| Simon Yam | ... | Lam Lok | |
| Tony Leung Ka Fai | ... | Big D | |
| Louis Koo | ... | Jimmy Lee | |
| Nick Cheung | ... | Jet | |
| Ka Tung Lam | ... | Kun (as Lam Ka Tung) | |
| Siu-Fai Cheung | ... | Mr. So (as Cheung Siu Fai) | |
| Suet Lam | ... | Big Head (as Lam Suet) | |
| Tian-lin Wang | ... | Uncle Teng Wai (as Wong Tin Lam) | |
| Bing-Man Tam | ... | Uncle Cocky (as Tam Ping Man) | |
| Maggie Siu | ... | Mrs. Big D (as Maggie Shiu) | |
| David Chiang | ... | Chief Superintendent Hui | |
| Yong You | ... | China Police Captain (as Yao Yung) | |
| Chung Wang | ... | Whistle (as Wong Chung) | |
| rest of cast listed alphabetically: | |||
| Siu-Pang Chan | ... | Uncle Monk (as Chan Siu Pang) | |
| Biu Law Che | ... | Tally (as Paul Ng) | |
| Chi Ping Cheung | ... | Uncle Dead Dog | |
| Chi-Shing Chiu | ... | Long Hair (as Chiu Chi Shing) | |
| Hoi Chau Ho | ... | Uncle Double East (as Ho Hoi Chau) | |
| Robert Hung | ... | Sonny | |
| Ching Kwan | ... | Brother Tung | |
| Fung Kwok | ... | Fish Ball (as Kwok Fung) | |
| Wing-cheong Law | ... | Four Eye | |
| Jonathan Lee | ... | Denny Lam | |
| Wen-wei Lin | ... | Sparky (as Lam Man Wai) | |
| Ting Yip Ng | ... | Senior Inspector Tod (as Ng Yuk Sau) | |
| Hsin Shen | ... | Uncle Long Gun (as Yuen-Yin Yu) | |
| Pui Chung Tong | ... | Uncle Chiu Chow (as Tong Pui Chung) | |
| Chi Wai Wong | ... | Blackie (as Wong Chi Wai) | |
| Ho-Yin Wong | ... | Detective Wong (as Raymond Wong) | |
| Sze Yan Wong | ... | Chak (as Wong Sze Wan) | |
| Wah Wo Wong | ... | Triad Leader | |
| Ronald Yan | ... | Senior Inspector Yu | |
| Bo Yuen | ... | Dinosaur | |
| Bun Yuen | ... | Incense Master (as Yuen Bun) | |
| Kam Pong Chow | ... | Keung (uncredited) | |
| Hoi-Pang Lo | ... | (voice) (uncredited) | |
Directed by | |||
| Johnnie To | |||
Writing credits | ||
| Nai-Hoi Yau | (written by) (as Yau Nai Hoi) & | |
| Tin-Shing Yip | (written by) (as Yip Tin Shing) | |
Produced by | |||
| Catherine Chan | .... | production executive | |
| Tiffany Chen | .... | administrative producer | |
| Elos Gallo | .... | consulting producer | |
| Maylie Ho | .... | administrative producer | |
| Kok Leung Kuk | .... | line producer (as Kuk Kok Leung) | |
| Dennis Law | .... | producer | |
| Johnnie To | .... | producer | |
Original Music by | |||
| Tayu Lo | (as Lo Tayu) | ||
Cinematography by | |||
| Siu-keung Cheng | (director of photography) (as Cheng Siu Keung) | ||
Film Editing by | |||
| Patrick Tam | |||
Art Direction by | |||
| Tony Yu | |||
Costume Design by | |||
| Stanley Cheung | |||
Makeup Department | |||
| Kit Ling Chan | .... | on-set dresser | |
| Miko Chu | .... | makeup artist (as Mico Chu) | |
| Rachel Kong | .... | hair stylist (as Rachel Kwong) | |
Production Management | |||
| Chi-Shing Chiu | .... | unit manager (as Chiu Chi Shing) | |
| Elaine Chu | .... | project manager | |
| Yuin Shan Ding | .... | production supervisor (as Ding Yuin Shan) | |
| Jackson Ha | .... | production manager | |
| Eric Huen | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Wai Hung Chan | .... | assistant director (as Chan Wai Hung) | |
| Wing-cheong Law | .... | associate director (as Law Wing Cheong) | |
Art Department | |||
| Wing Kei Au | .... | property master (as Au Wing Kei) | |
| Brian Lau | .... | assistant art director | |
Sound Department | |||
| Chun Wang Au | .... | foley artist (as Au Chun Wang) | |
