In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
In the early 1950's, the threat of Communism created an air of paranoia in the United States and exploiting those fears was Senator Joseph McCarthy of Wisconsin. However, CBS reporter Edward R. Murrow and his producer Fred W. Friendly decided to take a stand and challenge McCarthy and expose him for the fear monger he was. However, their actions took a great personal toll on both men, but they stood by their convictions and helped to bring down one of the most controversial senators in American history. Written by
Brian Washington <Sargebri@att.net>
The entire budget for this 2006 Best Picture Nominee (as well as 5 other nominations): $7 million. See more »
It was originally thought by many viewers that the "CBS News" sign on the wall is set in Helvetica, a typeface which was first created in 1957, three years after the Joseph McCarthy broadcast. Subsequent investigation by typographers established that the typeface is actually correct and is Akzidenz Grotesk. See more »
In 1935, Ed Murrow began his career with CBS. When World War II broke out, it was his voice that brought the Battle of Britain home to us, through his "This Is London" radio series. He started with us all, many of us here tonight, when television was in its infancy, with the news documentary show, "See It Now." He threw stones at giants. Segregation, exploitation of migrant workers, apartheid, J. Edgar Hoover, not the least of which, his historical fight with Senator McCarthy. He ...
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Even the rating band at the tail of the film is in black and white. See more »
I've had the "Edward R. Murrow" Collection from CBS for years and have enjoyed watching it's biography of Murrow, the complete Milo Radulovich, McCarthy and Annie Lee Moss shows many times. I'm sure George Clooney must have these as well as he used the actual footage extensively in his fine drama "Good Night and Good Luck". As a previous poster said, by concentrating on what was actually presented, Clooney is able to focus on the ethical issues that were the real substance of the broadcasts, rather than the tragicomic personalities involved. He wants us to see that the same issues are in our lives today, (Clooney has had his own battles with would-be modern McCarthys like Bill O'Reilly), but he isn't going to force the issue. He's doing exactly what Murrow and Friendly did with the McCarthy broadcast: using the actual record to tell the story.
There are minor, but significant embellishments, mostly an impressive cast of actors who can tell us more with one look than an entire speech. Leading the way is David Straithairn as Murrow. Except for possessing a higher pitched voice than the original, he's got his man down cold. I would pick Frank Langella as William Paley, here presented as a man with ideals but who is rooted in the realities of business, the sort of guy who has to make the tough decisions the idealists like Murrow don't have to or want to deal with. Then there is Ray Wise as the vulnerable Don Hollenbeck, who was one of the co-creators of "You Are There", a program this film somewhat resembles. He wound up being "there" when he didn't really want to be.
What really enhances the show is the black and white photography, (actually, according to the notes, it was "The film was shot on color film on a grayscale set, then color-corrected in post" whatever that means). Not only does it heighten the drama, (magazine photographers, in the days when they had a choice, said "black and white for drama, color for excitement"), but the tremendous resolution seems to bring out each furrow and poor on each person's face, allowing the viewer to see into their souls.
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