IMDb > Good Night, and Good Luck. (2005)
Good Night, and Good Luck.
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Good Night, and Good Luck. (2005) More at IMDbPro »

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Good Night, and Good Luck. -- Good Night, And, Good Luck. takes place during the early days ofbroadcast in 1950's America. It chronicles the real-life conflictbetween Edward R. Murrow and Senator Joseph McCarthy.
Good Night, and Good Luck. -- Broadcast journalist Edward R. Murrow looks to bring down Senator Joseph McCarthy.


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7.5/10   84,408 votes »
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Popularity: ?
Down 2% in popularity this week. See why on IMDbPro.
Writers (WGA):
George Clooney (written by) &
Grant Heslov (written by)
View company contact information for Good Night, and Good Luck. on IMDbPro.
Release Date:
4 November 2005 (USA) See more »
We will not walk in fear of one another. See more »
Broadcast journalist Edward R. Murrow looks to bring down Senator Joseph McCarthy. Full summary » | Full synopsis »
Plot Keywords:
Nominated for 6 Oscars. Another 52 wins & 105 nominations See more »
User Reviews:
One of the very best films of the year. See more (529 total) »


  (in credits order) (verified as complete)

Jeff Daniels ... Sig Mickelson

David Strathairn ... Edward R. Murrow

Alex Borstein ... Natalie

Rose Abdoo ... Mili Lerner

Dianne Reeves ... Jazz Singer
Peter Martin ... Pianist
Christoph Luty ... Bassist
Jeff Hamilton ... Drummer
Matt Catingub ... Saxophonist

Tate Donovan ... Jesse Zousmer

Reed Diamond ... John Aaron

Matt Ross ... Eddie Scott

Patricia Clarkson ... Shirley Wershba

Robert Downey Jr. ... Joe Wershba

George Clooney ... Fred Friendly

Tom McCarthy ... Palmer Williams

Glenn Morshower ... Colonel Anderson

Don Creech ... Colonel Jenkins

Grant Heslov ... Don Hewitt

Robert John Burke ... Charlie Mack

Ray Wise ... Don Hollenbeck

Robert Knepper ... Don Surine

Helen Slayton-Hughes ... Mary

Frank Langella ... William Paley

Simon Helberg ... CBS Page

JD Cullum ... Stage Manager

Peter Jacobson ... Jimmy
John Kepley ... CBS Lawyer #1
David Paul Christian ... CBS Lawyer #2
Joyce Lasley ... Make-Up Girl
rest of cast listed alphabetically:

Bill Blair ... TV Studio Crewman (uncredited)
Felix J. Boyle ... Prominant Chicagoan (uncredited)
Roy M. Cohn ... Himself (archive footage) (uncredited)
Ray Donn ... Reporter (uncredited)
Joseph Dowd ... Reporter (uncredited)

Dwight D. Eisenhower ... Himself (archive footage) (uncredited)

Robert F. Kennedy ... Himself (archive footage) (uncredited)

Liberace ... Himself (archive footage) (uncredited)

Bruna Matsin ... Sig Mickelson's Wife (uncredited)
Joseph McCarthy ... Himself (archive footage) (uncredited)
John L. McClellan ... Himself (archive footage) (uncredited)

Katharine Phillips Moser ... Jesse's Wife (uncredited)

Alexana Thomas ... Senator's Wife (uncredited)
Rochelle Warner ... Speech Wife (uncredited)
Joseph N. Welch ... Himself (archive footage) (uncredited)

Directed by
George Clooney 
Writing credits
George Clooney (written by) &
Grant Heslov (written by)