| King Fai Choy | .... | foley artist (as Choy King Fai) | |
| Wing Hong Fung | .... | foley artist (as Fung Wing Hong) | |
| Shek Key Kwong | .... | foley artist (as Kwong Shek Key) | |
| Hon Chiu Lam | .... | foley artist (as Lam Hon Chiu) | |
| Wai Shung Lam | .... | foley artist (as Lam Wai Shung) | |
| Sin-kwok Lee | .... | location sound (as Lee Sin Kwok) | |
| Charlie Lo | .... | sound designer | |
| Charlie Lo | .... | sound editor | |
| May Mok | .... | sound designer | |
| May Mok | .... | sound mixer | |
| Man Keung Ngai | .... | boom operator (as Ngai Man Keung) | |
| Kwong Heung Yam | .... | foley artist (as Yam Kwong Heung) | |
| Chi Man Yu | .... | foley artist (as Yu Chi Man) | |
| Tomy Yu | .... | foley artist | |
Special Effects by | |||
| Peony Lam | .... | special effects coordinator | |
Visual Effects by | |||
| Pak Chung Kwan | .... | CGI animator (as Kwan Pak Chung) | |
| Siu Lun Leung | .... | CGI animator (as Leung Siu Lun) | |
| Stephen Ma | .... | visual effects supervisor | |
| Lai Kuen Wong | .... | optical effects coordinator (as Wong Lai Kuen) | |
Camera and Electrical Department | |||
| Ting Fung Kwong | .... | best boy (as Kwong Ting Fong) | |
| Hirotake Okazaki | .... | still photographer | |
| Molly Siu | .... | making-of camera | |
| Hung Mo To | .... | cinematographer: second unit (as To Hung Mo) | |
| Leo Tsang | .... | making-of camera | |
| Kwok Chiu Wu | .... | gaffer (as Wu Kwok Chiu) | |
Editorial Department | |||
| Simon Fung | .... | assistant editor | |
| Cathy Lau | .... | post-production assistant | |
| Calmen Lui | .... | post-production executive | |
Music Department | |||
| Andrew Chu | .... | music cabinet: Tang Lou | |
| Barry Chung | .... | music cabinet: Tang Lou | |
| K.Y. Yuen | .... | music cabinet: Tang Lou | |
Other crew | |||
| Charles Heung | .... | presenter | |
| Ching Ting Law | .... | set runner (as Lu Ching Ting) | |
| Dennis Law | .... | presenter | |
| Wing-cheong Law | .... | associate director (as Law Wing Cheong) | |
| Andy Ma | .... | continuity | |
| Po Sang Sie | .... | story consultant (as Sie Po Sang) | |
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| Rush Hour 2 | Miller's Crossing | King of New York | The Departed | Collateral |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Hong Kong section |
This film really deserves more recognition than its getting. It really is a stunning and rich portrayal of blood ties, favours and allegiances within the crime world. The film is shot beautifully and delves into all you're classic crime themes such as betrayal and power. This film is a movie goers film, it requires attention and understanding and rewards fully in the end. It is the godfather of hong kong and is a welcome change rather than another wire frame fighting, martial arts epic which seems to be the major contribution to the cinema world from hong kong and china. It features an arrangement of great characters, actors and development although is fair to say I had to watch it twice just to nail what was happening with some of the characters due to their being so many interactions in the film. ALl in all 8/10 Great plot characters but there are characters that don't stand out enough and the music didn't really get me going and at times i felt it didn't sync well with the action(there is action by the way) so it loses some points for that.