Ken McLaughlin struggles to please his family in any way. He comes back from boarding school boasting poor grades and facing going through the fifth grade again, much to his fathers dismay.... See full summary »
Harold D. Schuster
Carrie is a big-city teenager whose life is turned upside down when she moves to a horse ranch in Wyoming to live with her father. But everything changes when Carrie meets Flicka, a wild, ... See full summary »
The curiously named, Moondance Alexander is a spirited teen living with her eccentric mother. She is faced with another uneventful summer until she discovers a lost pinto pony named ... See full summary »
The story is about a 12 year old girl who loses her mother in an automobile accident. Her father struggles with the loss of his wife and trying to raise his young daughter who believes her ... See full summary »
A story about two girls, CJ and Hanna. CJ lives on a ranch, Hanna comes to visit and decides to photograph wild horses for a school project. The girls become great friends and learn of a plot that might jeopardize the mustangs.
The death of a teenager's father leaves her orphaned until she discovers the mother she never knew. When she travels to meet her, she befriends a horse trainer. Together they win races and form new bonds that lead her back to happiness.
Frank E. Johnson
Coming of age story set in the mountain vistas, A headstrong 16 year old Katy McLaughlin desires to work on her family's mountainside horse ranch, although her father insists she finish boarding school. Katy finds a mustang in the hills near her ranch. Katy then sets her mind to tame a mustang and prove to her father she can run the ranch. But when tragedy happens, it will take all the love and strength the family can muster to restore hope. Written by
Near the end of the movie, after Flicka has been attacked, there are no visible patches of hair missing or scars from the mountain lion. Earlier in the movie when Katy finds Flicka, there are patches of hair missing where Flicka later gets attacked. See more »
Katherine "Katie" McLoughlin:
I live on top of the world... in the Never Summer Mountains of Wyoming, 8,000 feet closer to the sky. In my mountains when spring finally comes to save me from a perpetual winter, the world comes to life again and I remember what it is I'm here for. I'm the only daughter in a long line of ranchers and when we let our horses out for the first time every spring, I love to watch them rediscover the world. I can see in them an expression of my own restless spirit. Charged ...
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Because of the accidental death of two horses during filming, the usual disclaimer of "No animals were harmed in the making of this film" does not appear in the end credits. See more »
This story in its original incarnation had some appeal. Coming of age, proving one's self, contact with nature which in the original story was clearly conflated with confronting wild adolescent hormones. This was also the case of the "girl's" version "National Velvet" filmed immediately after the first, 1943, film of "My Friend Flicka."
Both of those new-sex-as-wild-horse stories were sappy and ordinary on the surface, but solid enough to last, to (almost) become a classics. Now see what has happened here: this fairly simple natural form has been beset upon by wildcats who have shredded it, turning it into the opposite of what it wants to be.
In the original form, the parents are simply dim but good. Everyone in the story is baffled by puberty, and only differ on how to handle it. In this disemboweled version, the girl is simply wild. She was wild before, during and presumably after we see her. Her dumbfounded parents only know how to fight, not to counsel. In the original, at the end is a harmony, a merging of child and beast where the beast is tamed and controllable and the child now empowered.
In this mortally wounded carcass, the girl wants to remain wild. We know she will be promiscuous, live unhappily (probably creating some new unhappy kids) and die. We know she will be sick or wounded but defiant in every event in her life. We know her parents will comply eventually to every request and wonder why they should be so cursed.
What a strange thing to celebrate harmful obstinacy. I suppose it is one legacy of how we sell presidents in the US.
And the cinematography. I found it ordinary in every respect.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
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