Produced by
Marc Butan .... executive producer
Ben Cosgrove .... executive producer
Mark Cuban .... executive producer
Jennifer Fox .... executive producer
Simon Franks .... co-producer
Samuel Hadida .... co-executive producer
Victor Hadida .... co-executive producer
Barbara A. Hall .... co-producer
Grant Heslov .... producer
Zygi Kamasa .... co-producer
Kiyotaka Ninomiya .... co-producer
Chris Salvaterra .... executive producer
Jeff Skoll .... executive producer
Steven Soderbergh .... executive producer
Todd Wagner .... executive producer
Original Music by
Jim Papoulis 
Cinematography by
Robert Elswit (director of photography)
Film Editing by
Stephen Mirrione 
Casting by
Ellen Chenoweth 
Production Design by
James D. Bissell  (as Jim Bissell)
Art Direction by
Christa Munro 
Set Decoration by
Jan Pascale 
Costume Design by
Louise Frogley 
Makeup Department
Ron Berkeley .... key makeup artist
Carolyn Elias .... hair stylist
Kimberly Felix .... assistant makeup artist (as Kimberly Felix Burke)
Violet Ortiz .... hair stylist
Waldo Sanchez .... hair department head
Waldo Sanchez .... makeup department head
Kathleen Vercruysse .... assistant makeup artist
Joy Zapata .... key hair stylist
Kim Adrissi .... makeup artist (uncredited)
Elena Arroy .... additional makeup artist (uncredited)
Barbara Cantu .... hair stylist (uncredited)
Carol Collini .... additional makeup artist (uncredited)
Ginger Damon .... hair stylist (uncredited)
Edward Morrison .... personal hair stylist (uncredited)
Elizabeth Rabe .... additional hair stylist (uncredited)
Production Management
Barbara A. Hall .... unit production manager
Peter Phillips .... post-production supervisor
Second Unit Director or Assistant Director
Melissa V. Barnes .... second assistant director
Richard Gonzales .... second second assistant director
David J. Webb .... first assistant director (as David Webb)
Art Department
Alan Alvarado .... propmaker
Ellis J. Barbacoff .... assistant property master
Jenny Baum .... on-set dresser (as Jenny D. Baum)
Heidi Baumgarten .... buyer
Tony Bonaventura .... property master
Tony Buccola .... art production assistant
Gae S. Buckley .... set designer (as Gae Buckley)
Alan Burg .... set dresser
Louise Del Araujo .... lead
Robert Danté Denne .... paint foreman
Robert E. Denne .... painter
Duane Fellows .... painter
Edward A. Giron .... labor foreman
Deborah Harman .... set dresser
Karen Higgins .... construction coordinator (as Karen D. Higgins)
Mats Holmberg .... propmaker
Steven Kissick .... general foreman
Charlotte Raybourn .... art department coordinator
Mark Rodriguez .... set dresser
Ronald F. Savini Jr. .... plaster foreman (as Ron Savini)
Susie Thompson .... set dresser
Brian Tipton .... propmaker gang boss
Steven Valenzuela .... gang boss (as Steve R. Valenzuela)
Steven Valenzuela .... toolman (as Steve R. Valenzuela)
L. David Gordon .... draper (uncredited)
Emily Lawless .... painter (uncredited)
Gregory Lynch Jr. .... carpenter (uncredited)
Richard Robinson .... propmaker (uncredited)
Sound Department
Lance Brown .... re-recording mixer
Robert Corti .... audio restoration
Susan Dudeck .... dialogue editor
Aaron Glascock .... re-recording mixer
Aaron Glascock .... supervising sound editor
Eric Gotthelf .... adr mixer
Randall L. Johnson .... boom operator (as Randy Johson)
Pamela Kahn .... foley artist
Mary Jo Lang .... foley mixer
Oscar Mitt .... assistant sound editor
Alyson Dee Moore .... foley artist (as Alyson Moore)
Scott Morgan .... foley recordist (as Scott A. Morgen)
Rocky Quiroz .... utility sound
John Roesch .... foley artist
Curt Schulkey .... re-recording mixer
Curt Schulkey .... supervising sound editor
Carolyn Tapp .... adr recordist
John Joseph Thomas .... sound effects editor
Edward Tise .... production sound mixer
Jordan O'Neill .... DTS Sound Mastering Engineer (uncredited)
Special Effects by
Ron Bolanowski .... special effects coordinator
Roy K. Cancino .... special effects technician (uncredited)
Visual Effects by
Ernie Camacho .... compositor: Technicolor Creative Services
Trey Freeman .... compositor: Technicolor Creative Services
Paul Hill .... compositor: Technicolor Creative Services
