| Photos (see all 36 | slideshow) | Videos (see all 7) |
George Clooney (written by) &
Grant Heslov (written by)
14 October 2005 (USA) more
We will not walk in fear of one another. more
Broadcast journalist Edward R. Murrow looks to bring down Senator Joseph McCarthy. full summary | add synopsis
Nominated for 6 Oscars. Another 22 wins & 61 nominations more
Clooney Honored by Hollywood Stars
(From WENN. 16 October 2006)
Clooney and Zellweger Dating Again?
(From WENN. 28 September 2006)
One of the very best films of the year. more (490 total)
| Jeff Daniels | ... | Sig Mickelson | |
| David Strathairn | ... | Edward R. Murrow | |
| Alex Borstein | ... | Natalie | |
| Rose Abdoo | ... | Millie Lerner | |
| Dianne Reeves | ... | Jazz Singer | |
| Peter Martin | ... | Pianist | |
| Christoph Luty | ... | Bassist | |
| Jeff Hamilton | ... | Drummer | |
| Matt Catingub | ... | Saxophonist | |
| Tate Donovan | ... | Jesse Zousmer | |
| Reed Diamond | ... | John Aaron | |
| Matt Ross | ... | Eddie Scott | |
| Patricia Clarkson | ... | Shirley Wershba | |
| Robert Downey Jr. | ... | Joe Wershba | |
| George Clooney | ... | Fred Friendly | |
| Thomas McCarthy | ... | Palmer Williams (as Tom McCarthy) | |
| Glenn Morshower | ... | Colonel Anderson | |
| Don Creech | ... | Colonel Jenkins | |
| Grant Heslov | ... | Don Hewitt | |
| Robert John Burke | ... | Charlie Mack | |
| Ray Wise | ... | Don Hollenbeck | |
| Robert Knepper | ... | Don Surine | |
| Helen Slayton-Hughes | ... | Mary | |
| Frank Langella | ... | William Paley | |
| Simon Helberg | ... | CBS Page | |
| JD Cullum | ... | Stage Manager | |
| Peter Jacobson | ... | Jimmy | |
| John Kepley | ... | CBS Lawyer #1 | |
| David Christian | ... | CBS Lawyer #2 (as David Paul Christian) | |
| Joyce Lasley | ... | Make-up Girl | |
| rest of cast listed alphabetically: | |||
| Felix J. Boyle | ... | Prominant Chicagoan (uncredited) | |
| Roy M. Cohn | ... | Himself (archive footage) (uncredited) | |
| Ray Donn | ... | Reporter (uncredited) | |
| Joseph Dowd | ... | Reporter (uncredited) | |
| Robert F. Kennedy | ... | Himself (archive footage) (uncredited) | |
| Liberace | ... | Himself (archive footage) (uncredited) | |
| Bruna Matsin | ... | Sig Mickelson's Wife (uncredited) | |
| Joseph McCarthy | ... | Himself (archive footage) (uncredited) | |
| John L. McClellan | ... | Himself (archive footage) (uncredited) | |
| Katharine Phillips Moser | ... | Jesse's Wife (uncredited) | |
| Alexana Thomas | ... | Senator's wife (uncredited) | |
| Rochelle Warner | ... | Speech Wife (uncredited) | |
| Joseph N. Welch | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| George Clooney | |||
Writing credits(WGA) | ||
| George Clooney | (written by) & | |
| Grant Heslov | (written by) | |
Produced by | |||
| Marc Butan | .... | executive producer | |
| Ben Cosgrove | .... | executive producer | |
| Mark Cuban | .... | executive producer | |
| Jennifer Fox | .... | executive producer | |
| Simon Franks | .... | co-producer | |
| Samuel Hadida | .... | co-executive producer | |
| Victor Hadida | .... | co-executive producer | |
| Barbara A. Hall | .... | co-producer | |
| Grant Heslov | .... | producer | |
| Zygi Kamasa | .... | co-producer | |
| Kiyotaka Ninomiya | .... | co-producer | |
| Chris Salvaterra | .... | executive producer | |
| Jeff Skoll | .... | executive producer | |
| Steven Soderbergh | .... | executive producer | |
| Todd Wagner | .... | executive producer | |
Cinematography by | |||
| Robert Elswit | |||
Film Editing by | |||
| Stephen Mirrione | |||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| James D. Bissell | (as Jim Bissell) | ||
Art Direction by | |||
| Christa Munro | |||
Set Decoration by | |||
| Jan Pascale | |||
Costume Design by | |||
| Louise Frogley | |||
Makeup Department | |||
| Kim Adrissi | .... | makeup artist | |
| Ron Berkeley | .... | key makeup artist | |
