| Photos (see all 9 | slideshow) |
| Rupert Graves | ... | Eddy Taylor | |
| Malcolm McDowell | ... | Richard Morton | |
| Jennifer Jason Leigh | ... | Mary Josephine 'MJ' Morton | |
| Bill Paterson | ... | Lucky Lloyd | |
| Ian Hart | ... | Morph | |
| Lucy Davis | ... | Debbs | |
| Sara Stockbridge | ... | Sally May | |
| rest of cast listed alphabetically: | |||
| Simon Callow | ... | Fat Boy | |
| Kerry Fox | ... | Peach James Taylor | |
| David Hayman | ... | P3 | |
| Tom Leick | ... | Peach's Personal Assistant | |
| Cal Macaninch | ... | Mac | |
| Julian Nest | ... | Court Advisor | |
| Steve Preston | ... | Court Advisor | |
| Thomas Sanne | ... | Royal Advisor | |
| John Sessions | ... | Felix Sty | |
Directed by | |||
| Mary McGuckian | |||
Writing credits(in alphabetical order) | ||
| Mary McGuckian | writer | |
Produced by | |||
| Jeff Abberley | .... | producer | |
| Julia Blackman | .... | executive producer | |
| Douglas Hansen | .... | co-producer | |
| Robert How | .... | line producer | |
| Garrett McGuckian | .... | executive producer | |
| Mary McGuckian | .... | producer | |
| Tom Reeve | .... | producer | |
| Romain Schroeder | .... | executive producer | |
| James D. Stern | .... | executive producer | |
Original Music by | |||
| Nicky Shaw | (as Nicky 'Misschief' Shaw) | ||
Cinematography by | |||
| Mark Wolf | |||
Film Editing by | |||
| Kant Pan | |||
| Danny Tull | |||
Casting by | |||
| Sharon Howard-Field | |||
Production Design by | |||
| Max Gottlieb | |||
Art Direction by | |||
| David Hindle | |||
Costume Design by | |||
| Uli Simon | |||
Makeup Department | |||
| Claudine Moureaud | .... | makeup artist | |
| Kay Philips | .... | key hair stylist | |
| Katja Reinert-Alexis | .... | makeup designer | |
Art Department | |||
| Sulamith Ater | .... | scene artist | |
| Hannah Capron | .... | assistant art director | |
| Roy Chapman | .... | property master | |
| Aaron Chetwynd | .... | stand-by art director | |
| Jill Robertson | .... | assistant props buyer | |
| Bruno Zenatello | .... | construction coordinator | |
Sound Department | |||
| Howard Bargroff | .... | sound re-recording mixer | |
| Owen Bleasdale | .... | foley editor | |
| Mark DeSimone | .... | adr mixer: New York | |
| Simon Gershon | .... | supervising sound editor | |
| Alain Goniva | .... | boom operator | |
| Dan Green | .... | adr supervisor | |
| Marc Hayes | .... | adr recordist: New York | |
| Miha Jaramaz | .... | assistant sound re-recording mixer | |
| Dan Johnson | .... | sound re-recording mixer | |
| Khama Matiti | .... | adr mixer | |
| Ben Meechan | .... | sound effects editor | |
| Peter Melemendjian | .... | dialogue editor | |
| Michael Miller | .... | adr mixer | |
| Emma Pegram | .... | foley artist | |
| James Perry | .... | adr recordist | |
| David Turner | .... | sound technical coordinator | |
| Hilary Wyatt | .... | supervising dialogue editor | |
Visual Effects by | |||
| Sally Clayton | .... | digital film producer | |
| Alan Maiden | .... | online editor | |
Stunts | |||
| Rick Wiessenhaan | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Etienne Braun | .... | unit still photographer | |
| Mick Durlacher | .... | gaffer | |
| Julian Morson | .... | camera operator | |
| Jean-François Roqueplo | .... | key grip | |
| Gordon Segrove | .... | first assistant camera | |
| Théodore Theodorides | .... | clapper loader | |
| Carlo Thiel | .... | camera operator | |
| Gregoor van de Kamp | .... | best boy | |
| Nick Wall | .... | still photographer | |
| Wolfgang Wesemann | .... | first assistant camera | |
Casting Department | |||
| Katja Wolf | .... | extras casting | |
Costume and Wardrobe Department | |||
| Peggy Wurth | .... | costume design assistant | |
Editorial Department | |||
| Steve Harrow | .... | post-production consultant | |
| Thomas Walters | .... | post-production coordinator | |
Music Department | |||
| Nicky Shaw | .... | music arranger (as Nicky 'Misschief' Shaw) | |
| Nicky Shaw | .... | music producer (as Nicky 'Misschief' Shaw) | |
| Nicky Shaw | .... | musician (as Nicky 'Misschief' Shaw) | |
Transportation Department | |||
| Igor Pecirep | .... | driver: director | |
| Kevan Willis | .... | transportation captain | |
Other crew | |||
| Monika Agorelius | .... | electronic press kit | |
| Patrick Blocman | .... | location scout | |
| Alexandre Brown | .... | assistant location manager | |
| Kerensa Burton | .... | assistant script supervisor | |
| Catherine Gaul | .... | production secretary | |
| Michael J. Harker | .... | completion bond company representative | |
| Julia Jones | .... | unit publicist | |
| Joe Kotroczo | .... | assistant location manager | |
| Zoe Margolis | .... | set runner: UK | |
| Philip James Morgan | .... | location manager | |
| Anji Oliver | .... | assistant coordinator | |
| Sylvia Parker | .... | script supervisor | |
| Richard Rowntree | .... | assistant: Steve Harrow | |
| David Alexander Trunk | .... | production assistant | |
| Faye Villalba | .... | production coordinator | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Luxembourg section | Add this title to MyMovies |
If this is meant to be a fly on the wall appreciation of a newsroom it is hard to imagine that flies can stick to walls, rather than fall to the floor suffering from some severe form of motion sickness. I could barely watch 24 minutes of this picture, as my head was spinning out of control. If I had watched it any further I may have ended with my face in the toilet bowl.
Yes this movie is quite unconventional in it's use of short shots, and rapid edits. But its lack of convention adds to its almost complete lack of veiwability (I may have invented that word). I do not know why someone would revert to a nauseating MTV style of editing with such a subject. Some reviewers here have said it adds to the fly on the wall experience. But flies on a wall have one perspective, because they are sitting still on a wall.
A sense of pace can be portrayed by other means. Such as using shots that last for more than two seconds depicting people moving frenetically, and exploiting these actors' abilities to show stress, see Broadcast News. I can't imagine this would be too much of a stretch for the cast in this pic.
It is a pity that many of the audience would not be able to watch this movie given the stellar cast and subject matter. JJL is one of my all time faves, and I was quite disappointed that I could not see more than 23 minutes and 55 seconds of this pic. I watched this movie on DVD, and I've never asked for money back; but on this occasion I shall.
If you want to have a good time that results in you being very sick at the end of the night, I recommend a night at the pub. This movie does not provide you with a good time.
0.5/10 Unfortunately IMDb doesn't allow for a 0.5 rating.