Joshua Jordan .... compositor: Technicolor Creative Services
John Kearns .... digital restoration:Technicolor Digital Intermediates
Ken Kimble .... compositor: Technicolor Creative Services (as Kenney Kimble)
David Lebovitz .... compositor: Technicolor Creative Services
LaNelle Mason .... digital restoration: Technicolor Digital Intermediates (as Lanelle Mason)
Eric Myers .... compositor: Technicolor Creative Services
Elizabeth Ostermann .... digital restoration: Technicolor Digital Intermediates
Steve Rundell .... vice president of production: Technicolor Digital Intermediates
Brad Sutton .... digital restoration: Technicolor Digital Intermediates
Caoilfhionn Sweeney .... visual effects producer: Technicolor Creative Services
Wilson Tang .... digital restoration:Technicolor Digital Intermediates
Camera and Electrical Department
John Amorelli .... rigging electrician
Mike Amorelli .... rigging electrician (as Michael Amorelli)
Colin Anderson .... camera operator
Douglas Bard .... rigging electrician
Scott Barnes .... lighting programmer
Michael Bauman .... chief lighting technician
Arthur Borquez .... rigging grip (as Art Morques)
J.A. Byerly .... rigging gaffer (as JA Byerly)
Mitch Byerly .... rigging electrician
Walter Byrnes .... rigging grip
Robert Clancey .... rigging grip
John T. Connor .... first assistant camera: "b" camera
Eric Cross .... dolly grip
Thomas M. Dangcil .... electrician (as Tommy Dangcil)
Joe Garcia .... best boy electric: CBS
William Glasscock .... fixtures
Ivan Gonzalez .... grip
Melinda Sue Gordon .... still photographer
James Heywood .... rigging grip
Barry Idoine .... first assistant camera: "a" camera
Michael Kenner .... key grip
Alexandra Kravetz .... second assistant camera: "b" camera
Jeff Kunkel .... dolly grip
Paul Lambiase .... rigging grip
John Morris .... best boy grip (as John P. Morris)
Thomas Nead .... rigging electrician (as Tom Nead)
Eric Nieber .... best boy grip: CBS
Simone Perusse .... assistant chief lighting technician
Tom Schurke .... 24 frame video engineer
Tom Schurke .... 24 frame video supervisor
David D. Scott .... video assist
Hank Sheppherd .... key rigging grip
Larissa Supplitt .... second assistant camera: "a" camera
Michael Tolochko .... electrician
Matthew W. Williams .... film loader
Ryan Piers Williams .... camera production assistant
Earl C. Williman .... rigging best boy electric (as Earl 'The Badger' Williman)
Andrew Wilson .... rigging grip
Colin Anderson .... Steadicam operator (uncredited)
P.J. Gaynard .... rigging electrician (uncredited)
Jack M. Guberman .... rigging electrician (uncredited)
Michael Lyon .... additional electrician (uncredited)
Damon Marcellino .... set lighting technician (uncredited)
Mark Mele .... rigging electrician (uncredited)
Michael Pinkey .... camera operator (uncredited)
Ryan Shopay .... set lighting (uncredited)
Casting Department
Lynne Redding .... voice casting
Rachel Tenner .... casting associate
Costume and Wardrobe Department
Shandra Beri .... costumer
Lucinda Campbell .... key costumer
Lynda Foote .... costume supervisor
Deborah Latham .... costumer (as Deborah Binkley)
Kanani Wolf .... costumer
Editorial Department
Matt Absher .... second assistant editor
Chris Addis .... dailies digitizer
Stephen P. Arkle .... colorist: dailies (as Sparkle)
Steve Calalang .... scanning technician: Technicolor New York
Joe Cook .... colorist: dailies
Douglas Crise .... first assistant editor
Alex Hernandez .... imaging technician: Technicolor Digital Intermediates
Loc Hoang .... imaging technician: Technicolor Digital Intermediates
Steve Hodge .... imaging technician: Technicolor Digital Intermediates
Christopher Kutcka .... imaging supervisor: Technicolor Digital Intermediates (as Chris Kutcka)
Stephen Nakamura .... digital film colorist: Technicolor Digital Intermediates
Mark Sahagun .... digital conform: Technicolor Digital Intermediates
Gregg Schaublin .... digital intermediate producer: Technicolor Digital Intermediates
Kevin Schwab .... imaging technician: Technicolor Digital Intermediates
Brian Ufberg .... assistant editor
Marc Wuertemburg .... post-production: 2929 Entertainment
