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Marebito (2004)

 -  Drama | Fantasy | Horror  -  2005 (UK)
6.1
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Ratings: 6.1/10 from 3,490 users   Metascore: 50/100
Reviews: 43 user | 69 critic | 13 from Metacritic.com

A fear-obsessed freelance cameraman (Shinya Tsukamoto) investigates an urban legend involving mysterious spirits that haunt the subways of Tokyo.

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Cast

Credited cast:
...
Masuoka
Tomomi Miyashita ...
F
Kazuhiro Nakahara ...
Arei Furoki
...
Aya Fukumoto
Shun Sugata ...
MIB
Rest of cast listed alphabetically:
Ayumu Saitô
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Storyline

In Tokyo, the freelance cameraman Takuyoshi Masuoka is obsessed investigating the fear sensation near death. When he photographs a man stabbing himself in the eye in the access to the subway, he seeks what the suicidal man might have seen to experiment the same sense of horror the man felt when he died. He finds a passage to the Tokyo underground where he meets a mysterious naked woman that does not speak, who he calls her F. He brings F to his place and he tries to feed her, until he discovers that she drinks blood. Masuika becomes a serial killer draining the blood of his victims to nurse F. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for strong bloody violence and some nudity | See all certifications »

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Details

Country:

Language:

Release Date:

2005 (UK)  »

Also Known As:

Marebito  »

Box Office

Budget:

JPY 5,000,000 (estimated)

Opening Weekend:

$3,852 (USA) (9 December 2005)

Gross:

$13,893 (USA) (10 March 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Takashi Shimizu shot the film in just eight days, between the production dates for Ju-on: The Grudge (2002) and its remake, _Grudge, The (2004/I)_. See more »

Quotes

Arei Furoki: [subtitled version] The feeling that we know as "terror" is actually ancient wisdom, sealed in our subconscious mind.
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User Reviews

 
Interesting film
5 January 2006 | by (United States) – See all my reviews

First off, I hated Ju-On. I thought it was derivative garbage of the J-horror variety (most J-Horror, which many American's think is "cult", is the equivalent of teen slasher flicks in their respective countries). That said, I was expecting nothing from this film. Instead, I got a Japanese David Cronenberg film, for all intents and purposes. This film would make an excellent companion piece to Cronenberg's Videodrome.

Both deal with technology and alienation in an urban setting. While in Videodrome it's the proliferation of mass media that causes the protagonists reality slip, here it's the creation of such media. The main character is a freelance videographer who makes a living filming the horrible things that people do to each other (and themselves) in the crowded yet isolated world of the big city. He eventually comes to understand that nothing is more cruel than what he does. He is, in a figurative sense, a vampire. He sucks the blood of the living into his lens, and thrives off the rewards. But he is lost.

Then he meets...a girl? A creature? A vampire? A hallucination? The fact that she has no recognizable emotion or attachment, and lives only to feed on the blood of people is a projection of what he is so ashamed of.

This film really gets into the feel of alienation (much the way "Clean, Shaven" and Cronenberg's "Spider" did) and makes you feel the way the populace who views his videos do. Disturbed, but secretly glad and thrilled that misery was put on film.

Which leads me to the presentation. Many have griped about the Digital Film approach, which, as most cinephiles know, leads to a harsh lighting scheme and stark contrasts- none of the lushness of film- and jerky movement feel. Shimizou could have easily done this on film if he had wanted to, but instead, I feel, made a choice to use digital...it's the same format that his protagonist records horrible images on. One turn deserves another. I enjoyed this aspect, as the presentation aspect of a film is rarely intrinsic to both the style and subtext of the film.

That said, it's not entirely successful. A few scenes could have used better FX work or shot choice/editing, but, hey, he shot this on the fly in 8 days, on his way to make another J-Horror "scary-kid" schlockfest. This film shows he is more capable than that. Fans of J-horror may want to avoid this, whereas if, like me, you're a fan of shock-cinema and narrative surrealism (Lynch, some Cronenberg, you) may enjoy this.


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