The Namesake (2006)

Director:

Mira Nair

Writers (WGA):

Sooni Taraporevala (screenplay)
Jhumpa Lahiri (novel)

Release Date:

9 March 2007 (USA)

Genre:

Drama

Tagline:

Two Worlds. One Journey.

Plot:

American-born Gogol, the son of Indian immigrants, wants to fit in among his fellow New Yorkers, despite his family's unwillingness to let go of their traditional ways.

Plot Keywords:

Ganges | Josh Grisetti | Mother | Arranged Marriage | Airplane

Awards:

3 nominations

Cast

Kal Penn	...	Gogol / Nikhil
Tabu	...	Ashima
Irfan Khan	...	Ashoke (as Irrfan Khan)
Jacinda Barrett	...	Maxine
Zuleikha Robinson	...	Moushumi Mazumdar
Brooke Smith	...	Sally
Sahira Nair	...	Sonia
Jagannath Guha	...	Ghosh
Ruma Guha Thakurta	...	Ashoke's Mother
Sandip Deb	...	Music Teacher
Sukanya	...	Rini
Tanushree Shankar	...	Ashima's Mother
Sabyasachi Chakravarthy	...	Ashima's Father (as Sabyasachi Chakraborty)
Tamal Sengupta	...	Ashoke's Father (as Tamal Roy Choudhury)
Dhruv Mookerji	...	Rana

MPAA:

Rated PG-13 for sexuality/nudity, a scene of drug use, some disturbing images and brief language.

Runtime:

122 min

Country:

India | USA

Language:

Hindi | English | Bengali | French

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | SDDS | Dolby Digital

Certification:

Argentina:13 | Germany:6 | Finland:K-11 | Singapore:NC-16 | Switzerland:10 (canton of Vaud) | Philippines:PG-13 (MTRCB) | Portugal:M/12 | USA:PG-13 | Switzerland:10 (canton of Geneva) | Ireland:12A | Australia:M | South Korea:15 | Brazil:12 | Netherlands:12 | New Zealand:M

Filming Locations:

Calcutta, West Bengal, India

Company:

Fox Searchlight Pictures

Trivia:

Mira Nair originally wanted Abhishek Bachchan to play the part of Gogol, but changed her mind as she wanted someone who looks like he is raised in the US, so she cast Kal Penn as he was very keen to do the role, and also because Mira Nair's son wanted Kal Penn to do the role.

Goofs:

Anachronisms: When the parents go to New York in 1977, the license plates on the cars are the current blue and white plates (with the state of New York in the middle). The color of the plates in New York in 1977 were orange with dark blue letters and numbers.

Quotes:

Gogol Ganguli: So I'm two inches away from her. Her luscious lips part. Just as I'm about to kiss her, she looks at me and she says, "What's your name?"
Marc: Gogol Ganguli.
Gogol Ganguli: End of seduction 101.

Movie Connections:

Featured in "Siskel & Ebert & the Movies: (2007-03-10)" (2007)

Soundtrack:

Baul Song

Entertaining and universal

Just got home from the Sept 11, 2006 official world premiere screening of The Namesake at the Elgin Theatre at the 2006 Toronto International Film Festival.

Director Mira Nair briefly introduced the film by saying that it was her most personal project as she herself lived in Kolkata for 12 years and then in New York City for 25 (the 2 cities that the characters in the film travel between as well). She dedicated the film to the legendary directors Ritwick Ghatak and Satyajit Ray. She introduced the actress Tabu who said a few words about how grateful she was to work on the project, especially as it helped her to understand her own mother better. Director Karan Johar and actor Amitabh Bachchan (who is not in this film, but a guest at the screening) also happened to be in attendance in the audience and were introduced to warm applause.

I better admit right off the bat that I went to see the film based simply on how much I've enjoyed Mira Nair's films in the past. I did not know the work of the veteran Indian actors or the work of the younger American based cast. I was aware that Kal Penn has acted in several teenage and/or stoner comedies but I've never actually seen those films so have no preconceptions about his work. And I've only seen maybe a dozen Bollywood films in my life, just enough to know that the scenes of kissing in The Namesake would not be acceptable to a traditional crowd. Also, I have not read the book that the film is based on, although having enjoyed the film as much as I did, I definitely intend to read it as soon as possible (in fact we picked up 2 copies on the way home).

OK, so after getting all of that out the way, maybe some will take my views with a grain of salt as they might feel that I am not qualified to comment, but I found this to be an all round entertaining and enjoyable film that made your heart ache for the different characters at various times and that hit all the right notes along the way. The casting seemed all-round perfect and everyone was completely believable in their roles. Kal Penn was absolutely solid in his part and grew from a young surly teenager to a confused young man to a mature adult. In the role of the parents both Tabu and Irfan Khan were thoroughly believable as a young arranged marriage couple in Kolkata who moved to America to build a new life and who aged together gracefully with lifes ups and down on the way. Tabu carried more of the weight here and was just gorgeous as a young bride and grew into a mother with many cares but who held herself with dignity throughout. Her acting even just with her eyes was just wonderful to watch. All of the technical aspects, the cinematography, costuming, locations, set decoration, and soundtrack etc. were equally impressive. The theme of family and the search for one's self are universal and are all well communicated in this film. The sense in the room of the theatre was that everyone was identifying with the film throughout (the audience was maybe 15-20% of South Asian heritage - with the rest a mixed Canadian Toronto and film festival crowd) and the occasional jokes and visual gags all went over to great enthusiastic laughter.

I encourage everyone to see it when it opens in general release. So far only this and Babel and Paris Je T'aime have earned a 10/10 from me at this year's TIFF.