Christian Zak .... scanning producer: Technicolor New York
Tony Dustin .... assistant digital film colorist (uncredited)
Location Management
Chris Munday .... location manager
Andy Tyler .... assistant location manager
Music Department
Matt Catingub .... music arranger
Matt Catingub .... musician: sax
Jeff Hamilton .... musician: drums
Robert Hurst .... musician: bass
Kevin Koloff .... music counsel
Christoph Luty .... musician: bass
Peter Martin .... musician: piano
Allen Sviridoff .... music supervisor
Peter Rotter .... music contractor (uncredited)
Transportation Department
David Florio .... driver
Paul Jones .... driver
William 'Scott' Pierson .... transportation captain (as William Scott Pierson)
Dusty Saunders .... transportation coordinator
Paul Saunders .... driver
Patrick Sullivan .... driver (as Patrick L. Sullivan)
Brita McCollough .... cast trailer driver (uncredited)
Brenda Ryan .... driver (uncredited)
Other crew
Gary M. Barkin .... production counsel: Barkin - Smith (as Gary Barkin)
Susan Bliss .... dubbing: English
Susan Bliss .... subtitling lists
Lonnie Bosak .... office production assistant
Christopher D. Brearton .... counsel: Participant, O'Melveny & Myers
Brinton Bryan .... key set production assistant
P. John Burke .... counsel: 2929
Kenneth T. Deutsch .... counsel: Participant, O'Melveny & Myers
Tad Driscoll .... accountant
Tara Duncan .... assistant: Mr. Heslov
Carey Field .... set production assistant
Billy Greenfield .... set production assistant
Shea Kammer .... assistant accountant
Richard Kapenas .... stock footage restoration: Technicolor Creative Services
Michelle Lankwarden .... assistant production coordinator
Lawrence W. Lichty .... historical consultant
Douglas McClure .... counsel: 2929 (as Douglas B. Mcclure)
Angel McConnell .... assistant: Mr. Clooney (as Angel Mcconnell)
Diane H. Newman .... script supervisor (as Diane Hassinger Newman)
Andrew Noren .... additional film researcher
Lisa Oberhofer .... liaison: BBC/CBS
Kenn Rabin .... archival scene researcher
Jill L. Smith .... production counsel: Barkin - Smith
Bill Smythe .... projectionist
Lorraine Vos .... assistant accountant
Ari Weiss .... office production assistant
Joseph Wershba .... consultant (as Joe Wershba)
Shirley Wershba .... consultant
Nicole Widmyer .... production coordinator
Jeff Winn .... craft service
Marc Gaffen .... production assistant (uncredited)
Vanessa Grayson .... utility stand-in (uncredited)
George A. Parker .... preview supervisor (uncredited)
Fran Bowen .... the filmmakers wish to thank
John Buchanan .... the filmmakers wish to thank
Jim Carter .... the filmmakers wish to thank
Yuien Chin .... the filmmakers wish to thank
Julie Currin .... the filmmakers wish to thank
Dan Dipierro .... the filmmakers wish to thank
Andy Friendly .... the filmmakers wish to thank
David T. Friendly .... the filmmakers wish to thank (as David Friendly)
Ruth Friendly .... the filmmakers wish to thank
Brian Fulford .... the filmmakers wish to thank
Charles Gerber .... the filmmakers wish to thank
Grace Goldblatt .... the filmmakers wish to thank
Kyna Hamill .... the filmmakers wish to thank
Michael Henry .... the filmmakers wish to thank
Ronnie James .... the filmmakers wish to thank
Peter Jaszi .... the filmmakers wish to thank
Lori Killam .... the filmmakers wish to thank
Jason Krieger .... the producers wish to thank
Lawrence W. Lichty .... the filmmakers wish to thank
Kevin G. Lowery .... the filmmakers wish to thank
J. Fred MacDonald .... the filmmakers wish to thank (as J. Fred Macdonald)
Kristy Manning .... the filmmakers wish to thank
Linda Mason .... the filmmakers wish to thank
Casey Murrow .... the filmmakers wish to thank
Joyce Nakamura .... the filmmakers wish to thank
Milo Radulovich .... the producers wish to thank
Erica Schwartz .... the filmmakers wish to thank
Marika Tur .... the filmmakers wish to thank
Joseph Wershba .... the producers wish to thank (as Joe Wershba)
Shirley Wershba .... the producers wish to thank
Denise Woodgerd .... the filmmakers wish to thank
Mike Zacharia .... the filmmakers wish to thank
Crew believed to be complete

