| Photos (See all 14 | slideshow) | Videos (see all 4) |
| Tim McGraw | ... | Rob McLaughlin | |
| Maria Bello | ... | Nell McLaughlin | |
| Alison Lohman | ... | Katy McLaughlin | |
| Ryan Kwanten | ... | Howard McLaughlin | |
| Danny Pino | ... | Jack | |
| Dallas Roberts | ... | Gus | |
| Kaylee DeFer | ... | Miranda Koop | |
| Jeffrey Nordling | ... | Rick Koop | |
| Dey Young | ... | Esther Koop | |
| Nick Searcy | ... | Norbert Rye | |
| Buck Taylor | ... | Wagner | |
| Wade Williams | ... | Man with Clipboard | |
| David Burton | ... | Rider #6 | |
| John O'Brien | ... | Mr. Masterson | |
| Armie Hammer | ... | Male Prefect | |
| Elizabeth Emery | ... | Gracie | |
| Bob Tallman | ... | Rodeo Announcer | |
| Angel Santana | ... | Rodeo Worker | |
| Emma Ritchie | ... | Honor Student | |
| Gene McLaughlin | ... | Trick Roper | |
| rest of cast listed alphabetically: | |||
| Rana Morrison | ... | Cowgirl at Rodeo (uncredited) | |
| Bogdan Szumilas | ... | Father (uncredited) | |
| Sebastien Szumilas | ... | Lasso Kid (uncredited) | |
| Rachel Zeskind | ... | Prep School Mom (uncredited) | |
Directed by | |||
| Michael Mayer | |||
Writing credits(WGA) | ||
| Mark Rosenthal | (screenplay) & | |
| Lawrence Konner | (screenplay) | |
| Mary O'Hara | (novel "My Friend Flicka") | |
Produced by | |||
| Kevin Halloran | .... | co-producer | |
| Gil Netter | .... | producer | |
Original Music by | |||
| Aaron Zigman | |||
Cinematography by | |||
| J. Michael Muro | (director of photography) | ||
Film Editing by | |||
| Andrew Marcus | |||
Casting by | |||
| Jim Carnahan | |||
| Mindy Marin | |||
Production Design by | |||
| Sharon Seymour | |||
Art Direction by | |||
| Peter Borck | |||
Set Decoration by | |||
| Maggie Martin | |||
Costume Design by | |||
| Molly Maginnis | |||
Makeup Department | |||
| Rebecca DeHerrera | .... | makeup artist | |
| Lynne K. Eagan | .... | makeup artist: Tim McGraw (as Lynne Eagan) | |
| Deborah K. Larsen | .... | makeup department head | |
| Beth Miller | .... | department head hair stylist | |
| Keith Sayer | .... | key makeup artist | |
| Rita Troy | .... | hair stylist: second unit | |
| Maria Valdivia | .... | key hair stylist | |
| Roxy D'Alonzo | .... | makeup artist (uncredited) | |
Production Management | |||
| Aaron Downing | .... | post-production supervisor | |
| David McKimmie | .... | post-production supervisor | |
| Susan McNamara | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Linda Brachman | .... | first assistant director: second unit | |
| Mike Crotty | .... | second second assistant director: Wyoming | |
| Doug Metzger | .... | first assistant director | |
| Lucille OuYang | .... | key second assistant director: second unit | |
| Marge Piane | .... | second assistant director: second unit | |
| Timothy R. Price | .... | second assistant director | |
| Brian Relyea | .... | second assistant director | |
| Rebecca Strickland | .... | first assistant director: second unit | |
Art Department | |||
| Chris Buchinsky | .... | storyboard artist | |
| Maureen Farley | .... | property master | |
| Erin Fite | .... | set decoration buyer | |
| Linda Griffis | .... | art department coordinator | |
| Michael A. Heath | .... | prop paperwork | |
| Steven Curtis Husch | .... | set dresser | |
| Cindy Ingraham | .... | assistant property master | |
| Curtis Laseter | .... | construction coordinator | |
| Kim Lincoln | .... | graphic designer | |
| Jordan Paul | .... | set dresser | |
| Natalie Richards | .... | set designer | |
| John Risso | .... | paint supervisor | |
| Clint Schultz | .... | graphic designer | |
| Suzanne Shugarman | .... | art department assistant | |
Sound Department | |||
| Paul Apted | .... | sound editor | |
| Jeremy Balko | .... | adr mixer | |
| Derek Casari | .... | adr engineer | |
| Matthew T. Duncan | .... | temp. sound recordist | |
| Ross Levy | .... | utility sound technician | |
| Michael Magill | .... | dialogue editor | |
| Paul Massey | .... | sound re-recording mixer | |
| Rob Nokes | .... | additional sound effects library: horses | |
| Steve F. Price | .... | foley supervisor | |
| Monique Salvato | .... | assistant sound editor | |
| Joel Shryack | .... | boom operator | |
| Christine Sirois | .... | adr recordist | |
| Wyatt Sprague | .... | sound effects editor | |
| Greg Steele | .... | adr mixer | |
| Donald Sylvester | .... | supervising sound editor | |
| Elliot Tyson | .... | sound re-recording mixer | |
| Paul Urmson | .... | sound designer | |
| Richard Van Dyke | .... | production sound mixer | |
| Bernard Weiser | .... | supervising effects editor | |
| Greg Zimmerman | .... | adr recordist | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Chris Brenczewski | .... | special effects technician | |
| Mark R. Byers | .... | special effects coordinator | |
| Mark Rappaport | .... | animatronic effects (uncredited) | |
| Chris Wolters | .... | animatronics (uncredited) | |
| Chris Wolters | .... | creature effects (uncredited) | |
Visual Effects by | |||
| Ryan Beadle | .... | digital I/O | |
| Kevin Chase | .... | visual effects camera rigger | |
| Samuel M. Dabbs | .... | digital department assistant | |
| Scott Dougherty | .... | visual effects executive producer: Furious FX | |
| Tim Drnec | .... | spydercam coordinator/rigging | |
