Movie producer Saul (Goss) has a drug related accident while recklessly driving his car. Saul's girlfriend, Claire (Fellner), insists that Saul check into a rehabilitation clinic. The film ... See full summary »
Mary Walsh delivers boyfriend Kevin to a hospital for routine outpatient surgery. But when Mary returns to take him home, he's mysteriously vanished. An administrator can find no record of ... See full summary »
CIAO! MANHATTAN parallels Andy Warhol Factory star Edie Sedgwick's glory days in the late 60's through her inevitable downfall and the tragic addiction that would take her life only weeks after filming wrapped in 1971.
Two women get on the highway heading to Santa Fe. Marilyn dreams of winning a contest held by a famous belly dancing company, while her friend, Mona, has a secret: she's a fugitive from justice - accused of her mother-in-law's death.
Ha yam is a factory worker who is living in a low middle class area, along with other factory girls. She thought that her feelings for the new supervisor in the factory can grow bigger in ... See full summary »
A beautiful, wealthy young party girl drops out of Radcliffe in 1965 and heads to New York to become Holly Golightly. When she meets a hungry young artist named Andy Warhol, he promises to make her the star she always wanted to be. And like a super nova she explodes on the New York scene only to find herself slowly lose grip on reality... Written by
The language Andy's mother speaks, is Czech. Andy's family came to Pittsburgh from today's Slovakia (EU), which is near to Czech Republic. See more »
Throughout the film, Edie Sedgwick's cigarette packages are period-correct Viceroy packs, but the actual cigarettes she is seen smoking are Marlboro Lights, which did not become available until 1972. See more »
A terrible after-school special version of Edie's story
The film is cliché after cliché, with two-dimensional characters and a flat, uninspired script. To be fair, Sienna Miller does a wonderful job with the material she's been given. Sadly, it's not a lot to work with.
One of the major flaws in Factory Girl is that there is no character that you can like. I wasn't sure who I was supposed to care about, possibly because no character was ever developed enough to get past their surface. It's hard to portray Andy Warhol in film, after all of the versions that have been done, and his own status as more icon than man. This film only proved the point, by playing him in a way that felt more like a parody than a person.
Over and over again, the film takes the easy road, from its After School Special depiction of drug use to the predictable dialogue, walks through Central Park, even the establishing shot of the Eiffel Tower to show "hey, look, they're in Paris!"
New York looks like a studio set, and the filmmakers give the impression that they aren't even familiar with the city. A cab is told to go to "2nd Avenue and Fifth," where somehow a massive concert is taking place - despite the fact that the address is in the East Village, with only mom & pop stores and small bars in the area.
The casting is nothing if not bizarre. Hayden Christensen as Bob Dylan, sorry, "Billy Quinn," comes off as an opinionated (though incredibly fit and Gentile) jerk with a guitar, Guy Pearce is too attractive for Andy, while Sienna Miller doesn't have Edie's soft beauty.
The greatest crime is that this will be many people's first introduction to Edie Sedgwick, and they will go away with an impression of a simple, disposable girl - with none of her glamour, whose problems can be neatly wrapped up in a few lines about her father. Her entry into Andy's world is nothing more than an entrance to a party, and her fall is just a soap opera decline.
If you have any interest in Edie Sedgwick at all, do yourself a favor and watch Ciao Manhattan, but by all means, avoid Factory Girl.
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