| Carolyn Elias | .... | hair stylist | |
| Kimberly Felix | .... | assistant makeup artist (as Kimberly Felix Burke) | |
| Violet Ortiz | .... | hair stylist | |
| Waldo Sanchez | .... | hair department head | |
| Waldo Sanchez | .... | makeup department head | |
| Kathleen Vercruysse | .... | assistant makeup artist | |
| Joy Zapata | .... | key hair stylist | |
| Elena Arroy | .... | additional makeup artist (uncredited) | |
| Barbara Cantu | .... | hair stylist (uncredited) | |
| Carol Collini | .... | additional makeup artist (uncredited) | |
| Ginger Damon | .... | hair stylist (uncredited) | |
| Edward Morrison | .... | personal hair stylist (uncredited) | |
Production Management | |||
| Barbara A. Hall | .... | unit production manager | |
| Peter Phillips | .... | post-production supervisor | |
Art Department | |||
| Alan Alvarado | .... | propmaker | |
| Ellis J. Barbacoff | .... | assistant property master | |
| Heidi Baumgarten | .... | buyer | |
| Jenny Baum | .... | on-set dresser (as Jenny D. Baum) | |
| Tony Bonaventura | .... | property master | |
| Tony Buccola | .... | art production assistant | |
| Gae S. Buckley | .... | set designer (as Gae Buckley) | |
| Alan Burg | .... | set dresser | |
| Louise Del Araujo | .... | lead | |
| Robert Danté Denne | .... | paint foreman | |
| Robert E. Denne | .... | painter | |
| Duane Fellows | .... | painter | |
| Edward A. Giron | .... | labor foreman | |
| Deborah Harman | .... | set dresser | |
| Karen Higgins | .... | construction coordinator (as Karen D. Higgins) | |
| Mats Holmberg | .... | propmaker | |
| Steven Kissick | .... | general foreman | |
| Charlotte Raybourn | .... | art department coordinator | |
| Mark Rodriguez | .... | set dresser | |
| Ronald F. Savini Jr. | .... | plaster foreman (as Ron Savini) | |
| Susie Thompson | .... | set dresser | |
| Brian Tipton | .... | propmaker gang boss | |
| Steven Valenzuela | .... | gang boss (as Steve R. Valenzuela) | |
| Steven Valenzuela | .... | toolman (as Steve R. Valenzuela) | |
| L. David Gordon | .... | draper (uncredited) | |
| Emily Lawless | .... | painter (uncredited) | |
| Gregory Lynch Jr. | .... | carpenter (uncredited) | |
| Richard Robinson | .... | propmaker (uncredited) | |
Sound Department | |||
| Lance Brown | .... | sound re-recording mixer | |
| Robert Corti | .... | audio restorer | |
| Susan Dudeck | .... | dialogue editor | |
| Aaron Glascock | .... | sound re-recording mixer | |
| Aaron Glascock | .... | supervising sound editor | |
| Eric Gotthelf | .... | adr mixer | |
| Randall L. Johnson | .... | boom operator (as Randy Johson) | |
| Pamela Kahn | .... | foley artist | |
| Mary Jo Lang | .... | foley mixer | |
| Oscar Mitt | .... | assistant sound editor | |
| Alyson Dee Moore | .... | foley artist (as Alyson Moore) | |
| Scott Morgan | .... | foley recordist | |
| Rocky Quiroz | .... | utility sound | |
| John Roesch | .... | foley artist | |
| Curt Schulkey | .... | sound re-recording mixer | |
| Curt Schulkey | .... | supervising sound editor | |
| Carolyn Tapp | .... | adr recordist | |
| John Joseph Thomas | .... | sound effects editor | |
| Edward Tise | .... | production sound mixer | |
Special Effects by | |||
| Ron Bolanowski | .... | special effects coordinator | |
| Roy K. Cancino | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Ernie Camacho | .... | visual effects compositor | |
| Trey Freeman | .... | visual effects compositor | |
| Paul Hill | .... | visual effects compositor | |
| Joshua Jordan | .... | visual effects compositor | |
| John Kearns | .... | digital restoration | |
| Kenney Kimble | .... | visual effects compositor | |
| David Lebovitz | .... | visual effects compositor | |
| LaNelle Mason | .... | digital restoration | |
| Eric Myers | .... | visual effects compositor | |
| Elizabeth Ostermann | .... | digital restoration | |
| Steve Rundell | .... | vice president of production: TDI | |