| R.J. Harbour | .... | digital compositor | |
| Shaina Holmes | .... | digital compositor | |
| Shaina Holmes | .... | digital coordinator | |
| David Lingenfelser | .... | executive visual effects supervisor: Furious FX | |
| Kevin Lingenfelser | .... | creative director: Furious FX | |
| Sean O'Connor | .... | digital compositor: Furious FX | |
| Kim O'Donnell | .... | digital compositor: Furious FX | |
| Bill Phillips | .... | digital compositor | |
| Stephanie Rogers | .... | digital compositor: Furious FX | |
| Terry Shigemitsu | .... | digital effects artist | |
| Mark Shoaf | .... | CG supervisor: Furious FX | |
| Tiffany Smith | .... | visual effects producer: Furious FX | |
| Mai Suzuki | .... | digital restoration artist | |
| Rich Volp | .... | Spydercam flight control | |
| Diane Wright | .... | digital asset manager: Laser Pacific | |
Stunts | |||
| Keith Adams | .... | stunt coordinator | |
| Richard Bucher | .... | stunt double: Ryan Kwanten | |
| Darrell Davis | .... | stunts (as Craig Davis) | |
| Kanin Howell | .... | stunt performer | |
| Cliff McLaughlin | .... | stunts | |
| JD Roberto | .... | safety diver | |
| Wesley Scott | .... | stunts | |
| Raliegh Wilson | .... | stunt performer | |
| Ryan Happy | .... | stunts (uncredited) | |
Casting Department | |||
| Michael Hothorn | .... | casting executive | |
| Kara Lipson | .... | casting associate | |
| Samantha L. Morris | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Danielle Baker | .... | set costumer | |
| Jean Bone | .... | costumer | |
| Nanrose Buchman | .... | key costumer | |
| Sandy Kenyon | .... | costume supervisor | |
| Suzy Magnin | .... | costumer | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Valance Eisleben | .... | digital data conform: Lustre | |
| Conor Guy | .... | assistant editor | |
| Joe Hathaway | .... | digital color timer | |
| Ian Silverstein | .... | first assistant editor | |
| Mike Sowa | .... | digital intermediate color timer | |
Music Department | |||
| Jason Alexander | .... | music supervisor | |
| Brian Bulman | .... | music editor | |
| Rudy Chung | .... | music coordinator | |
| George Doering | .... | musician | |
| Greg Hayes | .... | score recordist | |
| Scott Hosfeld | .... | musician | |
| Steve Juliani | .... | music preparation | |
| Annette Kudrak | .... | music editor | |
| Tim Lauber | .... | score recordist | |
| Ernest Lee | .... | music recording engineer | |
| Kier Lehman | .... | music coordinator | |
| Jason Lloyd | .... | scoring stage manager | |
| Daniel Pinder | .... | additional music editor | |
| Satnam Ramgotra | .... | musician: percussion | |
| Peter Rotter | .... | orchestra contractor | |
| Tom Steel | .... | scoring stage manager | |
| Michael Stern | .... | additional score engineering | |
| Bill Talbott | .... | scoring technician | |
| Jesse Voccia | .... | music engineer | |
Transportation Department | |||
| Jim Chesney | .... | transportation coordinator | |
| Cody Driver | .... | driver | |
| Joe Feeney | .... | transportation captain | |
| Alan Kaminsky | .... | transportation captain: re-shoots | |
| Jimmy Kaminsky | .... | transportation coordinator | |
| Derek Raser | .... | transportation | |
| Robert A. Wood | .... | driver: production van | |
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| Brokeback Mountain | Giant | The Notebook | Love in the Time of Cholera | Atonement |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
I saw the film with grandkids Saturday Oct 21st here in Ontario, having read our colleague tollini's lead review (only). I, too, loved the movie and can report that the mixed audience (kids, teens, parents) was very quiet, and did not stir throughout. A 'youngster' with a horse on an ol' ranch is an ancient Hollywood concept (the original film 'My Friend Flicka' - available for review here at IMDb, was released in 1943). It's surprising that a modern 'sophisticated' audience can be entertained by it -- who says you can't sell pure story-telling any more? (--: Yes, there's conflict in the story - isn't that what intrigues us about great tales? This family does have respect and affection for one another, though - it is not mean-spirited. I mention this because L. Braun of the Tor-Sun 'dissed' the movie because of the conflict twixt dad and daughter, viewing this as a poor role-model! (ok, Liz).
It was interesting to see this story presented with the parents being youngish and attractive, despite having teenage children. I liked T. McGraw as the dad - but I couldn't help but picture Chris Cooper (of a few years ago - sorry, Chris!) as the ideal guy for the role.
I must concur with tollini that '..The cinematography and art direction are exceptional. You are actually there in Wyoming and can understand why people never want to leave...., and why they love their horses." May I also recommend tollini's gallery of film reviews? These are very classy films -- hardly a car-chase or FX-explosion to be had!
There are lots of scenes with little dialogue -- just great music, and interesting images. In fact, my theory is that the camera itself is the greatest FX - we can be intrigued by watching sweeping landscapes, or 'eavesdropping' on private conversations by means of it. That's what great story-telling is all about. - canuckteach (--: