In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
Four young men who belong to a supernatural legacy are forced to battle a fifth power long thought to have died out. Another great force they must contend with is the jealousy and suspicion that threatens to tear them apart.
A vampire named Saya, who is part of covert government agency that hunts and destroys demons in a post-WWII Japan, is inserted in a military school to discover which one of her classmates is a demon in disguise.
Alice awakes in Raccoon City, only to find it has become infested with zombies and monsters. With the help of Jill Valentine and Carlos Olivera, Alice must find a way out of the city before it is destroyed by a nuclear missile.
In a world 10 years into the future, vampires make up the vast majority of the population with only 5% of the human race remaining. This presents particular challenges as the vampires' food supply - human blood - is dwindling and rationing is now the norm. There is growing evidence that vampires deprived of an adequate blood supply are themselves evolving into wild, vile creatures that attack anyone and anything in order to survive. Dr. Edward Dalton, a vampire and hematologist who works for a pharmaceutical firm, has been working on finding an artificial blood supply that will meet the vampire society's needs. He is sympathetic to humans and sees his work as a way of alleviating their suffering but his views on finding a solution change considerably when he meets someone who found a way to transform himself from being a vampire to again take human form. Written by
This film is considered an "Ozploitation" (Australian exploitation) picture. See more »
In the first scene set in Charles Bromley's office, Bromley greets Edward Dalton and touches Dalton at the elbow with his right hand; in the next shot, Bromley's arm is at his side. See more »
Let's be clear about this. Humans were offered a chance to assimilate, but they refused. Therefore, they are enemies of the state and will be captured and farmed for blood supply.
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In line with the subject of the movie, the lettering of the end credits is in red, instead of the customary white. See more »
There is no shortage of on screen vampires these days. However 'Daybreakers' scores with a unique twist in what is becoming an overworked genre: What if the undead are the majority? In 2019, due to a plague, most of the world's population have become vampires and the few humans left are hunted down and farmed for blood. This topsy-turvy "new normal" is sharply and amusingly depicted as being eerily similar to current living with the important difference that the populace go about their business at night and enjoy shots of blood in their coffee. Aging, famine, and disease have been eradicated, however sunlight is lethal. There is also still a class system, with destitute vampires who cannot afford a regular fix of blood turning into violent, deformed creatures called "subsiders".
But there is a problem. The vampires' insatiable appetite for blood has driven the residual human population to the point of extinction and left the blood supply almost exhausted. Enter Edward Dalton (Ethan Hawke), a scientist working for a massive pharmaceutical conglomerate headed by the evil Charles Bromley (Sam Neill). His job is to find a blood substitute to ward off mass starvation. Dalton secretly sympathizes with the remaining humans and hopes that his work will result in their persecution being halted. After connecting with some human survivors, he realizes that there may be an even more radical solution to the problem. However, not every solution is profitable..
From beginning to end this film is big, gory fun. There are some interesting and agreeable plot twists and the film's more metaphorical aspects (which are not exactly subtle to begin with) are upfront but not preachy. The special effects and action scenes are top-notch also, particularly a gruesome set-piece near the film's climax. The Spierig brothers also manage to insert some big scary jolts at regular intervals. All the cast are solid but special mention should go to Sam Neill who does not chew scenery as the main villain of the piece but definitely nibbles here and there. Willem Dafoe is good too, as always. "Daybreakers" also passes a key horror movie test: when you leave the theater, the outside world does not look quite as reassuring as it normally does. Well worth seeing.
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