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The Wedding Director (2006)
"Il regista di matrimoni" (original title)

 |  Drama, Mystery  |  4 June 2008 (USA)
6.4
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Ratings: 6.4/10 from 555 users  
Reviews: 9 user | 15 critic

A film director falls in love with the daughter of a prince.

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Cast

Credited cast:
...
Franco Elica
...
Bona di Gravina
Sami Frey ...
Principe di Gravina
Gianni Cavina ...
Smamma
Maurizio Donadoni ...
Micetti
Bruno Cariello ...
Enzo Baiocco
Simona Nobili ...
Maddalena Baiocco
...
Chiara Elica
Corinne Castelli ...
Fara Domani / Lucia Mondella
Silvia Ajelli ...
Gioia Rottofreno / Monaca di Monza
Aurora Peres ...
Sposa
Giacomo Guernieri ...
Sposo
Carmelo Galati ...
Luigi
Rest of cast listed alphabetically:
Giovanni Calcagno
Ludovico Caldarera ...
Riccardo Rezza
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Storyline

Franco Elica is a film director casting a remake of a pious melodrama in Rome. He's melancholy, heading south for a break. On a beach, he meets a man who films weddings and is roped into helping film the wedding of the daughter of a severe and imperious prince. The wedding is one of convenience - the prince needs money, the groom is a mama's boy. Elica is attracted to the bride, Boda, and tries to convince her not to marry. No matter how outrageous his behavior, the prince keeps Elica on as the wedding director. As the wedding approaches, what's real blurs with Elica's imagination. Is he mad? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | Mystery

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Release Date:

4 June 2008 (USA)  »

Also Known As:

The Wedding Director  »

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Aspect Ratio:

1.85 : 1
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User Reviews

 
Fascinating, sometimes confusing Kafka-esque comedy/drama
18 March 2012 | by (US) – See all my reviews

An esteemed filmmaker goes quietly on the lamb after his assistant jokingly makes inappropriate remarks to a woman he thinks is an actress waiting for an audition, implicating the director in a sex-scandal. While hiding out in a small town he has his arm twisted by a local prince into making a film of his daughter's impending wedding.

This film has a lot on its mind about the current state of film-making, not much of it pleasant. Beneath the labyrinthine story levels lies an angry satire of an industry that reduces artistic directors to no more than metaphoric wedding film makers, and a society that rewards death over excellence when considering person's worth. These are only two of the many themes that expand to fathers and daughters, masculine identity, power games, even the old 'nature of art vs. reality' debate.

Even when baffling with it's magical realism and surrealist touches it's never less than engaging. This is the kind of film that begs you to come back for a 2nd viewing, and you look forward to it.


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