The Namesake (2006)

American-born Gogol, the son of Indian immigrants, wants to fit in among his fellow New Yorkers, despite his family's unwillingness to let go of their traditional ways.

Director:

Mira Nair

Writers:

Sooni Taraporevala (screenplay), Jhumpa Lahiri (novel)

Stars:

Kal Penn, Tabu, Irrfan Khan

2 wins & 3 nominations.

Cast

Cast overview, first billed only:
Kal Penn	...	Gogol / Nikhil
Tabu	...	Ashima
Irrfan Khan	...	Ashoke
Jacinda Barrett	...	Maxine
Zuleikha Robinson	...	Moushumi Mazumdar
Brooke Smith	...	Sally
Sahira Nair	...	Sonia
Jagannath Guha	...	Ghosh
Ruma Guha Thakurta	...	Ashoke's Mother
Sandip Deb	...	Music Teacher
Sukanya	...	Rini
Tanushree Shankar	...	Ashima's Mother
Sabyasachi Chakraborty	...	Ashima's Father
Tamal Ray Chowdhury	...	Ashoke's Father
Dhruv Mookerji	...	Rana

Storyline

While traveling by train to visit his grandfather in Jamshedpur, Calcutta born, Bengali-speaking Ashoke Ganguli meets with fellow-traveler, Ghosh, who impresses upon him to travel, while Ashoke is deep into a book authored by Nicholai Gogol. The train meets with an accident, and after recuperating, Ashoke re-locates to America, settles down, returns home in 1977 to get married to aspiring singer, Ashima, and returns home to New York. Shortly thereafter they become parents of a boy, who they initially name Gogol, and a few years later both give birth to Sonia. The family then buy their own house in the suburbs and travel to India for the first time after their marriage. The second time they travel to India is when Gogol and Sonia are in their late teens, and after a memorable visit to Kolkata and then to the Taj Mahal, they return home. Gogol falls in love with Maxine Ratliff and moves in with her family, while Ashoke spends time traveling, and Sonia moves to California, leaving Ashima...

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Plot Keywords:

india | train | bengali | death | singer | 

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Taglines:

The greatest journeys are the ones that bring you home.

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated PG-13 for sexuality/nudity, a scene of drug use, some disturbing images and brief language

Details

Official Sites:

20th Century Fox [nl] Fox Searchlight Pictures [us]

Country:

India USA

Language:

English Hindi Bengali French

Release Date:

9 March 2007 (USA)

Also Known As:

El buen nombre

Filming Locations:

Calcutta, West Bengal, India

Box Office

Opening Weekend:

£125,084 (UK) (30 March 2007)

Gross:

$13,569,248 (USA) (3 August 2007)

Company Credits

Production Co:

Fox Searchlight Pictures, Cine Mosaic, Entertainment Farm (EF)

Technical Specs

Runtime:

122 min

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Tabu admitted that in all the years she had lived in India, she had never seen the Taj Mahal. The scene in the movie where the family goes to see the Taj Mahal was her first time seeing famous tomb.

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Goofs

The Gangulis' dark green Volvo 240 sedan has a New York license plate up front and a California one on the back, when the movie is set in New York and a registered vehicle in the state of New York must have a license plate from the state in which it is registered.

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Quotes

[first lines]
Man: Mm, what are you reading?
Ashoke Ganguli: Hm? "The Overcoat", by Gogol.

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Crazy Credits

For Ritwik Ghatak and Satyajit Ray, the gurus of cinema, with love and salaams.

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Connections

Referenced in Life in a Metro (2007)

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Soundtracks

"Bhor Holo Dor Kholo"
Written by Subal Dasgupta
Lyrics by Kazi Nazrul Islam
Performed by Indrani Sen
Courtesy of The Gramophone Co. of India Ltd.

User Reviews

I Didn't Want It To End

This film is everything a good movie is supposed to be: diverting and credible. You are left in no doubt as to the integrity of the characters in their respective roles. The movie commences with Ashima, a young girl in India (played by intoxicating Tabu), introduced to a prospective husband, Ashoke. She decides she likes him because before entering the room to see him for the first time she sees his Western wingtiped shoes outside the door and decides he must be an interesting person. He is further endeared to her (and us) when she is asked to recite a beloved sample of English verse and he smiles at her composure and suppressed perturbation when interrupted by his pedantic father. She is married to this engineer and taken to the U.S. to live in New York, and slowly begins to adapt. The movie follows her for 25 years as she sees her two children become Americans and face their own (and in the case of one, very poignant) issues.

Loneliness, joy, tribe, custom, and life's relentless call for adaptation are major themes, and they unfold beautifully. Perhaps its most understated point is that none of the good would have come to pass but for the success of the arranged marriage between Ashoke and Ashima, i.e., that this wonderful young woman had the good fortune to link up with the kind and loving Ashoke. It is the success of the parents' marriage that makes everything possible. As a Westerner unfamiliar with the concept of arranged unions I shivered at the thought of what could have happened if Ashoke had not been such a decent man and loving husband and father.

This is a wonderful film.