A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
Jim Davis is an ex-Army Ranger who finds himself slipping back into his old life of petty crime after a job offer from the LAPD evaporates. His best friend is pressured by his girlfriend Sylvia to find a job, but Jim is more interested in hanging out and making cash from small heists, while trying to get a law enforcement job so he can marry his Mexican girlfriend. Written by
In the scene when Jim (Christian Bale) and Mike ('Freddie Rodriguez') visit Darrell (Terry Crews), after shooting the scripted material, they found they still had the location for two hours, so they began to improvise. They ended up with a thirty minute scene of the three of them talking about their lives in-character. According to Christian Bale, it was one of the funniest experiences of his career. See more »
When Jim and Mike go to see Toussant he uses his key to open the door however you can see that the door isn't tightly shut. See more »
Training Day... but with a better script, better actors, and a better director
An intense film, that FEELS a lot like Training Day, but with more of a gritty approach, and with actors who seem actually believable... which makes sense since it's based on the real life experiences of the director/writer and people he knows.
Rodriguez (who was at the World Premiere) and Bale give stellar performances. Rodriguez, if this film is well distributed, will get huge exposure and will likely go far. His performance was incredible, believable, and emotional. Bale continues to show that he's one of the best in Hollywood. Sure, he's playing a slightly psychotic, mentally unstable fellow, similar to a number of previous roles he's played, but he does it so well.
Ayer has improved as a writer, and considering this is his feature film debut as a director, he did fantastically. His knowledge as a director shone through in the Q&A after the film. He also made sure to mention the Cannes labs, where he worked on the script for this film, and how it helped him improve as a writer.
Go see it. It's intense, well written, incredibly performed, and is a thinker of a film.
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