In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
When a group of strangers at a dusty roadside diner come under attack by demonic forces, their only chance for survival lies with an archangel named Michael, who informs a pregnant waitress that her unborn child is humanity's last hope.
Charles S. Dutton
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
The wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
In a world 10 years into the future, vampires make up the vast majority of the population with only 5% of the human race remaining. This presents particular challenges as the vampires' food supply - human blood - is dwindling and rationing is now the norm. There is growing evidence that vampires deprived of an adequate blood supply are themselves evolving into wild, vile creatures that attack anyone and anything in order to survive. Dr. Edward Dalton, a vampire and hematologist who works for a pharmaceutical firm, has been working on finding an artificial blood supply that will meet the vampire society's needs. He is sympathetic to humans and sees his work as a way of alleviating their suffering but his views on finding a solution change considerably when he meets someone who found a way to transform himself from being a vampire to again take human form. Written by
This movie was released in the USA on January 8th 2010, birthday of Elvis Presley. The character played by Willem Dafoe is named Elvis because of his love for the Presley song 'Burning Love'. See more »
In the part where Edward goes to meet "Elvis" under the tree. Audrey is being walked up at gun point. When Edward turns around, between Edward and Elvis you can see the drivers side fender full of holes from gun shots and again during the scuttle between Elvis and the soldier. But seconds later you'll see the army Hummer driving up and shooting up a flawless fender. See more »
Let's be clear about this. Humans were offered a chance to assimilate, but they refused. Therefore, they are enemies of the state and will be captured and farmed for blood supply.
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In line with the subject of the movie, the lettering of the end credits is in red, instead of the customary white. See more »
In the near future, a bat-borne plague has turned 99% of the human population into vampires. The remaining humans are hunted down and farmed for blood by a corporation headed by Charles Bromley (Sam Neill), an individual who views vampirism as a miracle since he was dying before the plague broke out. There aren't many humans left though, and when a vamp goes without blood, they turn into grotesque Nosferatu variants called subsiders. Bromley enlists his top hematologist (Ethan Hawke) to come up with a blood substitute, but an underground band of surviving humans has a different resolution in mind.
This film has a unique premise, and for the first hour or so, I thoroughly enjoyed exploring the world that Michael and Peter Spierig created. The opening scene shows one of the downsides of vampirism, as a girl takes her life rather than be stuck in a child's body for eternity. There were other fun touches thrown in too, like blood coming in wine bottles and being poured over ice. The film's storyline touches on themes of corporate greed taking precedent over the good of the public, and there is an underlying oil subtext that is less than subtle.
The second half turns into a clichéd mess. The ending in particular is really cheesy as a result. Truthfully, I would have been happy if the whole band of humans idea had been scrapped entirely. Surely they could've come up with something a little better. I mean, this is a pretty creative film. Other segments of the picture seem rushed, like the subplot involving Bromley's daughter. Speaking of Bromley, Sam Neill is one of my favorite actors, so it was great seeing him in a genre film again. His presence is the highlight of Daybreakers. I've never much cared for Hawke, and his performance here did nothing to change my mind. Willem Dafoe also pops up, and while I usually do like him, his character here is annoying.
As is, chalk it up as a movie that could've been more. Oh well, at least it's way better than the last work from the Spierigs, Undead. That was one of the rare films that I stopped watching halfway through. Quick note: I saw a father and two young teens leave shortly after an early scene involving a gory testing of the blood substitute. Guess they thought this would be another Twilight.
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