Ken McLaughlin struggles to please his family in any way. He comes back from boarding school boasting poor grades and facing going through the fifth grade again, much to his fathers dismay.... See full summary »
Harold D. Schuster
Carrie is a big-city teenager whose life is turned upside down when she moves to a horse ranch in Wyoming to live with her father. But everything changes when Carrie meets Flicka, a wild, ... See full summary »
The curiously named, Moondance Alexander is a spirited teen living with her eccentric mother. She is faced with another uneventful summer until she discovers a lost pinto pony named ... See full summary »
After the death of his father, troubled teen Jake Gattison travels with his mother to Harmony Ranch, a special retreat for families dealing with problems. There, Jake discovers a kindred ... See full summary »
A story about two girls, CJ and Hanna. CJ lives on a ranch, Hanna comes to visit and decides to photograph wild horses for a school project. The girls become great friends and learn of a plot that might jeopardize the mustangs.
Coming of age story set in the mountain vistas, A headstrong 16 year old Katy McLaughlin desires to work on her family's mountainside horse ranch, although her father insists she finish boarding school. Katy finds a mustang in the hills near her ranch. Katy then sets her mind to tame a mustang and prove to her father she can run the ranch. But when tragedy happens, it will take all the love and strength the family can muster to restore hope. Written by
Near the end of the movie, after Flicka has been attacked, there are no visible patches of hair missing or scars from the mountain lion. Earlier in the movie when Katy finds Flicka, there are patches of hair missing where Flicka later gets attacked. See more »
Katherine "Katie" McLoughlin:
I live on top of the world... in the Never Summer Mountains of Wyoming, 8,000 feet closer to the sky. In my mountains when spring finally comes to save me from a perpetual winter, the world comes to life again and I remember what it is I'm here for. I'm the only daughter in a long line of ranchers and when we let our horses out for the first time every spring, I love to watch them rediscover the world. I can see in them an expression of my own restless spirit. Charged ...
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Because of the accidental death of two horses during filming, the usual disclaimer of "No animals were harmed in the making of this film" does not appear in the end credits. See more »
Flicka: modern presentation of an old - but pure - family concept!
I saw the film with grandkids Saturday Oct 21st here in Ontario, having read our colleague tollini's lead review (only). I, too, loved the movie and can report that the mixed audience (kids, teens, parents) was very quiet, and did not stir throughout. A 'youngster' with a horse on an ol' ranch is an ancient Hollywood concept (the original film 'My Friend Flicka' - available for review here at IMDb, was released in 1943). It's surprising that a modern 'sophisticated' audience can be entertained by it -- who says you can't sell pure story-telling any more? (--: Yes, there's conflict in the story - isn't that what intrigues us about great tales? This family does have respect and affection for one another, though - it is not mean-spirited. I mention this because L. Braun of the Tor-Sun 'dissed' the movie because of the conflict twixt dad and daughter, viewing this as a poor role-model! (ok, Liz).
It was interesting to see this story presented with the parents being youngish and attractive, despite having teenage children. I liked T. McGraw as the dad - but I couldn't help but picture Chris Cooper (of a few years ago - sorry, Chris!) as the ideal guy for the role.
I must concur with tollini that '..The cinematography and art direction are exceptional. You are actually there in Wyoming and can understand why people never want to leave...., and why they love their horses." May I also recommend tollini's gallery of film reviews? These are very classy films -- hardly a car-chase or FX-explosion to be had!
There are lots of scenes with little dialogue -- just great music, and interesting images. In fact, my theory is that the camera itself is the greatest FX - we can be intrigued by watching sweeping landscapes, or 'eavesdropping' on private conversations by means of it. That's what great story-telling is all about. - canuckteach (--:
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