Three interwoven stories about a terrible curse. A young woman encounters a malevolent supernatural force while searching for her missing sister in Tokyo; a mean high school prank goes horribly wrong; a woman with a deadly secret moves into a Chicago apartment building.
In Pasadena, Mrs. Davis sends her daughter Aubrey Davis to Tokyo to bring her sister Karen Davis, who is interned in a hospital after surviving a fire, back to the USA. After their meeting, Karen dies and Aubrey decides to investigate what happened to her and gets herself trapped in the same situation, being chased by the ghost of the house. Meanwhile in Tokyo, the three high school mates Allison, Vanessa and Miyuki visit the famous haunted house and are also chased by the ghost. In Chicago, Trish moves to the apartment of her boyfriend Bill, who lives with his children, the teenager Lacey and boy Jake. On the next door, weird things happen with their neighbor. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Sony Pictures commissioned Knott's Berry Farm in Buena Park, CA to design a Haunt maze for its premiere in the month of October. See more »
When Aubrey goes into the dark room and picks up the picture, the picture should be black. It was in the developer last. It would have had to go into the stop bath to stop developing, and then the fixer to not go black when it was exposed to real light. See more »
I was very excited about seeing this, as I love the original series, I didn't think the first remake was that bad, Takashi Shimizu directed it, and I have gradually become a fan of Amber Tamblyn. Unfortunately, it was nowhere near as good as I had hoped. Of course, given the genre, and the fact that it was a sequel to a remake and not really a remake of a sequel, it was exactly what I expected. (Yes, I have high hopes, but realistic expectations.)
I prepped myself for this by watching the unrated DVD of the previous film just a few short hours before heading to the theater, which, in hindsight, was probably a mistake. While the first film relied heavily on cheap scares and "gotcha" moments, the second toned it down a little and aimed at being a little more suspenseful. The end result is a chaotic mess with a convoluted storyline that weaves through time without ever indicating it (slightly confusing at the start, as there is a two year difference between the events we see throughout the film, but I will refrain from spoilers).
The attempts at building suspense fall flat, as every significant event is telegraphed and, therefore, incredibly predictable even when you're not trying to think ahead of the film's pace. The kills themselves are far from satisfying, as they are simply more of the same that we saw the first time around. I'm sorry, but even if you have never watched the Asian originals, the creepy girl with the hair in her face and the hitch in her step fails to frighten after two Ring films, Dark Water, Pulse, and, of course, the previous Grudge film.
I had seriously hoped that Takashi Shimizu would bring some of his style to the film. Alas, we are the real victims here, not those portrayed on the screen, as we have to pay hard-earned dollars to witness (yet another) American Cinema (read: Hollywood) bastardization of a quality film. When will they learn that the true appeal of Asian cinema lies not with the creepy girl and the cheap scare, but with the overall feel of the film? The "boo!" moments may work for the casual viewer (and the target PG-13 audience), but it is the oppressive aura that haunts the viewer and keeps them awake at night.
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