In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students who wants to search through his papers and her estranged sister who shows up to help settle his affairs.
A political drama about terrorism, revolution, and the power of memory. In an unnamed place and time, an idealistic soldier named Joe strikes up an illicit friendship with a political prisoner named Thorne, who eventually recruits him into a bloody coup d'etat. But in the post-revolutionary world, what Thorne asks of Joe leads the two men into bitter conflict, spiraling downward into madness until Joe's co-conspirators conclude that they must erase him from history. Written by
The green uniforms that Junior and the other interrogator wears at the end of the movie resemble the outfits of Red Army or KGB. See more »
So many fond memories of Maximilian the First on the tenth anniversary of our glorious leader's death.
Many of course doubted that his son and heir, Maximilian II, could live up to the example of his charismatic father. But the man affectionately called Junior has valiantly continued against the pesky rebellion, led by the playwright turned terrorist, John Thorne.
Once derided as the playboy Prince more interested in the movie business, the President-for-life announced today that ...
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I have always had a certain fascination for stories which indict the abuse of power in the name of the state. After I saw this film the first time, I couldn't stop thinking about it. It had all the disturbing characteristics of an Orwellian novel, but it was not as relentlessly depressing. I believe the screenwriter was holding out the hope that the people will "get" the story.
In this film, a mythical country is beset by an endless array of despots. These despots show character traits mankind has witnessed in real life, such as Pol Pot, Mussolini, Louis XVI/Marie Antoinette, Peron, Ayatollah Khoumeni, and Kim Jong Il. In this "land of the blind," the people are more interested in popular culture than the suffering of mankind at the hands of the despots. As a result, they elect movie stars to represent them in what becomes clear as a sham system.
Those people who are politically motivated and want to see a parallel between the nasty people who are leading the poor nation in the story to ruin and the current world leaders are, in my opinion, completely missing the point. In the first place, the title of this film should provide a clue. In a "land of the blind," just about anybody could arise to a position of power because the "blind" are too easily led.
In this film, there is a heavy reliance on imagery and metaphor. The main repetitive image is that of an elephant. In the movie, the parable of the blind men and the elephant is brought out and that, in my opinion, is what this film is all about. New governments can provide their side of the story--the elephant--to the blind public by steering them to the desired part of the anatomy.
Donald Sutherland, playing a character aptly named Thorn, is one of the best casting choices ever made. You'll need to see this film to understand what I'm talking about. I gave this a nine rating out of ten.
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