| Brad Sutton | .... | digital restoration | |
| Caoilfhionn Sweeney | .... | visual effects producer | |
| Wilson Tang | .... | digital restoration | |
Casting Department | |||
| Lynne Redding | .... | voice casting | |
| Rachel Tenner | .... | casting associate | |
Costume and Wardrobe Department | |||
| Shandra Beri | .... | costumer | |
| Lucinda Campbell | .... | key costumer | |
| Lynda Foote | .... | costume supervisor | |
| Deborah Latham | .... | costumer (as Deborah Binkley) | |
| Kanani Wolf | .... | costumer | |
Editorial Department | |||
| Matt Absher | .... | second assistant editor | |
| Chris Addis | .... | dailies digitizing | |
| Joe Cook | .... | colorist: dailies | |
| Douglas Crise | .... | first assistant editor | |
| Alex Hernandez | .... | imaging technician | |
| Loc Hoang | .... | imaging technician | |
| Steve Hodge | .... | imaging technician | |
| Christopher Kutcka | .... | imaging supervisor (as Chris Kutcka) | |
| Stephen Nakamura | .... | digital film colorist | |
| Mark Sahagun | .... | digital conform | |
| Gregg Schaublin | .... | digital intermediate producer | |
| Kevin Schwab | .... | imaging technician | |
| Brian Ufberg | .... | assistant editor | |
| Marc Wuertemburg | .... | post-production: 2929 Entertainment | |
Music Department | |||
| Matt Catingub | .... | music arranger | |
| Matt Catingub | .... | musician: saxophone | |
| Jeff Hamilton | .... | musician: drums | |
| Robert Hurst | .... | musician: bass | |
| Kevin Koloff | .... | music counsel | |
| Christoph Luty | .... | musician: bass | |
| Peter Martin | .... | musician: piano | |
| Allen Sviridoff | .... | music supervisor | |
| Peter Rotter | .... | music contractor (uncredited) | |
Transportation Department | |||
| David Florio | .... | driver | |
| Paul Jones | .... | driver | |
| William 'Scott' Pierson | .... | transportation captain (as William Scott Pierson) | |
| Dusty Saunders | .... | transportation coordinator | |
| Paul Saunders | .... | driver | |
| Patrick Sullivan | .... | driver | |
| Brenda Ryan | .... | driver (uncredited) | |
Other crew | |||
| Lonnie Bosak | .... | office production assistant | |
| Brinton Bryan | .... | key set production assistant | |
| Steve Calalang | .... | scanning technician | |
| Tad Driscoll | .... | accountant | |
| Tara Duncan | .... | assistant: Mr. Heslov | |
| Carey Field | .... | set production assistant | |
| Bill Greenfield | .... | set production assistant (as Billy Greenfield) | |
| Shea Kammer | .... | assistant accountant | |
| Richard Kapenas | .... | stock footage restoration | |
| Michelle Lankwarden | .... | assistant production coordinator | |
| Lawrence W. Lichty | .... | historical consultant | |
| Angel McConnell | .... | assistant: Mr. Clooney | |
| Chris Munday | .... | location manager | |
| Diane H. Newman | .... | script supervisor (as Diane Hassinger Newman) | |
| Andrew Noren | .... | additional film researcher | |
| Lisa Oberhofer | .... | liaison: BBC and CBS | |
| Kenn Rabin | .... | archival scene researcher | |
| Jill L. Smith | .... | production counsel | |
| Bill Smythe | .... | projectionist | |
| Andy Tyler | .... | assistant location manager | |
| Lorraine Vos | .... | assistant accountant | |
| Ari Weiss | .... | office production assistant | |
| Joseph Wershba | .... | consultant (as Joe Wershba) | |
| Shirley Wershba | .... | consultant | |
| Nicole Widmyer | .... | production coordinator | |
| Jeff Winn | .... | craft service | |
| Christian Zak | .... | scanning producer | |
| Marc Gaffen | .... | production assistant (uncredited) | |
| Vanessa Grayson | .... | utility stand-in (uncredited) | |
Thanks | |||
| Jason Krieger | .... | thanks | |
| Milo Radulovich | .... | thanks | |
| Joseph Wershba | .... | thanks (as Joe Wershba) | |
| Shirley Wershba | .... | thanks | |
Good Night, and Good Luck (France)
more
Rated PG for mild thematic elements and brief language.
