7.5/10
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531 user 351 critic

Good Night, and Good Luck. (2005)

Broadcast journalist Edward R. Murrow looks to bring down Senator Joseph McCarthy.

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Nominated for 6 Oscars. Another 38 wins & 119 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Natalie
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Jazz Singer
Peter Martin ...
Pianist
Christoph Luty ...
Bassist
Jeff Hamilton ...
Drummer
Matt Catingub ...
Saxophonist
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Jesse Zousmer
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John Aaron
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Eddie Scott
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Storyline

In the early 1950's, the threat of Communism created an air of paranoia in the United States and exploiting those fears was Senator Joseph McCarthy of Wisconsin. However, CBS reporter Edward R. Murrow and his producer Fred W. Friendly decided to take a stand and challenge McCarthy and expose him for the fear monger he was. However, their actions took a great personal toll on both men, but they stood by their convictions and helped to bring down one of the most controversial senators in American history. Written by Brian Washington <Sargebri@att.net>

Plot Summary | Plot Synopsis

Plot Keywords:

fear | reporter | paranoia | expose | cbs | See All (268) »

Taglines:

In A Nation Terrorized By Its Own Government, One Man Dared to Tell The Truth See more »


Motion Picture Rating (MPAA)

Rated PG for mild thematic elements and brief language | See all certifications »

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Details

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Release Date:

4 November 2005 (USA)  »

Also Known As:

Buenas noches, y buena suerte.  »

Box Office

Budget:

$7,500,000 (estimated)

Opening Weekend:

$421,446 (USA) (7 October 2005)

Gross:

$31,501,218 (USA) (10 March 2006)
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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Unusually for a modern film, many of the cast and crew had to step outside to avoid cigarette smoke. See more »

Goofs

In the middle of the film, when Wershba is with his wife in their house getting ready for work, he forgets his wedding ring and his wife has to remind him to take it, the top button of his shirt becomes buttoned and his tie is tied tighter by itself as he turns around to get his wedding ring. There wasn't enough time for him to button his shirt and tighten his tie. See more »

Quotes

[first lines]
Sig Mickelson: In 1935, Ed Murrow began his career with CBS. When World War II broke out, it was his voice that brought the Battle of Britain home to us, through his "This Is London" radio series. He started with us all, many of us here tonight, when television was in its infancy, with the news documentary show, "See It Now." He threw stones at giants. Segregation, exploitation of migrant workers, apartheid, J. Edgar Hoover, not the least of which, his historical fight with Senator McCarthy. He ...
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Crazy Credits

Even the rating band at the tail of the film is in black and white. See more »

Connections

References Howdy Doody (1954) See more »

Soundtracks

You're Driving Me Crazy
(1930)
Written by Walter Donaldson
Performed by Dianne Reeves
Produced by Allen Sviridoff
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Frequently Asked Questions

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User Reviews

 
Strathairn and documentary footage produce a winner
16 October 2005 | by (Chatsworth, CA, US) – See all my reviews

This film was a real treat, with Strathairn's dead-on performance as legendary journalist Edward R. Murrow a sure bet for at least an Oscar nomination. Perhaps the best decision by writer-director George Clooney was to cast no one in the role of Senator Joseph McCarthy. Instead, Clooney uses actual footage of McCarthy in the HUAC hearings and press conferences. Movies based on actual historical events often sensationalize events, but the extensive use of documentary footage brings home the reality of this movie's story line.

In addition to Strathairn's best performance to date, the entire cast delivers, from Clooney himself as Murrow's producer Fred Friendly, to Frank Langella as CBS chairman William Paley, to Ray Wise as the insecure anchorman Don Hollenbeck. If there is a weak point in the cast, it is Jeff Daniels, who was given little to do in the role of news director Sig Mickelson and did little with it.

As most people today are acquainted with the 1950s through black-and-white images, the decision to film in black-and-white also feels appropriate, and helps the documentary footage to blend in seamlessly with the filmed actors. The only real failing of the movie is the lack of real drama. Throughout, Murrow and the gang are seen to have the upper hand, although they sweat about the potential consequences of every action. The slice of history, the ideas presented concerning the proper role of news media, and the terrific performances all more than make up for this, however, and I strongly recommend this film to those who lived through the McCarthy era and to those, such as myself, who only have witnessed it in the rear view mirror.


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