| Sergio Castellitto | ... | Franco Elica | |
| Donatella Finocchiaro | ... | Bona di Gravina | |
| Sami Frey | ... | Principe di Gravina | |
| Gianni Cavina | ... | Smamma | |
| Maurizio Donadoni | ... | Micetti | |
| Bruno Cariello | ... | Enzo Baiocco | |
| Simona Nobili | ... | Maddalena Baiocco | |
| Claudia Zanella | ... | Chiara Elica | |
| Corinne Castelli | ... | Fara Domani / Lucia Mondella | |
| Silvia Ajelli | ... | Gioia Rottofreno / Monaca di Monza | |
| Aurora Peres | ... | Sposa | |
| Giacomo Guernieri | ... | Sposo | |
| Carmelo Galati | ... | Luigi | |
| rest of cast listed alphabetically: | |||
| Giovanni Calcagno | |||
| Ludovico Caldarera | ... | Riccardo Rezza | |
| Paola Lavini | ... | Attrice al provino | |
| Simona Lisi | ... | Assistente alla regia | |
| Alba Rohrwacher | ... | Assistente (as Alba Caterina Rohrwacher) | |
| Francesco Scianna | |||
Directed by | |||
| Marco Bellocchio | |||
Writing credits(in alphabetical order) | ||
| Marco Bellocchio | ||
Produced by | |||
| Marco Bellocchio | .... | producer | |
| Luigi Lagrasta | .... | supervising producer | |
| Luciano Martino | .... | producer | |
| Sergio Pelone | .... | producer | |
| Massimo Vigliar | .... | producer | |
Original Music by | |||
| Riccardo Giagni | |||
Cinematography by | |||
| Pasquale Mari | |||
Film Editing by | |||
| Francesca Calvelli | |||
Casting by | |||
| Barbara Daniele | |||
Production Design by | |||
| Marco Dentici | |||
Costume Design by | |||
| Sergio Ballo | |||
Makeup Department | |||
| Simona Castaldi | .... | makeup artist | |
| Esme Sciaroni | .... | key makeup artist | |
Production Management | |||
| Giordano Baffari | .... | unit manager | |
| Sandra Bonacchi | .... | production manager | |
| Irma Misantoni | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Lucille Cristaldi | .... | assistant director | |
| Barbara Daniele | .... | first assistant director | |
Sound Department | |||
| Gianluca Basili | .... | sound effects editor | |
| Sergio Basili | .... | foley artist | |
| Gaetano Carito | .... | sound | |
| Emanuela Di Giunta | .... | sound editor | |
| Gabriele Moretti | .... | sound editor | |
| Angelo Raguseo | .... | sound re-recording mixer | |
| Antonio Tirinelli | .... | sound effects editor | |
Special Effects by | |||
| Franco Galiano | .... | special effects supervisor | |
Visual Effects by | |||
| Gianluca Dentici | .... | visual effects supervisor | |
| Marina Di Patrizi | .... | scanning & film recording | |
| Pablo Mariano Picabea | .... | scanning & film recording | |
Editorial Department | |||
| Irma Misantoni | .... | post-production coordinator | |
Music Department | |||
| Carlo Crivelli | .... | composer: theme music | |
Other crew | |||
| Maria Vittoria Abbrugiati | .... | script supervisor | |
| Francesca Ambrosio | .... | production coordinator | |
| Lorenzo Luccarini | .... | production assistant | |
| Mangano Maurilio | .... | production secretary | |
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| Eyes Wide Shut | So Sweet, So Dead | The English Patient | 8½ | Original Sin |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
There is something that one of the characters (the aging film director who pretends to be dead) says which may summarize all the film: "In Italy it's the dead who rule". True! This is a country without a future, in the hands of old and jaded men. And Bellocchio's cryptic portrait of the country, pivoted on the apparently senseless story of a director who has to film marriage parties to earn a living, manages to say a lot about what is not working here. But foreigners may miss the point, as it's not clearly expressed. I understand that Australian or Canadian people who watch this may get bored and wonder if there's a meaning--well, there's a meaning, but it's clear only to people who live here today, and keep their eyes wide open... like Bellocchio. Surely it's not one of his best films, and it's not as powerful as Buongiorno, notte, but it's worth seeing... for Italians who live in Italy.