The Namesake (2006)

User Rating:

7.6/10   

Director:

Mira Nair

Writers (WGA):

Sooni Taraporevala (screenplay)
Jhumpa Lahiri (novel)

Release Date:

9 March 2007 (USA)

Genre:

Drama

Tagline:

Two Worlds. One Journey.

Plot:

American-born Gogol, the son of Indian immigrants, wants to fit in among his fellow New Yorkers, despite his family's unwillingness to let go of their traditional ways.

Plot Keywords:

Train | Parents | Bengali | Singer | Death

Awards:

1 win & 3 nominations

US TV Schedule:

Thur. July 23

9:50 AM

MAX

Cast

Kal Penn	...	Gogol / Nikhil
Tabu	...	Ashima
Irrfan Khan	...	Ashoke
Jacinda Barrett	...	Maxine
Zuleikha Robinson	...	Moushumi Mazumdar
Brooke Smith	...	Sally
Sahira Nair	...	Sonia
Jagannath Guha	...	Ghosh
Ruma Guha Thakurta	...	Ashoke's Mother
Sandip Deb	...	Music Teacher
Sukanya	...	Rini
Tanushree Shankar	...	Ashima's Mother
Sabyasachi Chakraborty	...	Ashima's Father
Tamal Ray Chowdhury	...	Ashoke's Father
Dhruv Mookerji	...	Rana

MPAA:

Rated PG-13 for sexuality/nudity, a scene of drug use, some disturbing images and brief language.

Runtime:

122 min

Country:

India | USA

Language:

Hindi | English | Bengali | French

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | SDDS | Dolby Digital

Certification:

USA:PG-13 | Ireland:12A | Singapore:NC-16 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Netherlands:12 | Germany:6 | Portugal:M/12 | Brazil:12 | Argentina:13 | Australia:M | Finland:K-11 | Philippines:PG-13 (MTRCB) | New Zealand:M | South Korea:15 | Norway:11

Filming Locations:

Calcutta, West Bengal, India

Company:

Fox Searchlight Pictures

Trivia:

Tabu admitted that in all the years she had lived in India, she had never seen the Taj Mahal. The scene in the movie where the family goes to see the Taj Mahal was her first time seeing famous tomb.

Goofs:

Anachronisms: Several anachronisms show up in the 1977 flashback sequences showing Calcutta (Kolkata); the railway station shows a sign for Indusind Bank which was not established until the late 1990s; there is a building of The Telegraph which was not launched till 1982; and there are shots of several bridges and buildings which are only recent additions to the city.

Quotes:

Gogol Ganguli: [after being told the origin of his name] Baba, is that what you think of when you think of me? Do I remind you of that night?
Ashoke Ganguli: Not at all. You remind me of everything that followed. Everyday since then has been a gift... Gogol.

Movie Connections:

Featured in "Siskel & Ebert & the Movies: (2007-03-10)" (2007)

Soundtrack:

Postales

Entertaining and universal

Just got home from the Sept 11, 2006 official world premiere screening of The Namesake at the Elgin Theatre at the 2006 Toronto International Film Festival.

Director Mira Nair briefly introduced the film by saying that it was her most personal project as she herself lived in Kolkata for 12 years and then in New York City for 25 (the 2 cities that the characters in the film travel between as well). She dedicated the film to the legendary directors Ritwick Ghatak and Satyajit Ray. She introduced the actress Tabu who said a few words about how grateful she was to work on the project, especially as it helped her to understand her own mother better. Director Karan Johar and actor Amitabh Bachchan (who is not in this film, but a guest at the screening) also happened to be in attendance in the audience and were introduced to warm applause.

I better admit right off the bat that I went to see the film based simply on how much I've enjoyed Mira Nair's films in the past. I did not know the work of the veteran Indian actors or the work of the younger American based cast. I was aware that Kal Penn has acted in several teenage and/or stoner comedies but I've never actually seen those films so have no preconceptions about his work. And I've only seen maybe a dozen Bollywood films in my life, just enough to know that the scenes of kissing in The Namesake would not be acceptable to a traditional crowd. Also, I have not read the book that the film is based on, although having enjoyed the film as much as I did, I definitely intend to read it as soon as possible (in fact we picked up 2 copies on the way home).

OK, so after getting all of that out the way, maybe some will take my views with a grain of salt as they might feel that I am not qualified to comment, but I found this to be an all round entertaining and enjoyable film that made your heart ache for the different characters at various times and that hit all the right notes along the way. The casting seemed all-round perfect and everyone was completely believable in their roles. Kal Penn was absolutely solid in his part and grew from a young surly teenager to a confused young man to a mature adult. In the role of the parents both Tabu and Irfan Khan were thoroughly believable as a young arranged marriage couple in Kolkata who moved to America to build a new life and who aged together gracefully with lifes ups and down on the way. Tabu carried more of the weight here and was just gorgeous as a young bride and grew into a mother with many cares but who held herself with dignity throughout. Her acting even just with her eyes was just wonderful to watch. All of the technical aspects, the cinematography, costuming, locations, set decoration, and soundtrack etc. were equally impressive. The theme of family and the search for one's self are universal and are all well communicated in this film. The sense in the room of the theatre was that everyone was identifying with the film throughout (the audience was maybe 15-20% of South Asian heritage - with the rest a mixed Canadian Toronto and film festival crowd) and the occasional jokes and visual gags all went over to great enthusiastic laughter.

I encourage everyone to see it when it opens in general release. So far only this and Babel and Paris Je T'aime have earned a 10/10 from me at this year's TIFF.