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
Rated PG for mild thematic elements and brief language
93 min
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Argentina:Atp | Australia:PG | Brazil:14 | Canada:PG (Alberta/Manitoba/Nova Scotia) | Canada:G (British Columbia/Ontario/Quebec) | Chile:TE+7 | Finland:S | Germany:0 | Hungary:14 | Iceland:L | Ireland:PG | Malaysia:18PL (DVD) | Malaysia:(Banned) (theatrical) | Peru:Apt | Portugal:M/12 | Singapore:PG | South Korea:12 | Spain:13 | Sweden:Btl | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:PG | USA:PG (certificate #41985)

Did You Know?

The entire set was built on one floor. The elevator interior was built on a turntable, so it could be rotated to a new "floor" during unbroken shots. (In one scene, the CBS Records office is represented by a false wall that was then raised out of shot while the door was closed.)See more »
Anachronisms: Murrow is shown giving his famous speech at the RNTDA Convention. The screen to his left shows the date as 25 October 1958 whereas the actual date of the speech was 15 October 1958.See more »
[first lines]
Sig Mickelson:In 1935, Ed Murrow began his career with CBS. When World War II broke out, it was his voice that brought the Battle of Britain home to us, through his "This Is London" radio series. He started with us all, many of us here tonight, when television was in its infancy...
See more »
Movie Connections:
You're Driving Me CrazySee more »


Did George Clooney really get paid only $3?
What's the "overacting" rumor?
See more »
140 out of 174 people found the following review useful.
One of the very best films of the year., 11 October 2005
Author: jsemovieman from St. Louis, MO

"Good Night, And Good Luck" is one of the best films of the year. Beautifully directed by George Clooney (who also co-stars), this is a film that exercises a powerful message and social commentary that remains relevant today. Filmed in tight frames of black and white, "Good Night, And Good Luck" also brings back the smoke-filled atmosphere of broadcast journalism and television in the 1950s. The film focuses around CBS journalist Edward Murrow and his attempts to take down Senator Joseph McCarthy through his news program, "See it Now." David Strathairn, playing Edward Murrow, gives one of the best performances of the year and is surely swimming in Oscar territory. Clooney makes his biggest leap in the film industry yet. He, too, may join Strathairn for an Oscar nomination, but in the Best Director category. Filming in black and white, and interspersing news conferences with actual footage of McCarthy, Clooney is an emerging talent worth watching. The ending and the very last frame lets "Good Night, And Good Luck" stay with those who watch it. It ends very abruptly, as if Clooney wants to show the failing, yet lasting effort Murrow had--how he stands as a symbol for the continuation of truth and who is willing to bring it out to the public. The end has a very honest bleak tone to it--we want to see Murrow continue to let the public know what's actually going on in the country, but one man's fight isn't good enough. Clooney chooses a perfect and powerful ending. He makes a bold statement on how public interest in television has contributed to the decay of society, whether it is 1950 or 2005.

Was the above review useful to you?
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"the downfall of television" Explosivediarrheakidgenius
Bowties tika313
Should Strathairn have won the oscar? Ben-ja-min-Linus
Robert Downey Jr. + Patricia Clarkson...? scoochie9
Is it so different now? halcyondaze
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