Directed by | |||
| Catherine Tatge | |||
Writing credits(in alphabetical order) | ||
| Leslie Clark | ||
Produced by | |||
| Artemio Benki | .... | producer | |
| Luke Crafton | .... | producer | |
| Howard Cutler | .... | executive producer | |
| J. Douglas Holladay | .... | executive producer | |
| Dominique Lasseur | .... | executive producer | |
| Dominique Lasseur | .... | producer | |
| AnneMarie Naughton | .... | line producer | |
| Frances Peters | .... | coordinating producer | |
| Michael Sullivan | .... | executive producer | |
| Fay Sutherland | .... | coordinating producer | |
| Catherine Tatge | .... | executive producer | |
| Catherine Tatge | .... | producer | |
Original Music by | |||
| Milan Kymlicka | |||
Cinematography by | |||
| James J. Callahan | |||
| John Chater | |||
| Richard Chisolm | |||
| Terry Doe | |||
| Stanislav Dorsic | |||
| Dan Gilman | |||
| Mead Hunt | |||
| Tom Hurwitz | |||
| Igor Luther | |||
| Stephen McCarthy | |||
| Joel Shapiro | |||
Film Editing by | |||
| Joanna Kiernan | |||
| Doug Rossini | |||
Casting by | |||
| Petr Hartl | |||
| Lucie Pascu | |||
Production Design by | |||
| Jean-Vincent Puzos | |||
Art Direction by | |||
| Robin Auld | |||
Set Decoration by | |||
| Sinead Kavanagh | |||
Costume Design by | |||
| Robin Auld | |||
Production Management | |||
| Travis Andersen | .... | unit manager | |
| Ivan Filus | .... | production manager | |
| Pavel Muller | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Petr Nemecek | .... | assistant director | |
Art Department | |||
| Milan Babik | .... | props | |
| Jamie Biggar | .... | lead developer | |
| Kenneth Cavander | .... | creative consultant | |
| Tomas Cerny | .... | constructor crew | |
| Vincent Chazal | .... | graphic | |
| Audrey Corr | .... | props | |
| Joe Freedman | .... | graphic | |
| Lenore Gibson | .... | designer | |
| Ilisha Helfman | .... | graphic | |
| Tyler Howe | .... | lead designer | |
| Cara Joslin | .... | designer | |
| Matt Karol | .... | storyboard artist | |
| Gaye Korbet | .... | designer | |
| Martin Kurel | .... | set designer | |
| Linda Mahajan | .... | lead developer | |
| James Senade | .... | graphic | |
| Karel Vanásek | .... | property master | |
Sound Department | |||
| Felipe Borrero | .... | sound recordist | |
| Chris Bresnahan | .... | sound recordist | |
| David Chornow | .... | sound recordist | |
| Ray Day | .... | sound recordist | |
| Petr Forejt | .... | sound recordist | |
| Paul Furedi | .... | sound post-production | |
| Steve Hawk | .... | sound recordist | |
| Les Honess | .... | sound recordist | |
| Mary Kaigler-Schaffer | .... | sound recordist | |
| Matt Legreca | .... | assistant sound | |
| Terry Lucking | .... | sound recordist | |
| Valery Lyman | .... | assistant sound | |
| Mark Mandler | .... | sound recordist | |
| Peter Miller | .... | sound recordist | |
| Gary Silver | .... | sound recordist | |
| Andre Strumer | .... | sound recordist | |
| Tom Williams | .... | sound recordist | |
Special Effects by | |||
| Michal Turner | .... | special effects | |
Camera and Electrical Department | |||
| John Alper | .... | video operator | |
| Jarred Alterman | .... | assistant camera | |
| Miguel Armstrong | .... | camera operator | |
| Ota Baji | .... | gaffer | |
| John Baynard | .... | camera operator | |
| Dieter Bockmeier | .... | gaffer | |
| Tim Davies | .... | second grip | |
| Dan Denitto | .... | grip | |
| Ned Hallick | .... | gaffer | |
| Bedrich Hermanek | .... | grip | |
| Jiri Kubik | .... | video engineer | |
| Joe Matina | .... | gaffer | |
| Steve Nealey | .... | assistant camera | |
| Miroslav Nedorost | .... | gaffer | |
| Thomas Ostrowski | .... | gaffer | |
| John R. Priebe | .... | gaffer | |
| Kelly Richard | .... | assistant camera | |
| John M. Roche | .... | best boy electric | |
| David Smith | .... | camera operator | |
| Lindsey Smith | .... | assistant camera | |
| Petr Stepanek | .... | assistant camera | |
| Petr Stepanek | .... | gaffer | |
| Al Vasquez | .... | video engineer | |
| Dan Vranesich | .... | dolly grip | |
| Cliff Weisner | .... | grip | |
| Dick Williams | .... | gaffer | |
Costume and Wardrobe Department | |||
| Carol Dunne | .... | wardrobe assistant | |
| Zuzana Kolinova | .... | wardrobe assistant | |
| Ada Machackova | .... | wardrobe mistress | |
| Chrissie Maddison | .... | wardrobe assistant | |
Editorial Department | |||
| Luke Crafton | .... | editorial collaborator | |
| Howard Cutler | .... | editorial collaborator | |
| Katherine Kordaria | .... | editorial intern | |
| Armand Nicholi | .... | editorial collaborator | |
| Alix Nyberg | .... | editorial collaborator | |
| Caitlin O'Neil | .... | editorial collaborator | |
| Matthew Prinzing | .... | assistant editor | |
| David Riley | .... | assistant editor | |
| Corey Shaff | .... | pre-editor | |
| Don Wyllie | .... | post-production editor | |
Music Department | |||
| Roman Finger | .... | music producer | |
| Jan Holzner | .... | orchestra recording engineer | |
Transportation Department | |||
| Frantisek Petr | .... | transportation | |
| Tomas Svoboda | .... | transportation | |
| Jaroslav Thun | .... | transportation | |
| Pavel Vedral | .... | transportation | |
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| Death of a Nation | The Last Message of God | Breathing Lessons: The Life and Work of Mark O'Brien | Luther | A Certain Circumvention |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
As the title suggests, the series uses the dichotomy of two contrasting figures: The notably religious C. S. Lewis (of Narnia fame) and equally notable atheist, Sigmund Freud. Their lives are shown through brief vignettes, each demonstrating the two mens' path towards or away from religion. Surrounding each scene is a sometimes lively round-table discussion featuring people of different persuasions, seemingly all religious save two. The moderator asks general questions, often from the biographical scenes, and the table takes turns answering.
As a self-described amateur religious philosopher, I was drawn to this special after catching most of it on television, and promptly purchased the DVD. I've now watched it two, maybe three times, and while it's shallow in its debate, and far too short to really get to anything meaningful, it's an interesting show and I'll probably watch it yet again! (In fact, every time the resident atheists bring up a point based on evidence, logic, reason, etc., the subject is quickly changed to feelings, or emotion, or the like.) I would hope that a future series expands on the issues raised. I know that if Michael Shermer is involved, I'll watch it. All in all, definitely worth watching, if a little topical because of the time restrictions and the emphasis placed on the title characters' biographies.