery isn't self conscious. When slow-motion overtakes a late action sequence, it seems as natural as breathing. The late cinematographer Adrian Biddle (the film is dedicated to his memory) does an outstanding job, Oscar-nominated Dario Marianelli's score is a fantastic accompaniment to the piece, and the visual effects are astonishing, terrifying, and deeply moving, especially in the climatic moments in Trafalgar Square.
With solid acting, great action, and fantastic technical wizardry, it sounds just like another "Matrix"-style ripoff. But the biggest difference in "V" is that it is a story of real ideas - not a fantastic, science fiction creation, but a genuine examination of the human condition. The power of fear takes center stage here - the fear of war, of disease, of famine. Fear is a basic human nature, and has been exploited as a weapon - a method of control - for centuries. And for those who would use it, a masked man waits in the shadows to carry out your sentence. The verdict? Vengeance. "V for Vendetta" is a must-see.
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