93 min
1.85 : 1 more
DTS | Dolby Digital | SDDS
UK:PG | Ireland:PG | Finland:S | Australia:PG | Canada:G (British Columbia/Ontario/Quebec) | Canada:PG (Alberta/Manitoba/Nova Scotia) | Brazil:14 | Iceland:L | Argentina:Atp | Switzerland:7 (canton of Vaud) | Switzerland:7 (canton of Geneva) | Portugal:M/12 | USA:PG (certificate #41985) | Singapore:PG | Hungary:14 | Spain:13 | Germany:o.Al. | South Korea:12 | Malaysia:18PL (DVD) | Malaysia:(Banned) (theatrical) | Sweden:Btl
CBS Television City - 7800 Beverly Blvd., Fairfax, Los Angeles, California, USA more
The last black-and-white film to date to be nominated for an Academy Award for Best Picture. more
Revealing mistakes: During the opening scene, there are a few paragraphs that set up and explain the movie's premise. In the first paragraph it says that this all took place during the "1950's and 1960's". This is a grammatical mistake. It should be "1950s and 1960s" since it's plural, not possessive. more
[first lines]
Sig Mickelson:
In 1935, Ed Murrow began his career with CBS. When World War II broke out, it was his voice that brought the Battle of Britain home to us, through his "This Is London" radio series. He started with us all, many of us here tonight, when television was in its infancy...
more
References "Person to Person" (1953) more
You're Driving Me Crazy more
|
|
|
|
|
| Point of Order | Spin | The Manchurian Candidate | A Mighty Heart | 8½ |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
"Good Night, And Good Luck" is one of the best films of the year. Beautifully directed by George Clooney (who also co-stars), this is a film that exercises a powerful message and social commentary that remains relevant today. Filmed in tight frames of black and white, "Good Night, And Good Luck" also brings back the smoke-filled atmosphere of broadcast journalism and television in the 1950s. The film focuses around CBS journalist Edward Murrow and his attempts to take down Senator Joseph McCarthy through his news program, "See it Now." David Strathairn, playing Edward Murrow, gives one of the best performances of the year and is surely swimming in Oscar territory. Clooney makes his biggest leap in the film industry yet. He, too, may join Strathairn for an Oscar nomination, but in the Best Director category. Filming in black and white, and interspersing news conferences with actual footage of McCarthy, Clooney is an emerging talent worth watching. The ending and the very last frame lets "Good Night, And Good Luck" stay with those who watch it. It ends very abruptly, as if Clooney wants to show the failing, yet lasting effort Murrow had--how he stands as a symbol for the continuation of truth and who is willing to bring it out to the public. The end has a very honest bleak tone to it--we want to see Murrow continue to let the public know what's actually going on in the country, but one man's fight isn't good enough. Clooney chooses a perfect and powerful ending. He makes a bold statement on how public interest in television has contributed to the decay of society, whether it is 1950 or 2005.