Hayam is a factory worker who is living in a low middle class area, along with other factory girls. She thought that her feelings for the new supervisor in the factory can grow bigger in ... See full summary »
Based on Michael Chabon's novel, the film chronicles the defining summer of a recent college graduate who crosses his gangster father and explores love, sexuality, and the enigmas surrounding his life and his city.
For young Raf, who lives in a shabby suburb of London with his unemployed and permanently drunk father Mario, motorbike riding is everything. Raf uses every free minute he gets to tinker ... See full summary »
Andrew Lee Potts,
Two women get on the highway heading to Santa Fe. Marilyn dreams of winning a contest held by a famous belly dancing company, while her friend, Mona, has a secret: she's a fugitive from justice - accused of her mother-in-law's death.
A beautiful, wealthy young party girl drops out of Radcliffe in 1965 and heads to New York to become Holly Golightly. When she meets a hungry young artist named Andy Warhol, he promises to make her the star she always wanted to be. And like a super nova she explodes on the New York scene only to find herself slowly lose grip on reality... Written by
Okay, let me say that I enjoyed Factory Girl for what it is and think it is worth renting.
The story stars Sienna Miller as the fated Edie Sedgwick and Guy Pearace as vapid pop culture icon, Andy Warhol.
The movie isn't nearly as close to as bad as critics claim it is. The first 40 minutes is much ado about talk of cocks, Andy and Edie's irreverence, and a series of disjointed images. The first act is aimless. But it makes sense because Edie and Andy are aimless and so are the termites chewing Andy's wood at "The Factory".
Enter Hayden Christensen as Billy Quinn and the movie develops its paper thin plot. Though, I should say it's unfair to characterize the story this way. Edie's life was a paper thin plot, so the director, Hickenlooper can't be blamed for that.
Andy, who never says he is gay, though everyone else assumes (or knows) he is, is in love with the idea of Edie "The Superstar" and Billy Quinn simply wants to open her eyes. She becomes the rope in a tug of war. Billy's "soul" cries for the world in a time of upheaval versus the-devil-may-care, drug den world of Andy. And while the latter may be in "love" with his muse, Billy cares and wants Edie to know, if art is the food of the soul, then Edie is eating from an empty soup can.
Edie is a sympathetic character. You get the sense that no one really knew her. Not because she was empty and vapid but that she was so shattered inside the only part of herself she allowed the world to see was the facade her Andy created. In Factory Girl we see Edie through the looking glass. Not as she was, but as she appeared. Warped.
Edie is the cute girl you meet in passing at a party at some stranger's house. You like her, but never see her again. Though, over the years you hear the occasional rumor or two, until one day, you hear she's hit rock bottom and died. That's how it feels to watch Edie Sedgewick's story in The Factory Girl. On one hand, you want to mourn her. On the other hand, you wonder, what has the world lost? That in itself is the real tragedy.
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